from my sketchbook: luke easter

rounding third and headed for home, it's a brown-eyed handsome man
In 1946, Abe Saperstein, enjoying success from his exhibition basketball team The Harlem Globetrotters, decided to try his hand at baseball. In the same fashion, he assembled a squad of barnstorming all-stars called the Cincinnati Crescents. He signed 6′ 4″ Luke Easter to play first base. Luke was thrilled, as he was only able to play baseball in school, since his native St. Louis had no Negro League franchise.

After a year with the Crescents, Luke was signed by the Homestead Grays. In 1948, Luke led the Negro Leagues in home runs and helped the Grays win the Negro World Series in 1948, the final series for the league.

Luke’s stellar performance in the World Series caught the attention of flamboyant owner Bill Veeck. He signed Luke to a contract with his Cleveland Indians. Starting with the Indians’ Pacific Coast affiliate, Luke hit 22 home runs and was promoted to the big leagues. Unfortunately, he hit a slump, going 21 games without a homer. But the Indians believed in him and traded their starting first baseman to make a spot in the roster for Luke. The move paid off and Luke rewarded his team with three consecutive power-hitting, run-producing seasons. He also hit the longest home run in the history of Cleveland’s Municipal Stadium, a 477-foot shot over the right field scoreboard. The distance record stood until 1960 when Mickey Mantle accomplished the feat. Luke’s legendary home runs became known locally as “Easter Eggs.” A fan once told Luke he had seen his longest home run in person, to which Luke replied, “If it came down, it wasn’t my longest.”

In 1953, Luke broke his foot and never regained his momentum. He spent the majority of 1954 in the minors. At 39 years of age, he left the major leagues and bounced around regional independent leagues until he finally retired for good in 1964.

Putting his baseball career behind him, Luke moved to Ohio and took a job as head union steward for the Aircraft Workers Alliance at TRW Inc. On March 29, 1979, Luke was approached by two armed men in the parking lot of the Cleveland Trust Company Bank. He had just cashed TRW payroll checks and was carrying approximately $5000 in cash …and he had no intention of giving the money up. The two men had other plans. They shot Luke twice in the chest at close range. Luke was already dead when he arrived at the hospital. He was 63 years old.

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from my sketchbook: mary fuller

‘Cause the life that lived is dead/And the wind screams Mary
Mary Fuller began making one-reelers for Vitagraph Studios as an eighteen year-old. Soon, she joined the cast of Edison Studios’ 1910 production of Frankenstein,  playing the notorious doctor’s fiancée. This was the first filmed version of Mary Shelley’s horror classic.

By 1914, Mary Fuller was a bona fide movie star, rivaling top box-office draw Mary Pickford. She appeared in a wide variety of roles, mostly dramas. Mary even wrote several screenplays that were made into films. But, her last few films were bombs and her contract was allowed to expire and was not renewed. Mary’s career was over by 1917. She was turned down for roles on Broadway and movie studios told her “You are no longer a film type.” She suffered a nervous breakdown and disappeared from the public eye for a decade.

In 1926, Mary tried unsuccessfully to revive her film career and, again, vanished from the spotlight. After her mother’s death in 1940, Mary suffered another nervous breakdown and her sister got her admitted to St. Elizabeth’s Psychiatric Hospital in Washington, DC. She remained there until her death in 1973 at the age of 85. When Mary died, the hospital was unable to locate any of her relatives. She was buried in an unmarked grave in Washington’s Congressional Cemetery, in the company of Alexander Macomb, Jr. (commanding general in the War of 1812), J. Edgar Hoover and John Philip Sousa, among many other celebrated names.

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IF: storm

I'm just a little black rain cloud/Pay no attention to little me

Nothing. Not a single flake of snow. It was only a little overcast, but probably because it was nearing 4:30 and it was just getting dark. But, there was absolutely no sign of the potentially-devastating “monster” storm that we saw reported on The Weather Channel and on local Orlando news broadcasts. When I’’m stuck in a massive, hours-long traffic snarl, and cars are finally allowed to trickle through and skirt the cause of the trouble, I wanna see mangled, bloodied bodies strewn across the highway. Y’’know, a little something for my trouble. So, when the ratings-hungry forecast monkeys start predicting the blizzard of the century, I’d at least like to see one goddamn snowflake to make up for rescheduling a flight and cutting a trip short.

But I’m jumping ahead.

