from my sketchbook: nan britton and carrie phillips

hey carrie anne what's your game now can anybody play?
US presidents. What a bunch of fuckers. Literally. A larger collective of men who can’t keep it in their pants never existed. Take a look at this list:

  • Declaration of Independence author and third President Thomas Jefferson fathered six children with Sally Hemmings. a slave he inherited from his wife.
  • When beloved 32nd President FDR died in a woman’s arms, it was the arms of his longtime mistress Lucy Mercer, not ol’ Eleanor.
  • 36th President, the genial Texan Lyndon Johnson carried on an affair with Madeleine Brown for 21 years while Lady Bird turned a blind eye.
  • Despite being married to a timeless beauty, 35th President JFK slept with every woman who looked at him cockeyed (no pun intended).
  • Bill Clinton, our 42nd President… well, he loved a lot more than just French fries and barbecue.

By looks alone, the most unlikely adulterer was 29th President Warren G. Harding. Historians rank Harding’s presidency as one of the worst in the country’s history. Scandals and corruption abounded in his administration, including his mishandling of the Great Railroad Workers Strike of 1922 and the notorious Teapot Dome Scandal that was tagged the most “sensational scandal in the history of American politics” until Watergate. A member of his cabinet and several of his appointees were convicted, and sent to prison for bribery and defrauding the federal government. But, none of this mattered to amourous President Harding, ’cause he was fighting the women off with a stick.

In 1912, sixteen year-old Nan Britton became infatuated with 47 year-old, married Warren Harding. Young Nan plastered the walls of her room with newspaper clippings and photos of the former Ohio Lieutenant Governor. Harding, a friend of Nan’s father, spoke with the girl, telling her that she would one day meet the man of her dreams. Harding, meanwhile was in the throes of a passionate tryst with Carrie Phillips, wife of James Phillips, owner of a prominent Ohio department store. As Harding’s bid for the US Presidency gathered steam, Carrie was given a new Cadillac, $20,000 and trip around the world to keep her mouth shut.

In June 1923, Harding set out on a cross-country “Voyage of Understanding” pubilicity tour to reconnect with the people. By the time he reached San Francisco in August, he was suffering from exhaustion and pneumonia. During a conversation with his wife at the Palace Hotel, Harding suddenly shuddered and died. In 1927, Nan Britton published what is considered to be the first “kiss-and-tell” book. She attested that, on numerous occasions, she and Harding had sex in a White House closet and that he was the father of her daughter Elizabeth. She also claimed the President’s life was a series of “cheap sex episodes”.

When Carrie Phillips passed away in 1960, over 100 letters from Harding were discovered among her personal effects. Most were flowery love letters, but a number of them were very erotic in nature.

Stuff you’d never expect from a guy that looked like this…
that's the way uh-huh uh-huh, I like it, uh-huh uh-huh

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IF: shadows

This week’s Illustration Friday challenge word is “shadows”.
evil tower. u r doomed.

“There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call The Twilight Zone.”

For five seasons, Rod Serling used those words (or variations of them) to introduce The Twilight Zone, his classic science-fiction/supernatural anthology series. When The Twilight Zone premiered in October 1959, it was hailed by one TV critic from The Chicago Daily News as “the only show on the air that I actually look forward to seeing. It’s the one series that I will let interfere with other plans.” Daily Variety ranked it with “the best that has ever been accomplished in half-hour filmed television” and the New York Herald Tribune found the show to be “certainly the best and most original anthology series of the year.” The bulk of the series episodes were scripted by celebrated and respected writers Charles Beaumont, Richard Matheson and Serling himself. Serling also served as host as well as the show’s main advocate against network censorship. The series has been rerun in syndication since its cancellation in 1964, eventually gaining a fan base that has made the show bigger and more popular than in its initial run. My son, E., has numbered himself among those fans since he first discovered the show, in reruns, at the age of six. When my son graduated from the likes of kiddie shows like Thomas the Tank Engine and Mighty Morphin Power Rangers, he latched on to The Twilight Zone, in all its “out-of-place black-and-white” glory. Even at such a young age, he understood the irony of the twist endings at each episode’s end. (I realize that some of the payoffs were driven home with the blatant impact of a sledgehammer, but, still, he was six!)

