DCS: judee sill

Judee Sill had a turbulent childhood, a turbulent adolescence, a turbulent adulthood and an early, turbulent death.

The child of a broken marriage, Judee violently fought with her parents. As a rebellious teen, she and a partner began robbing gas stations and liquor stores in Southern California until the pair were arrested. It was during a nine month stretch in reform school that Judee rediscovered music. The piano lessons she took as a child reemerged and she became a church organist and developed a love of gospel music.

After her release, Judee worked as a piano player in a bar to earn money for her drug habit. In 1966, she married fellow musician — and fellow heroin user — Bob Harris. Once again, Judee resorted to crime — including robbery, sex work, forgery and fraud — to support her addiction. After her release from a jail sentence, Judee concentrated on songwriting.

Even during the lowest points of her life, Judee always displayed musical talent. She secured several gigs opening for Graham Nash and David Crosby. Her performances caught the attention of producer David Geffen and he offered to sign her to his new Asylum Records label. Her first self-titled release featured the single “Jesus Was a Cross Maker.” The single received a flurry of acclaim and Judee toured with singer Jimmy Webb as his opening act. Despite positive reviews, Judee’s debut album sold poorly. She released a second album that also did not do well commercially. She grew frustrated with her “opening act” status and expressed he frustration by berating David Geffen onstage, using several homophobic comments about the then-closeted producer.

With her friendship with Geffen dissolved, Judee found herself with a record label. She began work on a third album, recording songs at Mike Nesmith‘s studio. She struggled with her current songs and considered leaving the music business for other pursuits. Meanwhile, her drug use increased and her health deteriorated. Judee was found dead of a drug overdose in her North Hollywood apartment in November 1979. Although disputed by friends, the LA Coroner ruled the death a suicide. Judee was 35.

Although far from a household name, Judee Sill was often cited as an important influence by a number of successful artists, including Andy Partridge, Liz Phair, Warren Zevon, Shawn Colvin and many others. Nick Lowe said that Judee’s song “Jesus Was a Cross Maker” was very influential on his composition “(What’s So Funny About) Peace, Love and Understanding.”

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DCS: percy helton

that guy

Percy Helton’s IMDB page lists 237 credits over a career that began in 1915. He made his stage debut at two years old and never looked back.

Percy Helton? Never heard of him! Well, he’s one of those unsung, unnoticed, uncredited “that guy”s that keep Hollywood going.

With his high-pitched, breathy voice and his amiable round, elfish face, Percy Helton made a career playing timid, but weaselly, characters on television and in movies. Always reliable, Percy popped up in comedies, dramas and Westerns filling the roles of postmasters, store clerks, bookkeepers and any number of essential background folks. He was the drunken Santa that was replaced by Academy Award winner Edmund Gwenn in Miracle on 34th Street. He was a favorite of the film noir genre, with small roles in Kiss Me Deadly and Wicked Woman. On television, he portrayed similar characters in Perry Mason, Gunsmoke, Death Valley Days and numerous other series. He can be spotted in small roles in well-known films like Jailhouse Rock, Butch Cassidy and the Sundance Kid, the 1954 version of A Star is Born, White Christmas and 20,000 Leagues Under the Sea. He even shows up in the Monkees’ psychedelic motion picture experiment Head.

Percy passed away in 1971 at the age of 77. IMDB lists three acting credits in that year, as well.

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DCS: tim curry

I discovered the Rocky Horror Picture Show in 1978 when I was a junior in high school. Talk of Rocky Horror spread through the halls of my Far Northeast Philadelphia high school. Every Monday morning, there was new buzz about this raucous audience participation phenomenon that occurred every weekend evening at the TLA Cinema, an independent “art house” movie theater located on Philadelphia’s ultra-hip and ultra-artsy South Street. With my interest piqued, I gathered a few friends, borrowed my mom’s car and we headed down to South Street late one Saturday evening to have our Rocky Horror virginity snatched away.

And I kept going back. Weekend after weekend. For years.

There was an art teacher I had in high school who was just a few years older that I was. One day, after several on-going and lengthy discussions about our musicial likes and dislikes, she brought in a copy of Tim Curry’s debut solo effort Read My Lips to let me borrow. The album — an eclectic collection of imagitively reworked covers of familiar (and unfamiliar) songs — was unlike anything that had previously spun on my home turntable. Tim sang “I Will,” the breezy Paul McCartney composition from side two of the Beatles overly-ambitious White Album… only Tim gave it a reggae inflection, complete with an indistinctive island accent. The torchy lament “Sloe Gin” became a notorious cut, thanks to Tim’s gut-wrenching recitation of the repeated lyric “I’m so fucking lonely…” My favorite track was his delivery of the nineteenth century abolitionist anthem “Wake Nicodemus,” augmented by a military-inspired march played by a bagpipe orchestra. I ended up trading my teacher for that album in exchange for an easily replaceable, but ultimately forgettable album in my collection.

In 1979, just after my high school graduation, Tim Curry released his second album, the much more accessible and far more commercially successful Fearless. A noted departure from his earlier work, Fearless boasted mostly originals along with a glorious take on Joni Mitchell’s “Cold Blue Steel and Sweet Fire,” that Joni herself praised. Fearless was more rock oriented, anchored by the playful radio-friendly hit “I Do The Rock.” Tim even made it to MTV, with not one, but two, videos in somewhat regular rotation. Following the path of established rock acts of the time, Tim embarked on a promotional tour in support of Fearless… and that tour had a stop right here in Philadelphia. Originally scheduled for the 3000-seat Tower Theater, the show was moved to the smaller Shubert Theater based on disappointing ticket sales. Nevertheless, My pal (and fellow Rocky Horror enthusiast) Janie and I bought tickets and counted the days until Tim arrived in Philadelphia on July 30.