Several weeks ago, my boss, Elgie, hinted to me that the law firm for which we work was considering sending the two of us to a social media conference in central Florida. Walt Disney World, to be exact. My boss knows of my love of all things Disney. She also knows that I have never been sent to a conference on behalf of our employer. I’ve barely been sent further than Staples to get a black Magic Marker. I have had twelve jobs in my thirty years as a professional artist (or “graphic designer,” as I am most often tagged). It has taken those same thirty years for one of my employers to deem me — (oh, I don’’t know? worthy? presentable? mature?) — let’s go with “qualified” to be a representative at a conference. In public. With people.  A day or two later, Elgie presented me with good news. I was approved to attend the conference. It was the equivalent to being liberated from the kids’ table at Thanksgiving.

Now, this would not be a carefree romp thorough the Magic Kingdom, clutching balloons, eating cotton candy and riding Splash Mountain. This is two days of session-learning with focus on how different aspects and outlets of social media can impact and benefit blah blah blah blah blah blah. Who am I kidding? I was going to fucking Disney World for three days on the company’s dime! (Shit!  I hope my boss isn’t reading this.)

I began preparing like an excited six-year old. I borrowed a small suitcase from my brother-in-law, so I wouldn’t have to check luggage. I accessed the TSA website where I studied the rules for carry-on liquids and how they’re keeping us safe from terrorists. On the morning of the conference, I dutifully went to work for a few hours, knocking out some last-minute ads and cropping a few photos for posting on the firm’s website, before putting my winter coat back on and heading out into the brisk February air for the train to the airport. At 8:30 that morning, while I was at my desk, a gas line ruptured under the train tracks in North Philadelphia, thus disrupting every single train route in the city. I stood on the station platform with an ever-increasing crowd of frustrated commuters. I was off to a great start.

After a thirty-minute delay, I boarded my train. Arriving at the airport with my pre-printed boarding pass in hand, I breezed through security (a humiliating and demeaning process that we are led to believe is keeping us protected from al-Qaeda). Gathering my wallet, keys and other pocket-stuffers and jumping back into my boots, I headed for my appointed gate, threading my belt through my pant loops as I walked. Once at the gate (the furthest one in the terminal, as usual), an announcement was made informing us passengers that a flight attendant was injured on the last flight and we needed to wait for a replacement before we could take off. Through a series of text messages resembling a game of digital “Marco Polo,” I spotted Elgie at the gate and we waited. And waited. And waited. And waited. Forty minutes after the announcement, an expressionless woman in a US Airways uniform cut through the impatient horde as if they weren’t even there. The boarding process continued. Two hours later, we were touching down on an 81° Orlando, Florida runway. I walked with Elgie to the baggage claim (she checked a bag). We proceeded outside to catch a taxi. Once we crossed the threshold of the terminal’s sliding doors, suddenly, my winter coat felt like I was wearing a gorilla suit. It was muggy and Florida-y and, considering I woke up in a full-on Philadelphia winter, it was great.

One $70 cab ride later, we were deposited at our respective hotels. Elgie was booked at Disney’s Yacht Club and I was clear on the other side of the shared convention center, at The Beach Club. With the conference starting bright and early the next morning, Elgie told me of her evening plans — a leisurely stroll around the connecting BoardWalk Resort to pick up some toys to bring home for her kids and then dinner. I, on the other hand, was jumping on a Disney bus to wander around the segmented shopping area collectively known as Downtown Disney. Because of logistics, I wouldn’t have enough time to visit a theme park, so I needed some sort of satisfying Disney fix. I couldn’t very well ditch the conference. Since it was just the two of us, I’m pretty sure that Elgie would notice I was missing.

I checked in at the front desk and was given convoluted directions to my room by well-meaning, but overwhelmed, Ming, who, according to the ribbon affixed to his Disney name tag, was “Earning his Ears” (Disney-speak for “trainee”). Ming related, in barely comprehensible broken English, directions to my third-floor accommodations. He traced his finger along the scaled-down hallways of a printed map. I couldn’t decipher a single word he said, but I thanked him for his concerted effort and attempted to forge the journey myself. I negotiated hallway after twisting hallway, half-expecting to be rewarded with a giant hunk of cheese at the end. I finally located my room, waved my all-encompassing keycard/charge card in front of the “magic lock” and the door clicked open.