Walt Disney World had become a favorite destination for me beginning with my first trip with my friends in 1980. The fondness began even earlier for my wife and her family. They first ventured to the central Florida entertainment mecca within a year of its grand opening. So, based on that shared history, Walt Disney World was the natural choice for our honeymoon when we married in 1984. We followed that trip with another one the very next summer. At the end of 1986, my wife and I drove to Disney World again. She happily sat behind the steering wheel and guided our car southbound on I-95, despite being six-weeks pregnant. With a baby due in August, we figured that this would be our last trip to the theme park for quite a while. With the additional expenses of a third member of the family, we settled for short trips to Atlantic City for recreation. It wasn’t until 1995, just a few months before our son’s eighth birthday, that we were able to financially swing a return visit to Disney’s Florida resort.

No longer appeased by regular visits to the Disney Store in the Cherry Hill Mall and by having this extensive collection in his house, my son was ecstatic at the idea of seeing and experiencing actual Disney attractions in person. With the opening of the so-called Value Resorts as part of the Disney roster of accommodations making it easier on our pocketbook, we made reservations for a room at the new All-Star Music Resort and my wife and I looked to forward to seeing how the property had changed in nine years. We also, of course, looked forward to enjoying a Walt Disney World vacation with our son.

Our first day in The Magic Kingdom was great. We marveled excitedly as E. took it all in — the rides, the sights, the characters. After watching countless Disney’s Sing-Along and Vacation Planner videos and studying Birnbaum’s Official Guide to Walt Disney World with a level of concentration usually reserved for college entrance exams, E. was very familiar with the layout of the park and its numerous contents. He happily rode Peter Pan’s Flight and It’s a Small World, cheerfully singing the brain-washing theme song upon exiting. With trepidation, he entered the foreboding queue areas of Pirates of the Carribbean and the Haunted Mansion. E. nervously laughed, hiding his fear, as our “doombuggy” inched its way through the darkened halls of Master Gracey’s abode. As we followed the crowd on the exit ramp, E. opted to accompany his mother to The Hall of Presidents rather than another ride through the Haunted Mansion with me. Confounded, I reasoned that there were more dead guys among the Presidents than in the Haunted Mansion, but he would hear nothing of it.

Day Two brought us to Epcot, which evoked equal enthusiasm. Our Day Three objective was The Disney-MGM Studios (now called The Disney Hollywood Studios, after a 20-year licensing agreement ended). As usual for the Pincus Family, we arrived early at the park’s entrance gate. Since The Disney-MGM Studios had opened in 1989, this was to be the first theme park the three of us would experience together for the first time. We carefully followed park-issued guide maps and plotted our path to cover the most ground and optimize our full day. We were drawn to The Great Movie Ride, housed in a frighteningly-accurate reproduction of the famed Graumann’s Chinese Theater in Hollywood. After that, we encountered the Indiana Jones Stunt Show, Star Tours, the hokey Backstage Tour and the entertaining, yet confusing, Voyage of the Little Mermaid. The recently opened Twilight Zone Tower of Terror loomed high above the Studios, its faux lightning-burned, terracotta exterior defiantly inviting curious thrill-seekers to explore its equally-ominous interior. In spite of being a fan of the show, Twilight Zone Tower of Terror spooked my son to no end. He occasionally shot an over-the-shoulder glance towards the structure, but was not interested in the least of going near it. We weren’t going to force him to ride something that very thought of struck him with fear. For Christ’s sake, the word “terror” was right in the name of the thing! But, I wasn’t travelling all the way to Florida to stand in the shadow of a ride, only to leave and wonder what it was like. I told my wife that I wanted to ride and if I had to, I’d ride it myself. She agreed to wander the park with our son while I did. Ninety minutes later, I met up with the members of my family. I related my ride experience in animated jubilation. I told my wife she had to ride it. She just had to! E. looked up at me with fearful wide eyes. I explained that he would love it. “There’s nothing really scary about it.,” I began, “You see stuff from Twilight Zone and then you get into a fake elevator that drops real fast. It’s over in a minute and it’s fun!” Then, I joked, “Rod Serling’s arm hair is scarier than the whole ride.” — alluding to the many comments I had made regarding Mr. Serling’s hirsute wrists that peeked out of his suit sleeves during his Twilight Zone introductions. Besides, if he didn’t wish a turn, Disney had an arrangement to allow children to take an alternate route out of the attraction building while parents enjoyed the ride. I assured E. that he would not, under any circumstances, be forced to ride. He would merely wait with us until the time came to part company and we’d meet up with him minutes later. My son knew I would never lie to him, but my credibility was waning.

