IF: highlight

This week’s Illustration Friday challenge word is “highlight”.

When I was a kid in the early 1960s, a trip to the family doctor was a dreaded thing. I did my best to hide every sniffle or stomachache, lest I be subjected to some poking and prodding from that creepy, bespectacled guy with the stethoscope around his neck and the unnaturally cold hands. A hard tongue depressor down the throat or the possibility of some sort of needle didn’t add favorably to the experience. The only glimmer of joy involved with a doctor’s visit was the promise of a few minutes perusing the pages of Highlights for Children.

While my mom thumbed through an old issue of Good Housekeeping  or Redbook,  I would eagerly select a copy of Highlights for Children  from several strewn across a low table in the waiting room. Then, I would happily bide my time trying to figure out “what’s wrong with this picture” in a drawing on the back cover. Inside, the issue was jammed with jokes and riddles, a page of hidden objects camouflaged throughout a jungle scene, the continuing adventures of the oddly-drawn Timbertoes family and my favorite — Goofus and Gallant.

Goofus and Gallant were two young boys who offered lessons in manners and responsibility through their contrasting actions. As their descriptive names indicated, Goofus was the self-centered, selfish sneak with no consideration for family and classmates. Gallant was the cheerful, helpful little priss who regularly earned praise from adults and was often named “Teacher’s Pet”. The lessons that Goofus and Gallant taught in the 60s were geared toward completing homework or sharing your toys.

I haven’t seen an issue of Highlights for Children  in nearly four decades, as my wife usually took our son to the pediatrician when he was little. (He made it a point to get sick after I had already left for work.) I imagine the subject matter for Goofus and Gallant had to change with the times, while becoming more direct in its approach. Here’s how I envision Goofus and Gallant today…
Let's go to the highlights!

Click illustration  for a larger version.

*******
A footnote to this post:
This time last year, I made a resolution to create one million illustrations in 2011.
I fell 999,851 short.

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from my sketchbook: james byrd jr.

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
James Byrd, Jr. was murdered for no other reason than because he was black.

On June 7, 1998, 49-year old James was walking home from a party. He couldn’t afford a car so he walked everywhere, but he didn’t mind walking. Shawn Berry, Lawrence Brewer and John King drove up to James in a pick-up truck and offered him a ride. Shawn recognized James from town. Happy to accept a lift, James climbed into the open bed of the truck. The three men in the truck’s cab were acquainted with each other from various meetings in and out of prison; their common bond was an active and twisted belief in white supremacy. They had no intention of driving James home.

The truck stopped on a remote road just outside of Jasper, Texas where the three men beat James unconscious and urinated on his battered body. Then, they chained him by his ankles to the back of the truck and dragged him for nearly three miles. James was whipped around and tossed about behind the vehicle until he hit a culvert (a large concrete pipe used to channel water) and his head and right arm were severed. The truck stopped, James’ body was untied and dumped in front of Jasper’s oldest Black church and cemetery.

In the morning, the county sheriff’s department found several items strewn among the blood and gore on the dirt road, including a wrench with “Berry” written on it and a lighter engraved with “Possum” (John King’s prison nickname) and three interlocking “K”s, signifying allegiance to the Ku Klux Klan. The perpetrators were soon picked up. After trial, King and Brewer were given death sentences. Berry was sentenced to life in prison.

A long-time Texas prison tradition was ended as a result of James Byrd Jr.’s murder and Lawrence Brewer’s arrogance. Texas, as well as other states that have the death penalty, offers the condemned a last meal of their choosing. The meal options and combinations are nearly limitless (alcohol requests are regularly denied). The weblog Dead Man Eating has chronicled these requests, noting an overwhelming demand for cheeseburgers, traditional Mexican fare, ice cream and Dr. Pepper. The occasional insistence that the contents of a final meal be kept secret or the refusal of a meal altogether are also included in the list. On the evening before his September 21, 2011 execution, Brewer asked for an elaborate meal that included a triple-meat bacon cheeseburger, a meat-lover’s pizza, a big bowl of okra with ketchup, a pound of barbecue, a half a loaf of bread, peanut butter fudge, a pint of ice cream and two chicken-fried steaks. It arrived at his cell around 4 p.m. and he refused it.  This final act of audacity prompted Texas State Senator John Whitmire to write to prison officials saying, “Enough is enough! It is extremely inappropriate to give a person sentenced to death such a privilege. It’s a privilege which the perpetrator did not provide to their victim.”

The “last meal” practice in Texas was ended the next day.