Soon, I found myself on a jam-packed bus pushed up against giggly children, sparkly-clad teens and over-perfumed grandmas — all anxious to experience a night of shopping, dining and entertainment, Disney-style. For a Wednesday evening in February, my first thought was “Doesn’t anybody work?”  The place was jammed to the point that the crowd was moving along the paved walkways at a pace slightly faster than a shuffle. I weaved in-and-out of hand-holding families and embracing couples and made my way into the World of Disney, the self-proclaimed “largest character store in the world, if that is, indeed, a claim to fame. I immediately began texting pictures of Disney merchandise to poor Mrs. Pincus, sitting at my home 900 miles and 60° away. In a matter of minutes, I had spent over a hundred bucks on God knows what. At the next store, Pin Traders, a shop devoted entirely to the Disney phenomena of pin collecting — my credit card was declined. Two hours in Florida and no credit card? Oh shit, I was in trouble.  I called the good people at Chase, who are obviously watching out for my well-being. An apologetic representative riddled me with a series of security questions and had the whole mess straightened out in a few minutes. She did, however, ask how long I would be in Florida. (Is Chase stopping short of placing a chip in my brain? Or have they already?) I ate at the quick-serve extension of Raglan Road, a raucous Irish pub, where a giant piece of battered cod and crispy “chips” hit the spot. (My credit card worked there.) I was intrigued by two young Asian women at a table to my left. As I consumed traditional United Kingdom fare from a traditional United Kingdom menu in a traditional United Kingdom setting, they munched on a Caesar salad. So much for tradition. After dinner, I was beat, so I caught a bus back to my hotel.

The next morning, I helped myself to the free breakfast at the conference center and chatted with a few other attendees. (I think the corporate types call that “networking”.) As I was getting coffee, a young lady made a beeline right for me, stopping just inches from my personal space. She asked me directly and specifically, “Do you know where I can find a trashcan?” I don’t know why she picked me, considering you could swing a name badge lanyard and hit six Disney employees. “No, I don’’t,” I answered and I quickly slunk away.

I met up with Elgie at the opening keynote. It was essentially a fifty-minute commercial for Disney. Nobody toots their own horn better than the good Kool-Aid-drinking folks at Disney. They do, however, have every right to do so. There ain’t a better marketer on this planet than “the mouse that Walt built.” Elgie and I briefly discussed which of the simultaneous seminars we would attend and we parted with plans to meet up again at lunch.

I chose a session led by Paul Flaningan, PR director for Southwest airlines. Mr. Flaningan told some interesting stories about the methods Southwest uses to handle crises. He expounded on the positive and negative ways social media has impacted the company, citing both Twitter-only fare discounts and the infamous “Kevin Smith” Twitter incident.

My next session featured Gabby Nelson, Director of Communication for Sleep Number beds, and Maggie Fox, CEO of the hired social media group that Sleep Number uses. The session was a fifty-minute promotion for Sleep Number, with the two women giggling at each other. I wanted to smack them both. Soon, it was time for lunch.

Elgie and I and the entire contingency were led to a beachfront buffet set up just behind the Yacht Club. Tables were laden with tempting cuisine for carnivores and vegetarians alike. The alfresco dining dissolved any thoughts of the cold Philadelphia we left behind. We sat at a table and did a little more of that networking stuff. I capped my meal with a heaping serving of tres leches and then we were back at the afternoon session.

The afternoon began with a keynote by author Justina Chen. I’’m not quite sure what Ms. Chen spoke about, because she kept on subject with the focus of a camera with a cracked lens. For nearly one solid hour, she bounced from idea to rambling idea with ADD efficiency. She also blurted out a key plot point in the new James Bond film Skyfall  without the customary “Spoiler Alert” warning. In addition, she punctuated nearly every sentence with “mmmmmkay,” sounding like South Park’s  school counselor Mr. Mackey. Afterwards, Elgie and I opted to attend the presentation on the wonders of Google +. Despite the bubbly enthusiasm of Amy Ravit Korin (@interactiveAmy on Twitter), Google + came off as a feeble attempt at muscling in on Facebook’s loyal and rabid following.