We entered the queue area and E. grew silent, taking in the menacing overgrown garden and deteriorating façade of the Hollywood Tower Hotel, the themed edifice that conceals the actual ride. The line snaked through the (fake) mist-covered foliage and into a grand, yet cobweb-covered (also fake), reception lobby. The “castmembers” (Disney employees), clad in maroon and gold bellhop uniforms in keeping with the 1930s motif, directed groups of riders towards ornate doorways. My son, still convinced that he was going to ride this thing against his will, clung to my wife as our group passed through the doorways and into a small room whose walls were lined with books and curios, some representing props from the show. As I pointed a few of them out to my son, the lights dimmed, a large black-and-white television flickered to life and the familiar image of Rod Serling appeared on the screen. His narration, obviously dubbed by a dead-on impersonator, told of a group of guests who rode an elevator in the hotel during a lightning storm in 1939. The screen suddenly showed the actual hotel we were in being struck by a blazing bolt of electricity. My son, whom I was now holding, buried his face deep into my shoulder. The TV snapped off and a set of doors on the opposite wall opened and another “bellhop” instructed us to follow a narrow walkway through a pseudo-boiler room to the boarding area. E., again looked up at us and questioned about his opportunity to split. Again, I promised him he would not be forced to ride, although I was not sure at what point he would be offered alternate egress options. The ambient sound of grinding gears and hissing steam didn’t help my trustworthiness and we continued our approach to the pre-board area. Finally, we were waved in and advised to stand on one of an array of designated number plaques embedded in the floor. E.’s horror escalated until I informed the ride operator that my son did not wish to participate in this particular excursion into the realm of Disney magic. Barely breaking character, another bellhop smiled, took E.’s hand and led him to a nondescript doorway along side the elevator entrance. My wife and I entered the attraction elevator and we were off! We laughed and shrieked and howled with elation and, seconds later, we were told to “enjoy the rest of our day at Disney World”. The doors of the elevator opened and there stood a smiling E. still holding the hand of the bellhop. We thanked him as we regained possession of our son. As we walked out through the gift shop (as is the case with most Disney attractions), we asked about our few moments apart. E. told us that his elevator was just a regular elevator and he rode with just the bellhop and two wheelchairs. He asked the bellhop if the heavy wool coat of his costume was hot because it looked hot. The bellhop confirmed it was, indeed, hot. He also told us that his elevator didn’t go very fast.

We have been to Walt Disney World and Disneyland 12 more times since 1995. And, as far as my son’s relationship with Twilight Zone Tower of Terror is concerned — now we can’t get him off the damn thing!

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from my sketchbook: dwight frye and skelton knaggs

I was working in the lab late one night when my eyes beheld an eerie sight
Have you ever watched an old movie on television and a nameless character actor prompts the rhetorical question, “How did this guy  ever become an actor?” I’m sure Dwight Frye and Skelton Knaggs have evoked that query many times.

Dwight Frye made a career playing mentally unbalanced and deranged characters. He earned himself the nickname “The Man with the Thousand Watt Stare.” In over fifty films, he graced the silver screen with riveting portrayals of unnerving characters, the most famous having been “Renfield” the fly-eating madman in Tod Browning‘s Dracula  and “Fritz”, the monster-tormenting, hunchbacked assistant in James Whale‘s Frankenstein, both from 1931. In addition to his film roles, Dwight aided the war effort by designing tools for Lockheed. While in preparation for a breakthrough role in a biopic of President Woodrow Wilson, Dwight died of a heart attack on a Hollywood bus a few days before filming was to begin. He was 44.

As Dwight Frye’s career was winding down, Skelton Knaggs was there as a competent replacement. Skelton was a trained Shakespearean actor in his native England. When he moved to Hollywood, his unusual looks — thick glasses, pock-marked face and prominent front teeth — made him the perfect candidate for the sinister roles usually reserved for Dwight Frye. In his nineteen year career, he played all sorts of henchmen, villains, pirates and creeps in mostly uncredited parts. Unfortunately, Skelton was an alcoholic and years of heavy drinking brought on the cirrhosis of the liver that took his life at age 43.