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happy holidays from JPiC

it's the most wonderful time of the year

CLICK HERE  for a larger view.

– – – – –

ho! ho! hum!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2011.”
(You will be taken to a new window. Click the word “download” next to the title, not the big green “DOWNLOAD” button at the bottom of the page.)

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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IF: sink

This week’s Illustration Friday challenge word is “sink”.
You wash your face in my sink
Born in Kingston, Jamaica, Frank Silvera immigrated to the United States with his family as a youngster. Determined to follow his dream of acting, he appeared briefly on Broadway before joining the US Naval Reserves during World War II. After the war, he returned to acting. He was featured in the Audie Murphy western The Cimarron Kid.  This was the first in his career of over seventy-five motion picture and television roles.

Frank was frequently cast in “racially indeterminate” roles. Because he was black with light skin tone, he regularly played Mexicans, Blacks, Polynesians, Indians, Asians and even the occasional white role. On Broadway, he played Ben Gazzara’s father in A Hatful of Rain.  In films, he was usually cast as criminals and other unsavory types, co-starring in Mutiny on the Bounty, Viva Zapata!  and Roger Corman’s take on The St. Valentine’s Day Massacre.  Once he auditioned for a small role as an elevator operator. The producer told him “he wasn’t black enough”. Frank asked “Well, am I light enough for one of the white roles?” The amused producer gave him a part.

Frank founded The Theater of Being in Los Angeles, to help young black actors and actresses get a start in show business. He was also a vocal and active advocate for civil rights in the 1950s and 60s.

In 1970, Frank was attempting to repair a faulty garbage disposal under the kitchen sink in his home when he was accidentally electrocuted. He was 55 years old and a regular cast member on the popular TV western The High Chaparral  at the time.  His final film, Valdez is Coming,  was released after his death.

In 1973, The Frank Silvera Writers’ Workshop Foundation was co-founded by actor Morgan Freeman in Frank’s memory.

– – – – –

ho! ho! hum!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2011.”
(You will be taken to a new window. Click the word “download” next to the title, not the big green “DOWNLOAD” button at the bottom of the page.)

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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from my sketchbook: rebecca coriam

I'm wishing/For the one I love/To find me/Today
At quarter to six on the morning of March 22, 2011, Rebecca Coriam picked up the phone in a hallway of the Disney cruise ship “Wonder”, dialed an on-board number and, after speaking for a minute or two, began to cry. A fellow crew member, passing her on his way to who-knows-where, stopped to ask Rebecca if she was okay. She nodded in the affirmative and he continued on his way.

That was the last time Rebecca, or “Bex” as she was known to family and friends, was seen.

When Rebecca failed to show up for her morning shift as a youth activities counselor, Disney Cruise Line executives contacted her parents at their northwestern England home to say she was missing. Mr. and Mrs. Coriam were invited to Los Angeles to meet the ship when it made port at San Pedro. They were met by Superintendent Paul Rolle of the Royal Bahamas Police Force. Because the Disney Wonder is registered in The Bahamas, investigations of this nature fall under Bahamanian jurisdiction. The officer informed Rebecca’s parents that police had little to go on.

 Upon arrival in the Los Angeles suburb of San Pedro, Rebecca’s distraught parents hoped to talk to crew and passengers but, instead were greeted by an empty ship as preparations for the next scheduled cruise had already begun. They were able to talk with some crew members, but received only minimal information. They gathered Rebecca’s belongings – photos, clothing, rosary beads – and watched the short surveillance video of Rebecca on the phone in the hallway. They were given cold, vague answers to their numerous questions. The ship’s captain told them a pair of flip-flops, that may have belonged to their 24-year-old daughter, had been found in a private “crew only” area, but they couldn’t be sure. Soon, the bewildered and distressed couple found themselves standing on the San Pedro dock as the ship — emblazoned with the universally-recognized “mouse ears” — sailed off on another journey, leaving them to wonder if they’d see their dear Bex again or if anyone cared if they ever would.

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IF: separated

If one guys colors and the others don't mix/They're gonna bash it up, bash it up, bash it up, bash it up...

My mother’s parents ran an antique store not far from their home at Fourth and Spruce Streets in Philadelphia. In the summer months, they operated a bath house on the boardwalk in the seaside resort of Wildwood, New Jersey. In addition, eighteen years separated my mother from her oldest sibling. Needless to say, “family time” was a rare event. While the three older brothers were out doing “adult things”, my mother and her older sister were left in the very capable hands of Minnie Ellis, or as my mother affectionately called her “My Minnie”. Minnie was technically “the housekeeper”, but she was much, much more. She was cook, baby-sitter, playmate, disciplinarian, teacher and friend. With my grandparents’ overwhelming responsibilities of running one business (and five months out of the year, two businesses), Minnie was the perfect parental supplement. She earned the love and respect of my mother and her family, so much so, that she was viewed as part of the family herself.