And arrive he did.

Tim prowled the darkened stage of the Shubert. Backed by a full band, including Alice Cooper guitarist Dick Wagner and uncredited KISS sideman Bob Kulick, he captivated the audience with the full track list from Fearless, several selections from Read My Lips and soulful renditions of Bob Dylan’s “Simple Twist of Fate” and Percy Sledge’s “When A Man Loves a Woman.” At a quiet moment in the evening, I stood up on my seat and screamed “HI TIM!,” prompting the actor-singer to lean forward, shade his eyes from the spotlight and grimace in my direction. Janie was thoroughly embarrassed but I was seen!

Tim enjoyed a rich, fulfilling career of varying roles in films, television (one of my favorites was his deliciously evil turn as “Dale the Whale” on the quirky detective series Monk) and on the stage. He lent his magnificent voice to cartoon characters and over 60 audiobooks and, for goodness sake, he acted with Muppets.

Tim suffered a debilitating stroke in 2012. After a long rehabilitation process, Tim re-entered his chosen profession, including a stab at the role of “The Criminologist” in a live TV presentation of The Rocky Horror Picture Show. Despite keeping a very tight lid on his personal affairs, Tim loved meeting his fans. He made frequent appearances at fan conventions to sign autographs and offer insider stories of his illustrious experiences in show business.

In 2025, Tim gave an interview with TCM host Ben Mankiewicz in conjunction with Vagabond, Tim’s recently published memoir. Ben asked Tim — who was confined to a wheelchair and experiencing fluctuation in health — if he feared death. Tim replied, “No, I don’t fear death… I think I will embrace it.”

Tim died on August 25, 2026 at the age of 80.

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DCS: dolly parton

Dolly Parton carefully crafted her signature look. Her over-the-top glamor was based on the women she thought were beautiful. Despite young Dolly’s admiration for them, they were known by the rest of the population of Pittman Center, Tennessee as the town tramps. Nevertheless, Dolly was determined to look “beautiful” and they were Dolly’s vision of beauty. She often joked that it cost a lot of money to look this cheap. Dolly was once asked how long it took to do her hair. She answered, “How should I know? I’m never there.” When further question about how many wigs she owned, she replied, “At least 365.”

Dolly knew who she was. Her self-deprecating humor was part of her charm… and charming she was. She was also funny and sweet and talented and charitable and determined — and she was successful at all of those qualities.

Dolly passed away in August 2026 at the age of 80. There will never be another like her.

 

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DCS: c.c.a. baldi

C.C.A. Baldi was the embodiment of the “Great American Dream.”

Born in Salernoo, Italy, young Charles Baldi dreamed of going to America. As a teen, he helped his nighbors write letters to relative that had already immigrated to the “New World.” He dreamed of living in America and taking advantage of all the opportunities American had to offer. At 14, that dream became a reality, when he, his father and younger brother arrived in Philadelphia — their new home.

Starting with a humble fruit pushcart, C.C.A. Baldi — his new American moniker — cornered the wholesale and retail market for lemons. He quickly parlayed his profits, using them to secure job contracts with railroads and getting employment for his fellow Italian immigrants. Ever the entrepreneur, Baldi opened a bank at which Italian immigrants could save money and send funds back to Italy. He published an Italian language newspaper. He and his brothers established the C.C.A. Baldi & Brothers, Inc., an anthracite coal supply business.

There was no stopping Baldi and his business ventures. He opened an insurance company, a real estate business, a charity, an Italian interpreter service, even a funeral home. His interest in local Philadelphia politics landed him an appointment to the Philadelphia Board of Education, the very first immigrant to be so named. He served on the board until his death in 1930.  In 1974, Philadelphia honored Baldi by naming a new middle school after him. (I attended Baldi Middle School for eighth grade.)

Baldi was the father of five sons and two daughters. Several of his children entered Pennsylvania politics. Chuck Douglas wrote a book about his great-grandfather’s illustrious life. Baldi’s great-granddaughter, Taylor Swift, is arguably the biggest pop star in the world.

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inktober52: dive

Remember the episode of Seinfeld where Kramer discovered that the voice of Entertainment Tonight host Mary Hart sent him into seizures? Well….

There’s a band called Lake Street Dive. They have had a few hits on the radio and they have mounted a few tours across the country, gaining devoted fans along the way. Their music is… well… harmless. It’s breezy, poppy, very “radio-friendly,” with a slight lean towards “blue-eyed soul.”

A friend of mine (who happens to be a disc jockey on a local Philadelphia radio station that frequently plays Lake Street Dive), once said that he hates bands whose singer has a weird voice. Without citing any specific examples, I knew exactly what he meant. In my personal (and worthless) opinion, Rachael Price — the lead singer of Lake Street Dive — has a weird voice. While the band itself features pretty benign songs that sort of blend in with other non-descript songs I hear on the radio, Rachael’s voice cuts through the music like jagged fingernails on a chalked-up blackboard. When a Lake Street Dive song is announced, I cannot change the station fast enough. I find her voice is grating, abrasive, irritating and just plain unpleasant.

Evidently, I am not alone. Josh Tilman (who performs as “Father John Misty”) once described Rachael’s voice as possessing that soul affectation that white female singers love to put on when singing. I wonder if he changes the radio station as fast as I do.

By the way, I’m sure that Rachael Price is a lovely person. It’s just that voice…

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