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IF: asleep

This week’s Illustration Friday suggested topic is “asleep”.
Please don't wake me, no/don't shake me/Leave me where I am
The morning began like every morning begins. My alarm went off at six and I smacked the snooze button every ten minutes until I kicked myself out of bed at 6:30. I showered, brushed my teeth and checked the mirror to see if I could get away without shaving for one more day. I exited the bathroom and headed downstairs. I flicked on our Keurig coffee maker and while the water was heating up I ran down the basement steps to grab a matching pair of socks out of the dryer. Back in the kitchen, I watched as hot water purged through my selection of K-Cup and emptied its brewed contents into a waiting mug. After adding a splash of half-and-half and one packet of Sweet ‘n Low, I carried my coffee and my socks back upstairs to watch the first half-hour of The Today Show  while I got dressed. As the clock came up on 7:40 am, I snapped off the TV and grabbed my cellphone and canvas messenger bag. Mrs. Pincus was asleep, still snuggled under several blankets, when I kissed her and whispered “goodbye”. I crossed the hall to say “goodbye” to my son, curled up under his own blankets. Although they each uttered a closed-mouthed “hum”, they may or may not have heard my actual farewell — as is the case most mornings. I scrambled down the stairs, grabbed my denim jacket and pulled it on as I hurried out the door. I ambled to the train station at the end of my block, less than a minute walk from my front door. Most mornings, I see my friend Randi and we ride the train together to our destination, as we both work in the same office building in center city Philadelphia. This particular morning, Randi was not on the platform. Too bad for me.

At 7:50, the train stops at Elkins Park and I get on. It then proceeds on to its scheduled station stops at Melrose Park, Fern Rock, Temple University and Market East until it reaches my journey’s end, Suburban Station. My entire morning commute covers five stations and lasts approximately twenty-five minutes. When I ride with Randi, we are engaged in conversation that lasts the whole trip, usually continuing until we reach the elevators in our building’s lobby. Since Randi was obviously relying on another route to work this morning, I turned to my dog-eared copy of Carson McCullers’ The Heart Is a Lonely Hunter  to pass the time. I boarded the train, selected a seat at the rear of a relatively empty car, pulled the book from my bag and began to read. I had been struggling through Miss McCullers’ Southern Gothic debut, that it now had taken on the characteristics of a high-school reading assignment rather than a source of enjoyment. The train came to a stop at Melrose Park and, unable to focus, I returned the book to my bag and closed my eyes for a quick nap. Too bad for me.

Suddenly, my eyes shot open. The train was in a tunnel and the car lights were flickering. I was groggy and disoriented. Through bleary and unadjusted eyes, I looked at my watch and I saw it was 8:10. However, since I was in a tunnel, I didn’t know which  8:10 of the day it was. I couldn’t remember how long I had been asleep. The train pulled into Market East, the first underground station on my regular morning journey.  My foggy and sleep-addled mind surmised that I was actually on my way home and it was 8:10 in the evening. I convinced myself that I must have traveled all the way to the end of my homecoming train’s line in Glenside — where no train staff had awakened me — and now I was on a return trip to center city. In a panic, I hopped off the train and frantically dialed my wife at home. As the phone rang, I was annoyed that she had not called, wondering why I had not arrived home at my usual 5:30. After four or five rings, my wife’s hushed voice whispered “Hello” from my cellphone’s speaker. I blurted out, “I’m okay! I’m on my way home. I must have fallen asleep on the train, came back from Glenside and now I’m at Market East. I’m getting on a train to Elkins Park and I’ll be home soon.” I rambled on so quickly, I didn’t allow my bewildered wife to get an interrupting word in. I paused and followed my rant with, “I can’t believe you didn’t call me! Didn’t you wonder where I was?”

She was silent, then she cleared her throat and said, “Well, I was asleep” and she trailed off.

“I’m three hours late coming home and you didn’t think to call me?”  I was starting to get angry. “Well, forget it! I’ll be home soon.”

“What are you talking about? Why are you coming home?” She sounded as confused as I felt.

“I’m coming home!”, I said one last time and I pushed the “END” button on my phone as I approached the information desk at Market East to ask the time for the next train to Elkins Park.

My wife sat in our darkened bedroom and stared blankly at the phone. The first thought to cross her mind was “Well, a twenty-seven year marriage was a good run.” Knowing full well that I had just left the house twenty minutes earlier, she began to cry, assuming I had had a stroke while riding the train.

I boarded the Elkins Park-bound train and called home again. I lowered my voice, so as not to attract the attention of my fellow passengers to my slightly embarrassing situation. Once again, I explained the “fell asleep on the train” scenario to my emotional wife. During my explanation, the train emerged from the tunnel — into the harsh sunlight of the morning. Suddenly, it hit me. I had been asleep for merely moments, on my way to  work — not hours, on my way home.  It also occurred to me that Mrs. Pincus must have thought I had a stroke. “Um, I’ll call you right back.” I said to her and ended the call. All that had just transpired became instantly clear to me. I looked at my watch again and up to the sky and concluded the correct time of day. I jumped off the train at Temple University and I waited for the next train to my proper terminus. And I called my wife. Again.

