IF: farewell

Fare you well, fare you well/I love you more than words can tell/Listen to the river sing sweet songs/To rock my soul

Early on Friday morning, September 20, 1991, my family gathered together to bury my mother. We all met at the facility — a large building surrounded by a huge blacktop parking lot. It was constructed just outside the city as an auxiliary to the funeral directors’ main location on a busy thoroughfare in Philadelphia. The main office, which houses a small chapel, has serviced the Philadelphia Jewish community since 1877. The new suburban operation could accommodate larger attended funerals while cutting down on the hassle of traffic, parking and overall inconvenience.

Just two days earlier, my wife and I, along with my father and my brother, found ourselves sitting in the administrative offices of the same building we were in now. Ben, the patriarch of the funeral directing family, personally guided us through the gut-wrenching process of picking out a casket and making the other arrangements. The whole ritual was very surreal, but it all hit home when we assembled again for the actual ceremony.

We arrived an hour or so before the predetermined start time and long before any mourners. We filed in to the building — first my father, then my brother and me and our respective wives —  through a side door that led to a special “family only” room behind the main chapel. We were met by Ben who shook our hands and nodded his head in solemn sympathy, an action he’d been practicing and performing for decades. Ben briefly explained the minimal procedure of the ceremony and then the room was silent. Suddenly, my father — awkwardly trying to make small talk — asked Ben how he liked the new suburban faculty as compared to the compact building in Philadelphia.

Ben began to compare the easy-going police force of pastoral Southampton to the famously belligerent and corrupt Philadelphia law officers. And then he told a story…

When funerals were taking place, Ben had to arrange for Philadelphia Police to direct traffic on busy Broad Street, as the hearse, limousines and other members of the funeral procession maneuvered out of the tiny parking lot. Of course, the policemen would receive generous (but unmentioned) compensation from Ben, although they despised the assignment. At one funeral, in particular, Ben had to quickly jump out of the lead car and assist an elderly member of the immediate family who needed the help of a walker. The car stopped at the end of the driveway, with its front end in the street, as Ben leaped out and ran up to help the older woman with the walker into the car. A veteran policeman — one who knew Ben, but resented funeral duty — pounded on the hood of the temporarily-stopped vehicle.

“Get this car outta here!,” the cop yelled.

Ben, his arm wrapped around the shoulders of the woman as they inched their way towards the open car door, called back in a more appropriate half-whisper, “I’ll be there in a second, as soon as I get her settled.”

The policeman, a big mustachioed lug with a face reddened from years of heavy drinking, spit back, “You goddamn Jews think you own Broad Street! Now get this car going!”

Stray members of the funeral contingency froze in place and whipped their heads in the policeman’s direction. Several car windows quickly rolled down so the occupants could  get a better listen. Ben leaned over to the woman and said, “I’ll be right back.”

He marched up the the policeman, and — in his best suit and in full view of the entire group of mourning family and friends — reared back and punched the officer square in the mouth, his heavy class ring connecting with the officer’s mandible. The officer tumbled backwards. Within seconds, six policemen had surrounded Ben while one forced his wrists into a pair of handcuffs.  Another member of Ben’s family jumped into Ben’s place and took over the proceedings, as Ben was whisked away to police headquarters.

The desk officer looked up from his log book.

Ben? What are you doing here?, ” he asked. He had known Ben for many years.

Ben, flanked by two officers, told his story and mentioned the trouble-making cop by name.

“Ugh! Him!,” the desk officer said, rolling his eyes, “I would’ve figured!”

Ben was released.

Several months later, the Philadelphia Inquirer ran a story about a policeman who was caught in the middle of the day, drinking in a bar during his shift and dancing on the bar, stripped down to his boxers. It was Ben’s instigator.  He was relieved of his duties.

Ben finished his little anecdote and looked up at my family. We were dumbfounded.

“Okay, folks,” he said, smiling and pointing to the chapel door, “Time to go out there.”