One day, my mother at around eight or nine years old, arrived home after school. She found Minnie in the kitchen preparing that evening’s meal. My mother spoke right up and caught Minnie by surprise.

“You’re black.”, my mother said.

“Am I?”, answered Minnie, not at all flustered by my young mother’s assertion, “Who told you that?”

“A boy at school. He said that you’re black and I’m white.”, my mother continued.

Minnie produced a bleached white, cotton dishcloth and draped it across my mother’s arm. “Hmmm”, she began and stroked her chin, ” this rag is white and you don’t look white. You look pink to me.” Then Minnie took off one of her shoes and aligned it with her own arm. She continued, “I sure don’t look like the color of this black shoe. I look brown.”

My mother observed the demonstration and understood Minnie’s message of how ridiculous the statement was. She momentarily felt ashamed, but then hugged and kissed Minnie and went on her way.

Years later, when my parents were dating, my mother met her future in-laws. My paternal grandparents were two textbook bigots, pure and simple in their ignorance and disdain for all people who they saw as “different”. After my parents’ wedding and brief honeymoon, they visited my father’s parents for the first time as husband and wife. Over dinner, they talked about the wedding and the guests. Then, my grandfather – my mother’s new father-in-law – said to my mother, “How could you bring yourself to kiss that…” and he used a horrible word, one that was at one time excised from copies of Mark Twain’s Adventures of Tom Sawyer  but features prominently in the lyrics of many current rap songs. A word that is euphemistically known as “The N Word”. A word that made my mother cringe and nearly throw up. She looked at her father-in-law, staring at him with eyes like twin lasers, and through clenched teeth, slowly and deliberately said, “Don’t you ever  speak about ‘My Minnie’ that way. Ever!”  She pronounced each syllable as though each one was its own word. My grandfather, that ignorant man, got the point loud and clear. My mother had little to say to him (but plenty to say about  him) for the remaining fifteen years of his life.

In 1959, two years before I was born, my parents and my brother drove to Miami, Florida for a vacation. They loaded their packed suitcases and traveling provisons into my father’s brand new orange and white, tail-finned sedan and made their way South on Route 1.  (For years, my mother joked that my brother stood up in the back seat for the entire trip.) The journey predated the sleek concrete highways of Interstate I-95. Route 1 snaked though tiny, quaint burgs along the eastern seaboard. The pre-Josh  Pincus Family eagerly sampled the simple offerings of a culture that moved at a slower pace from the big-city bustle of Philadelphia. One afternoon, they pulled the car into Jessup, Georgia, as my mother was intrigued by the promise of authentic Southern cooking advertised on a sign several miles back. Since the area of commerce was fairly small, locating the eatery was easy and the Pincuses went in and prepared for a Dixie feast. According to my mother’s recollections, the “authentic” Southern cuisine consisted of small, dried-out pieces of chicken, canned vegetables and Pillsbury biscuits (recognized by Mom since she had made them countless times herself). During the meal, a large spider descended from the ceiling on a single strand of web and wiggled its many legs just inches from my mother’s nose.

Her appetite ruined, my mom sought salvation in the fresh air. My father unhappily paid the tab and followed my mother and brother to a gas station across the street. Figuring he’d fill the tank, he parked the car adjacent to one of the pumps and asked the attendant to “fill ‘er up”. My mother spotted a water fountain by the station’s office and felt a cleansing drink would wash away the remnants of the awful lunch. She pressed the button on the spout and leaned down, bringing her lips closer to the stream of water. Suddenly, a scream pierced the air.

“What are you doing???” A windburned man in overalls was rushing out of the office and yelling at my mother in a dry Southern accent.

“What am I doing?”, she asked, bewildered, “I’m getting a drink.”

The man pointed to the base of the fountain, specifically to two lines of words stenciled on the front. “That’s for colored only”, he said.

My mother stepped back and – sure enough – in large white letters, the words “Colored Only” were painted on the tank, reinforcing the same angry, hateful directive that the gas station man initiated. My mother was horrified. Horrified that this situation existed in her world. She said nothing as the man watched her back away from the fountain. She joined her family in the car and sat silently in the passenger’s seat for a good portion of the drive.