Mrs. Pincus answered on the first ring. She hit me with a battery of inquiry. “Are you okay? Where are you? Did you have a stroke?” I assured her I was now fully aware of the situation and I was now headed in the right direction and I did not have a stroke. It took several repeat affirmations but I finally convinced her that I was, indeed, fine.

At last, I reached Suburban Station, ten minutes later than usual arrival. I walked my usual route to my office and as I snapped my office light on, two of my co-workers noted, “You’re later than usual.”

Too bad for me.

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DCS: leo gorcey

a clever seduction
Eighteen year-old Leo Gorcey had just lost his job as a plumber’s apprentice. His father and younger brother, both successful vaudeville performers, persuaded Leo to try out for a part in the play Dead End. The Gorceys each got small roles as members of a street gang. When featured actor Charles Duncan left the production, Leo took over the more prominent role of “Spit,” the quarrelsome troublemaker.

In 1937, Dead End made the jump to the big screen and so began Leo’s twenty-year reign as one of the busiest actors in Hollywood. From 1937 to 1939, he starred in seven Dead End Kids  films. From 1940 to 1945, he starred in twenty-one East Side Kids movies. In 1944, he had a recurring role in the Pabst Blue Ribbon Town radio show, starring Groucho Marx. (Leo was married five times, including five years to Kay Marvis, who went on to marry Groucho Marx after her divorce from Leo.)

In 1946, he starred in his first of forty-one Bowery Boys  films, a franchise that lasted ten years. Leo, the self-appointed leader of the gang, became known for his consistent misuse of words and “get rich quick” schemes. Leo’s wiseguy character Terence Aloysius “Slip” Mahoney was the foil to rubber-faced Huntz Hall as the dim-witted “Sach.” Using the stage name “David Condon” to avoid claims of nepotism, Leo’s brother David was featured in minor roles in the series. Leo’s father, Bernard, played Louie owner of the sweet shop that served as the Bowery Boys’ home base. The series made no bones about its formula. They essentially waited for the more popular (and funnier) Abbott and Costello to make a picture and the Boys would copy the same premise several months later. Bud and Lou would make a film about ghosts and Leo and company would make a film set in a haunted house. An Abbott and Costello comic safari adventure would soon be followed by a “Bowery Boys in Africa” romp.

Leo made several non-Bowery Boys films in the 1940s. During production of Out of the Fog in 1941, Leo repeatedly blew simple dialog, much to the chagrin of director Anatole Litvak. Able to take no more, the frustrated Litvak screamed, “Gorcey, as an actor, you stink!” The always arrogant Leo shouted back, “Don’t you ever, ever  scream at me like that again!,” and stormed off the set. A few hours later, he returned to do the scene, and again, blew the same line. Litvak walked over to Leo and quietly whispered in his ear, “Gorcey, as an actor, you still stink. And notice that, this time, I’m not shouting.”

In 1955, Bernard Gorcey was killed in a car accident. A distraught Leo found comfort in alcohol. He regularly showed up drunk for a day of filming. After an intoxicated rage on the set of the film Chasing Las Vegas,  Leo was refused a pay raise and he quit the Bowery Boys. The series continued for seven more films without him. He appeared in a small role in the all-star comedy It’s a Mad, Mad, Mad Mad World  in 1963. He had a brief reunion with Huntz Hall in the 1966 head-scratcher Second Fiddle to a Steel Guitar,  his final role.

In 1967, art director Robert Fraser and designers Peter Blake and Jann Haworth created the Grammy-award winning cover for The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band  album. The cover photo showed the Fab Four in full military regalia surrounded by a collage of life-sized cut-outs of their heroes. Among the famous faces were Bowery Boys alumni Huntz Hall and Leo Gorcey. Hall, a favorite of John Lennon, was flattered to be included. Leo Gorcey, however, demanded payment of $400 for using his likeness. His face was edited out of the cover’s final version.

Years of heavy alcohol abuse took its toll on Leo and he died from liver failure one day before his 52nd birthday.

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IF: soaked

you may get wet
Summer 1979. My friends and I had just graduated from high school. We were all turning eighteen, the then-legal drinking age in New Jersey. Four of us ― Alan, Scott, Sam and ol’ Josh Pincus ― crossed the Pennsylvania border, headed for Atlantic City, for what would be a beer-soaked, debauchery-filled last hurrah before college.