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IF: wild

Thei wild night is calling

One evening, Mrs. Pincus and I ventured to Harrah’s Casino in Atlantic City to have dinner at their buffet. (Boy! How many of my stories have started out with that sentence?!) After dinner, we wandered into the casino for a little play on the many slot machines. As a member of the Harrah’s Slot Players Club, my wife had several promotional vouchers redeemable for play. Knowing that I get bored quickly by slot machines and I really don’t like handing over my hard-earned income to casinos, she offered the vouchers to me. Meanwhile, she handed over my hard-earned income. Somehow, that indirect path makes it a little less painful.

I took my $25 voucher and parked myself in front of a blinking little machine called “Sneeki-Tiki”. The six electronic “reels” featured a Polynesian theme and winning combinations were rewarded with the strains of digital bongo drums and slack key guitars, along with a monetary gain. I slid my voucher into the cash slot*, selected my bet (2 credits per line, equivalent to 80 cents a spin) and hit the big “SPIN” button. The video reels spun into a blur and finally stopped, giving me a payout of just under a buck. I repeated the procedure, but this time the monitor did not show a single combination of winning symbols… nothing. Once more, I spun, since I had to use the remainder of the non-refundable promo money. On this spin the first reel filled with a monkey, a parrot, a coconut and a bamboo stick. The next four reels displayed a cartoon tiki sculpture that each suddenly expanded to fill the entire reel. The animated character grinned and bellowed “Go Wild” in a distinctly island-tinged accent, indicating that the symbol was “wild” and could be substituted for any and all symbols in play. The last reel slowed to a stop and the machine exploded in music, sound effects and multicolored graphics. A banner proclaiming “BIG WIN” splashed across the screen. For my 80¢ bet, I had just hit for $997.00.

“Cool, ” I thought, but since Mrs. P had disappeared to another part of the casino, I had to celebrate my good fortune silently. I played until my promo funds were exhausted. (I actually hit for another fifty-five bucks on top of my big win, before cashing out.) I grabbed the newly-printed voucher from the machine and set off to locate my spouse.

Clear on the other side of the casino, I found Mrs. P sitting before an Egyptian-themed machine, with a relatively sad look on her face. She was smacking the “SPIN” button on her machine. It was answered, for the most part, with the silence of loss.

“How are you doing?,” I asked.

“Not good.,” she said, “You?”

Without a word I displayed the plain, black & white, bar-coded piece of paper at eye-level. Her eyes zoomed in on the large, bold print that read $1052.00.

A grin spread across her face, followed by a barrage of questions: “What machine did you play?,” “How much did you bet?,” “How on earth did you walk away?”

I explained my brief – and really uneventful, except for the payoff –encounter with the Sneeki-Tiki machine. Mrs. P. cashed out her meager cash reserve and we left for home.

The next week, we found ourselves, once again, walking the slot machine-lined paths of Harrah’s Casino. I bee-lined to the Sneeki-Tiki, reaching for my wallet before I was even seated. Mrs. P tried to persuade me to increase my bet, mimicking her recklessly exorbitant wagers, but I stuck to my guns and repeated my lucky 80¢ bet. Within seconds, the machine was again ringing with good fortune. A single spin had yielded a return of $275.00. I mashed the “CASH OUT” button and my voucher slid out of the slot.

“That’s it?,” my wife inquired, “You’re finished?”

“Sure,” I replied, “I’m happy with two-hundred and seventy-five bucks that I didn’t have when I walked in here.”

For the rest of the evening, I stood alongside Mrs. P, feeding bill after bill into a variety of slot machines, as she sought out her elusive big pay out.

A few weeks had passed before we were back at Harrah’s, but once exiting the parking garage, I headed straight for my personal, colorful ATM. I strode up to the secluded alcove just off the hotel’s front desk where I was met with a huge shock. Sneeki-Tiki was gone. GONE! In its place was some differently-configured mermaid-themed machine. I scanned the immediate area. The other machines were all the same ones that had always been there. I went over to the convenient “Slot Finder” directory and punched  “S-N-E-E-K” into its virtual keyboard. Nothing. “No Matches Found” was my result. I took my search into the further reaches of the casino floor, but Sneeki-Tiki was nowhere to be found. While I searched,  I’m pretty sure I heard echoing laughter in a distinct, island-tinged accent.

See what I saw, except for the payout… I keep that.

 

* I don’t know the last time you were in a casino, but slot machines no longer take nor dispense actual coins.