These incidents stayed with my mother her entire life and she related these stories quite often as lessons to my brother and me. The most important lesson my mother taught me was not to waste time giving an audience to stupidity.

– – – – –

ho! ho! hum!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2011.”
(You will be taken to a new window. Click the word “download” next to the title, not the big green “DOWNLOAD” button at the bottom of the page.)

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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DCS: barbara nichols

it's like she's carrying a cello in that dress!
Barbara Nichols was definitely “in on it”. For nearly four decades, she flaunted her way across Hollywood in small (even uncredited) roles as strippers, gold-diggers, prostitutes, gun molls and other assorted floozies. She played characters with names like “Lola”, “Brandy”, “Candy” and even “Poopsie”. She played her brassy, buxom, wise-cracking dumb-blond scene-stealer to its absolute limits. And she laughed all the way to the bank.

1957 was a banner year for Barbara. That year, she appeared in three hit films, Pal Joey, The Sweet Smell of Success and The Pajama Game,  alongside Frank Sinatra, Rita Hayworth, Burt Lancaster, Tony Curtis, Doris Day and other top Hollywood stars of the day. Barbara was also romantically linked to dozens of Tinseltown’s eligible (and not-so-eligible) hunks. She was funny, talented and “on-the-ball”, unlike similar one-dimensional bimbos (like Diana Dors and Barbara Payton) to whom she was often compared. Unfortunately, she made some low-budget clunkers and, as the 1960s approached, her film career was shot. The always-resilient Barbara turned to television. She appeared in many TV sitcoms and dramas in the 60s, delivering her lines and slinking around the set as she had done in so many films so many times before. Her popularity among producers and directors made her a favorite guest star on The Beverly Hillbillies, Batman, The Untouchables  and The Jack Benny Program.

Two near fatal car wrecks took a toll on Barbara’s health. Despite quick recoveries and an eagerness to return to performing, she suffered severe physical damage that was worse than she let on. She fell into a coma for several months and passed away from complications of a liver ailment in 1976. Barbara was 46.

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from my sketchbook: frank churchill

what can compare to your beautiful sound?
In the early 1930s, Frank Churchill filled the void of house composer just after Carl Stalling left The Disney Studios to join Warner Brothers (along with Disney animator Ub Iwerks). Frank was a veritable music machine, cranking out “feel good” musical scores to accompany the cheerful antics depicted in Disney’s animated cartoons. His music and collaborative lyrics were featured in some of Disney’s most popular shorts, including The Tortoise and The Hare, The Robber Kitten,  several Mickey Mouse cartoons and, famously,  The Three Little Pigs,  which introduced the Frank Churchill-penned hit “Who’s Afraid of the Big Bad Wolf?” Based on the popularity of his catchy tunes, Walt Disney asked Frank to score his upcoming full-length animated film Snow White and The Seven Dwarfs  in 1937. Frank scored the film and wrote eight songs, including “Whistle While You Work”, “Heigh-Ho” and “Someday My Prince Will Come”. The film was an undeniable hit and the songs became instant classics.

Frank became music director at The Disney Studios and continued to compose music for Disney shorts. His next major task was scoring Disney’s 1941 animated film Dumbo,  on which he collaborated with composer Oliver Wallace (who wrote “”Der Fuehrer’s Face” recorded by Spike Jones). Frank earned an Oscar nomination for the song “Baby Mine” from Dumbo and took home one of the coveted statuettes for his score from the same film.

Soon, he began working on the music for Bambi,  Disney’s planned release for 1942. Considering the happy, cheerful tone of his compositions, Frank was a solemn, reserved, troubled, and often depressed, man. While working on the score for Bambi,  he received negative criticism from Walt Disney on the direction in which the music was headed. That, coupled with the death of two close friends and bouts of heavy drinking, proved too much for Frank. On May 14, 1942, just two months after winning the Academy Award, Frank sat down at his piano and shot himself. His score for Bambi,  which was completed by colleague Edward Plumb, received an Oscar nomination.
– – – – –

ho! ho! hum!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2011.”
(You will be taken to a new window. Click the word “download” next to the title, not the big green “DOWNLOAD” button at the bottom of the page.)

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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IF: brigade

This week’s Illustration Friday suggested word is “brigade”.
CHARRRRRGE!!!!!!!
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.

– – – – –

ho! ho! hum!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2011.”
(You will be taken to a new window. Click the word “download” next to the title, not the big green “DOWNLOAD” button at the bottom of the page.)

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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