Atlantic City was in a transitional period in the late 70s, caught somewhere between the “America’s Playground” time of the 60s and the new frontier of casino gambling. The grand old hotels on the famed Boardwalk, now dingy gray shadows of their glittery and esteemed heyday, were still out of our league. The more modern family motor inns were also a bit pricey for the likes of four high-schoolers with minimum wage jobs. The most monetarily-appealing option was one of the many rooming houses available just off the Boardwalk. An older couple, usually ones whose grown children had left the nest, would open up several rooms in their large pseudo-Victorian seaside homes for vacationers on a budget. My friends and I happily booked accommodations at Betty’s Rooms, one of the larger rooming houses still within the beach block.

Alan secured the use of his father’s sedan for several days and we all met at his house. Each of us packed a bag with the few items that eighteen year-olds feel they need for a four-day vacation – clothing in pairs (underwear, socks, shorts and a pair of T-shirts), possibly a toothbrush and enough cash to keep us in beer and junk food until our return home. We piled into the car and set off for our Jersey Coast destination. We decided to take the less-frequently used Betsy Ross Bridge instead of the more popular (and possibly traffic-jammed) Tacony-Palmyra Bridge as our cross-over into The Garden State. Finding ours being the only vehicle on the bridge in that early morning hour, Alan maneuvered the car across all eight lanes in a haphazard, zig-zaggy pattern. We all laughed hysterically, unfazed by the potential danger of his actions. Actually, we perceived it more of a foreshadowing of the unbridled revelry that lie ahead.

The ninety-minute drive ended at Betty’s Rooms, a massive, three-story single-family structure, now converted to a labyrinth of odd-shaped rooms and a mixed assemblage of guests, mostly families with an eye on thriftiness and teens like us. We were greeted by Crying Bob, Betty’s partner (possibly her husband – the jury is still out on that call), who managed the large off-street parking lot. Bob, with his white crew-cut and windburned skin, directed us to a designated parking space with a warbling voice sounding as though he was on the verge of tears. We popped the trunk and grabbed our bags. The four of us bounded up the front steps, across the porch and through the front door where we were met by Betty herself. Betty was a frail, wizened, leathery woman with gray hair pulled into a tight bun at the back of her head and a horse-choking wad of paper money tucked securely under her ubiquitous crocheted shawl between a frayed bra strap and a bony shoulder. With a crooked, twig-like finger, Betty pointed up the stairs and handed over the key to the largest room in the house. We recklessly tossed our luggage into the room that would be our home for the next few days. A room that Betty would freshen daily with mismatched towels and hospital-cornered beds. A room whose condition would invariably deteriorate and bring unspoken disgust to Betty’s old-fashioned sense of respect and decency (for a woman who runs a rooming house, that is).

Our first order of business (which would lead to our second order of business), was to stock up on beer, soda, snacks, beer and beer. We made our way to Chelsea Liquors on Atlantic Avenue. Despite its “stripper-sounding” name, Chelsea Liquors was a small, cramped establishment eager to cater to the alcoholic whims of anyone with a valid proof of age. As the oldest of the group, I made my first official legal purchase of beer (four six-packs), while my friends gathered bags of crunchy snacks and two-liter bottles of soda. (No cups needed as we were pretty friendly. What’s a few wipes of a bottle-top between friends?) We returned to our room at Betty’s and, with no regard for the early hour of the day, began drinking immediately. And that’s how we occupied ourselves for four days. It was a veritable race to see who would succumb to cirrhosis of the liver first. And a hotly competitive race it was. We paused briefly to visit the beach or to ogle girls or to eat a normal meal, but mostly, we drank. As the first evening fell, we staggered to the Boardwalk for some fresh air and, possibly, a stop at a bar. The Boardwalk was crowded with peers also experiencing a summertime epilogue to their high school days. Familiar and unfamiliar faces swam past our bleary eyes as we feigned enthusiasm in superficial conversations. We were more interested in pickling our senses. After a few more hours of additional intoxication, we wavered and pitched back to Betty’s to sleep off some of the ingredients of the next morning’s impending hangover.

Before conking out for the night, we indulged in some chips and soda, consciously steering clear of any more alcohol. The cellophane bags were passed around as well as the plastic jug of Coke. I was seated on the edge of one bed and I clapped my hands to get the attention of Sam who was seated at a small table several feet away. I waved my palms towards me in the universal gesture of “send that soda bottle this way”. Sam cocked his arm and hefted the two-liter container up in the manner of an NFL quarterback facing the oncoming defensive line. He lightly bounced the nearly-full bottle and suddenly rocketed it in my direction. In the same instant, Scott decided he had had enough for one evening. He reached up and yanked the cord on the single light fixture on the ceiling ― immersing the room in total darkness. I sat in the obscuring emptiness with my arms outstretched, waiting for the approaching carbonated missile that Sam had launched a second earlier. My wait was minimal as I was immediately slammed in the head by the plastic decanter and sent backwards off the bed. The audible “WHAP” confirmed a direct hit to the three other occupants of the room. In a roar of laughter, someone snapped the light back on to find me laid out on the floor, a large welt already blooming on my forehead. The merriment of my pals faded away at the same rate as my consciousness.