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from my sketchbook: annette

and I wish I were the monkey's aunt!

I don’t believe there is such a thing as a “guilty pleasure.” I think if you like something, you like it and you should enjoy it and not be embarrassed by the fact that you enjoy it.

I am proud to say that I am the owner of the Frankie and Annette “Beach Party” DVD box set. I don’t hide the fact that I love each and every one of those hokey, paper thin-plot masterpieces. I love watching them and I do so quite often. When I pop one into my DVD player, it’s like an old friend has come to visit, pulling up in my living room in its woody, waxing down its longboard and catching a wave. The dialogue is awful. The acting is sub-par. The songs are formulaic from one film to the next… and I just can’t get enough of ’em. The best thing about these films is they don’t pretend to be anything more than what they are. They were conceived to cash in on the popularity of the California surfing craze, the budding rock & roll market and the precious teenage demographic. With producer William Asher at the helm, they hit their mark and lasted for twelve films over five years. When Beach Party, the first film in the series premiered in 1963, its main draw was every adolescent boy’s dream girl, little Annette from Walt Disney’s Mickey Mouse Club – now all grown up and twisting on the beach in her two-piece bathing suit (not revealing her navel, as requested by dear old Uncle Walt).

Annette passed away today. She was 70 years old and she had been living with multiple sclerosis for 22 years. She had lost the ability to walk and soon after, lost the ability to speak.  I will miss Annette, but I can always have a visit from her anytime I wish. She can be dancing with her Frankie, waving the checkered flag at the end of a hot rod race or conspiring with Peanut and Animal to get even with those no-good boys!

Annette will always be the Pineapple Princess.

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IF: egg

goo goo g'joob
Fred MacMurray was one of the biggest stars in the heyday of Hollywood. He worked with top directors, like Billy Wilder and Preston Sturges. He starred alongside the top stars of the day, like Barbara Stanwyck, Humphrey Bogart and seven films opposite Claudette Colbert. In the late 1950s, Fred’s career was given a shot in the arm with a role in Disney’s family hits The Shaggy Dog, The Absent-Minded Professor and its sequel Son of Flubber.

Fred was approached by TV producer Don Fedderson to star in a weekly sitcom, My Three Sons. Fred, and his wife actress June Haver, had just adopted twin girls and he had hoped to spend more time with his family. The schedule of shooting a sitcom was perfect for him. However, he negotiated an even better deal. Fred arranged to work 65 days per year. All of his scenes were shot at once and the rest of the scenes were shot without him, then pieced together in post-production. While the show’s cast worked a regular schedule, Fred had 10 consecutive weeks off. He’d then return to the set for re-shoots and to wrap things up.

Fred was a wise and shrewd investor in California real estate and became one of the wealthiest men in Hollywood. He was also one of the thriftiest. Co-star William Demarest, who played Uncle Charlie on My Three Sons, remembered, while most of the cast ate at the studio commissary, Fred would bring his lunch to the set in a brown paper bag. Co-star Barry Livingston (who played Fred’s son Ernie) corroborated the story, adding that Fred would bring dyed eggs long after Easter had passed, so they wouldn’t go to waste.

After 12 seasons, My Three Sons was canceled by CBS. Fred appeared in a few films, but retired on his savings in 1979. He lived quietly and very comfortably out of the spotlight until his death from pneumonia in 1991. Fred was 83 years old.

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DCS: stanley myron handelman

no sleep 'til Brooklyn
Stanley Myron Handelman was born in Brooklyn in 1929. He worked as a stand-up comic and gag writer as a young man. But for nearly ten years, he was a fixture on variety showcases and late-night talk shows. He made numerous appearances on The Ed Sullivan Show, The Flip Wilson Show, The Merv Griffin Show and The Tonight Show.  He was a semi-regular on Dean Martin‘s popular Golddiggers  program in the late 1960s. His nerdy clothes, gangly stature and trademark horn-rimmed glasses made him look like a walking cartoon character. His surreal brand of humor (think Emo Phillips crossed with Steven Wright) was a refreshing and welcome alternative to the Las Vegas/old-school schtick delivered by contemporaries Shecky Greene and Jackie Vernon.