The next morning, my hangover arrived right on schedule. But the bulletproof mentality of an eighteen year-old male is a tough thing to alter. I popped a few Excedrin and minutes later I felt I was ready to accompany my friends to breakfast. Everyone knows that there’s nothing better to fight a hangover than a couple of aspirin and a stack of pancakes.

The next three days took a course similar to Day One, except I didn’t take anymore Coke bottles to the noggin. On Day Four, we disposed of the many beer cans and swept the pretzel crumbs off the beds to leave the room as presentable as possible. We loaded our bags into Alan’s car and started for home, waving to Betty and Crying Bob as we exited the parking lot.

Summer was over. Life awaited us.

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from my sketchbook: peggy shannon

Knows enough to know not to believe/What is real and what it seems to be/Knows what's keepin' him from bein' free/Right outside your door
While visiting her aunt in New York City, 16 year-old Peggy Shannon (then, just little Winona Sammon from Pine Bluff, Arkansas) was hired for the Ziegfeld Follies. She was spotted on Broadway by a production head from Paramount Pictures and was offered a contract. Whisked off to Hollywood, she was touted as the next “It” girl, the title given to actress Clara Bow. Bow had suffered a nervous breakdown and Peggy was her replacement in The Secret Call — all within two days of her Hollywood arrival.

So began Peggy’s whirlwind career — working sixteen hour days. Wrapping up one movie and moving immediately to the next. Sometimes, an exhausted Peggy worked on two films simultaneously. Publicity appearances kept Peggy busy as well and she became a fashion icon in the 30s, wearing styles months before they became popular. The work load became more demanding and Peggy turned to alcohol to help cope. Of course, it had the opposite effect. Peggy gained a reputation of being difficult to work with. The acting offers lessened as her drinking increased. She was replaced after a short run in a Broadway show due to “a tooth ailment”. This was a thinly-veiled cover-up for Peggy’s intensified alcoholism.

On May 11, 1941, Peggy’s husband, cameraman Albert Roberts, arrived home after a fishing trip to find 34-year old Peggy dead in their Hollywood apartment. She was seated at the kitchen table with a cigarette in her mouth and an empty glass in her hand. She had been dead for twelve hours. A later autopsy concluded she had died of a heart attack brought on by advanced liver disease. Three weeks after Peggy’s death, Albert shot himself while sitting in the same chair in which he found Peggy. His suicide note read: “I am very much in love with my wife, Peggy Shannon. In this spot she died, so in reverence to her, you will find me in the same spot.”

Ironically, Peggy and Albert are buried in two different cemeteries — six miles apart.

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DCS: pete ham

Nothing to say, nothing to see, nothing to do
Pete Ham formed his first band at the age of 14. The band evolved over the next few years, experiencing personnel changes until they gained local notoriety as The Iveys in 1965. The Iveys caught the attention of Mal Evans, personal assistant to the Beatles, and they were soon signed to Apple Records.

Changing their name to Badfinger, Pete and his bandmates were recruited to provide the soundtrack to the film The Magic Christian  in 1970. They recorded some originals but were reluctant to release a Paul McCartney composition as their first single. After some “convincing” from Apple management, “Come and Get It” became Badfinger’s first international Top 10 single. They followed that up with three more consecutive Top 10 hits. However, Pete’s biggest success was as a songwriter when Harry Nilsson recorded his song (co-written with bandmate Tom Evans) “Without You” in 1972, a song that was eventually recorded by hundreds of different singers. Badfinger exerted a lot of effort trying to shake the obvious Beatles comparisons. After recording four popular albums and making a mark as a defining band in the “power pop” genre, they ended their relationship with the Beatles and Apple Records when their manager, Stan Polley, signed them to a multi-record/multi-million dollar deal with Warner Brothers.

The commitment to Warners was grueling and the subsequent album releases were unsuccessful. Warner Brothers became leery of the lack of communication from Polley over escrow account information regarding cash advances. Polley had been skimming funds from Badfinger and other bands he represented. Additionally, Warners was not satisfied with the quality of the songs for a proposed album. The label halted promotion for Badfinger’s current album, “Wish You Were Here”, and tour. The band’s career was halted. Pete and his pregnant girlfriend had moved into a new home and his funds were beginning to dwindle. The band’s manager Polley had set up several corporations that dictated distribution of salary and publishing rights, touring decisions and song royalties, all with Polley as the decision maker. Pete made countless attempts to contact Polley with no luck.

In April 1975, Pete and bandmate collaborator Tom Evans went out to a pub to discuss their financial situation. Tom dropped Pete off at home around 3 in the morning. Pete wrote a note addressed to his girlfriend and her son saying, “I love you Anne. I love you Blair. I will not be allowed to love and trust everybody. This is better.  P.S. Stan Polley is a soulless bastard. I will take him with me.”  Pete then hanged himself in his garage studio, three days before his 28th birthday. Pete’s daughter was born a month later.

In November 1983, Tom Evans had a heated argument with Badfinger bandmate Joey Molland over royalties from the song “Without You” (a song in which Molland had no input). The following morning, Tom hanged himself from a willow tree in his yard. Although he officially left no note, it was rumored that a message was left for Molland simply stating “You’re next”.  Tom’s widow maintained that he never got over Pete Ham’s suicide.

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IF: safari

This week’s Illustration Friday challenge word is “safari”.
Let's go surfin' now/Er'vybody's learnin' how
Every kid grows up listening to novelty songs and every generation had their favorites. From the early 20th century’s “K-K-K-Katy” and “Yes We Have No Bananas” to the wildly popular “Der Fuher’s Face” during World War II, novelty songs have always been crowd-pleasers.

When I was in high school, I loyally tuned in to the syndicated Dr. Demento Show  every Sunday night on local station WYSP. Upon hearing the opening strains of The Roto Rooter Good Time Christmas Band’s instrumental version of “Pico and Sepulveda”, I knew I was in store for two hours jammed with the strangest, wackiest and coolest novelty songs hand-picked by the good Doctor himself.  Dr. Demento’s (aka Barry Hansen) playlist spanned several decades. It was on the Dr. Demento Show  that I first heard the classics “Shaving Cream” and “Fish Heads”. He played Allan Sherman songs that I had listened to as a kid. He played Frank Zappa songs that may have been considered novelties by the masses, but not by Frank. Dr. Demento even played homemade tapes tapes some kid with an accodorian sent him. That kid, Weird Al Yankovic, made a career out of the novelty genre.

I had some favorites that I would wait for every week, hoping to hear and laugh along with them again. One was Jerry Samuels’ “I Owe A Lot (to Iowa Pot)”. This folk guitar ditty was a vast departure from Jerry’s previous novelty effort. In the middle 60s, Jerry recorded the international novelty hit “They’re Coming to Take Me Away” under the pseudonym Napoleon XIV. I was also partial to “Friendly Neighborhood Narco Agent” by Jef Jaisun. Jef’s fun little ode to getting busted was actually a nightmare for the budding rockstar. Warner Brothers Records gave poor Jef the run-around for years, denying him any royalties. After years of futile attempts for payment, Jef’s career headed in another direction and he became a fairly successful photographer until he passed away in 2006. Folk singer Peter Alsop had a minor hit with Larry Groce’s “Junk Food Junkie”. On his tenth album, Peter recorded “Let’s Go On Safari into My Sister’s Nose” — a song, thirty-five years later, I still can’t get out of my head. Peter still records today, but here are the lyrics to his opus about his sibling’s snot:

Let’s go on safari\Into my sister’s nose,\I’ll bet we find some treasure\Like we found between her toes
Be careful that you don’t get lost\And tangled-up in hair\I hope that it’s still open\Cause her finger’s always there!

Leave your gas mask in the car\My sister’s nose won’t smell\But bring along a pack\You might find something you can sell!
Sometimes a loose stalactite\Gives no warning when it falls\So walk only on the hard part\And please don’t touch the walls
Or we’ll never get you out of there\You’ll slide right out of sight\Although my sister’s nose is nice\It’s a scary place at night!

So let’s go on safari\Into my sister’s nose\The Northwest Passage might be open\Usually it’s closed!
Don’t worry about the monsters\That are lurking up in there\If you get one on you, do like her\And wipe it on Mom’s chair!

She’ll blow away our troubles\If we simply ask her, “Please?”\My sister loves me very much\Because I never tease!!

Yep, it’s still  funny.

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