Stanley was a regular on the Danny Thomas’ revival Make Room for Grand Daddy.  The show was canceled after one season (leading co-star Rusty Hamer down a dark path). Stanley continued to perform stand-up, opening for Frank Sinatra and pal Dean Martin at various Vegas showrooms. Stanley also continued to write jokes for his friend Rodney Dangerfield.

When Rodney Dangerfield passed away in 2004, his will stipulated that Stanley receive a lump sum of $10,000 and a monthly payment of $800 for the rest of his life.

Stanley quietly collected his inheritance and laid low until he died three years later at the age of 77.

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DCS: esther williams

Rush to the pool and dive right in Come up for air, and then you start to swim

Before Gidget…

Before Frankie and Annette…

There was Esther.

A competitive swimmer in her teens, Esther Williams set numerous records as part of the Los Angeles Athletic Club’s swim team. Due to the outbreak of World War II, Esther was unable to participate in the 1940 Summer Olympics. Instead, the anxious 19 year-old joined Billy Rose’s Aquacade, a swimming pool-based musical presentation conceived by the respected show-biz impresario. Esther stayed with the production for five month, during which she swam alongside Tarzan star Johnny Weissmuller.

Esther caught the eye of MGM talent scout who cast the swimmer in a series of small roles in films. Soon she began making a series of “aquamusicals” that proved to be very popular among movie-going audiences. From 1945 to 1949, Esther had at least one film listed among the 20 highest-grossing films of the year. She retired from acting in the 1960s, turning down the role of “Belle Rosen” in the 1972 disaster film The Poseidon Adventure.

A shrewd businesswoman, Esther invested in several successful ventures, including a line of swimwear and a chain of restaurants. She licensed her name for use on a line of swimming pools, as well as a collection of retro-styled bathing suits. In 1984, the now-retired Esther served as commentator for the synchronized swimming events at the Summer Olympics in Los Angeles.

Esther Williams died in 2013 at the age of 91. Fittingly, her cremated remains were scattered over the Pacific Ocean.

* * * * *
This post marks the sixth anniversary of the josh pincus is crying blog.

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from my sketchbook: alfred beach

it's far too rude

Back in 1870 just beneath the Great White Way/Alfred Beach worked secretly
Risking all to ride a dream/His wind-machine
— “Sub-Rosa Subway” by Klaatu (1976)

Alfred Beach and his partner bought the rights to Scientific American  magazine, and began its publication in 1845. Alfred, a patent attorney and inventor, was interested in scientific advancements. He even patented several of his own inventions, including an early typewriter for the blind. But, in 1870, he embarked on a daunting and ambitious undertaking that would only make him footnote in the history of transportation.

In order to alleviate the continuing traffic jams in New York City’s main thoroughfare — Broadway, Alfred proposed an underground railway powered by pneumatics rather than a conventional steam engines. In 1870, senator William “Boss” Tweed introduced a bill backing Alfred’s project. Prominent businessmen Alexander Turney Stewart and John Jacob Astor III objected to the idea, anticipating damage to the buildings on Broadway during the tunnel construction, despite Alfred’s suggestion of a tunnel shield (an underground reinforcement proven to give support to surface structures during construction). In reality, Turney and Astor were backing an elevated train over 9th Avenue, a safe enough distance from their Broadway business interests.

Under the guise of a permit to build a pneumatic package delivery tunnel, Alfred secretly constructed his transportation prototype in only 58 days. Alfred’s railway ran 300 feet with one station stop in the basement of Devlin’s clothing store. (He envisioned the station as a showplace with huge murals, tiled floors and fountains — but those plans would have to wait.) For three years, Alfred offered free ride demonstrations. Municipal transit authorities were impressed by the simplicity of Alfred’s vision, but saw it as nothing but a novelty. They concentrated their efforts on the expansion of the elevated railway. Dejected, Alfred went back to publishing, although technically, his was the first subway in New York City. In 1898, Alfred contracted pneumonia and passed away at the age of 69.

In 1912, Alfred’s tunnel was destroyed by workers expanding the subway system under Broadway.

* * * * *

HERE is Canadian band Klaatu’s tribute to Alfred Beach.

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