I chose to end my day with Jeramie McPeek, VP of Digital for the Phoenix Suns. Mr. McPeek gave an energy-charged address, explaining the many ways that a professional sports team uses social media marketing to their advantage. Afterwards, I cornered poor Mr. McPeek, jamming a Josh Pincus business card into his hand. I told him that I never watched a basketball game in my life. I did, however, make him aware of the Twitter prank that Philadelphia Philles fans pulled on the Arizona Diamondbacks by hash-tagging all of their tweets with “#GoDbacks” for a month long period. He laughed and commented on my orange hair, noting a possible homage to his team colors. “Yeah,” I replied, “it’’s in honor of… what’s your team again?” He (@jmcpeek) now follows me on Twitter.

After a full day of seminaring, all attendees were given a short break and told to report back to the convention center to board shuttles destined for a “secret surprise Disney event.” I hurried back to my room to change. Exiting my room into the daunting labyrinth of hallways, I bumped into a young lady who looked equally confused. She smiled and read my conference-issued nametag. She then identified herself as an employee of the company that planned the conference itself. As we walked together to the shuttles, I pressed her for information.

“So, what can you tell me about tonight’s secret event?,” I asked.

“Only that it’s a secret.,” she countered with a smile.

The shuttle buses, loaded with excited conference attendees, glided covertly into a backstage area of the Disney Studios theme park. We were directed down a secret walkway, handed boxes of popcorn by friendly Disney cast members, and found ourselves front-and-center in the Fantasmic Amphitheater. Elgie and I simultaneously pulled out our smart phones and began snapping pictures and texting them off to our respective families. Mrs. P even called me so she could hear the sounds and the music as it happened. After the evening’s performance, we funneled through the closed-to-guests theme park to the Indiana Jones Theater, where the stage was decked out in banquet tables, several bars, buffet stations and a blaring DJ keeping a dissonant beat. Mickey Mouse and some of his pals were even on hand to pose for photos. During dinner, Elgie and I lamented about our advanced age as a group of obviously hammered young co-workers snaked a conga line through the dining area. (I’’m seven years older than Elgie, so how do you think I felt?) When the gala wound down, we were returned to our respective hotels. I called Mrs. P to give her a rundown of the night’s events and then I conked out. But, not before polishing off a Mickey ice cream bar, as no trip to Disney World is complete without one.

The next morning was when we got the report. All of the weather forecasts were declaring it the “Storm of the Century” (just another in a long line of “Storms of the Century”). It even had a name, for Christ’s sake! — Nemo. A little wussy sounding, but a name just the same.  I found Elgie at breakfast and she offered to call our office travel director to arrange for an earlier flight. Hearing the panic in the reporters’ voices and the footage of various preparations and precautions that East Coast cities were taking, we didn’t want to be stuck. Within minutes, we were booked on a flight scheduled to leave an hour earlier. We each attended one more seminar (Me, a fifty-five minute cheerleading session with a guy who tweets for Marvel Comics. Elgie, the same, except it was Disney instead of Marvel) and grabbed another over-priced cab ride to Orlando International.

We boarded our flight, momentarily delayed by some elitist asshole who stood in the aisle and meticulously folded his $1500 sport coat into the overhead compartment with no regard for the line of passengers waiting to be seated. The plane eventually took off.

As we made our decent into Philadelphia, the scene outside of our tiny windows was quite surprising, based on the hysteria we witnessed on television. Actually, there was no scene at all. It wasn’t even raining. It was just a little cloudy. We landed. Elgie said, “See ya Monday” as she headed for baggage claim. I called Mrs. P and told her my flight came in and I would be taking the train home. She said she was off to supermarket, but would be avoiding milk and bread aisles.

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from my sketchbook: ernest hogan

If you care to hear the Swanee River played in ragtime
As a teenager, multi-talented Ernest Crowdus performed as a singer, dancer, musician and comedian in traveling minstrel shows. He changed his surname to “Hogan” to capitalize on the high regard for Irish singers. In 1895, he wrote a comedic song called “Pas Ma La,” based on an exaggerated dance he made up while touring with Pringle’s Georgia Minstrels. Ernest published the song under a genre of music that he invented: ragtime.

He followed the nationwide acclaim of “Pas Ma La” with a song that, despite its wild popularity, he regretted having written. A regret that remained with him for the rest of his life.

Ernest wrote and published “All Coons Look Alike to Me,” a composition he adapted from a song he heard in a bar. Ernest substituted the original lyric — “pimp” — with the word “coon” and accidentally started the widespread trend of “coon songs”. The “Coon Song” trend remained popular for several decades, with hundreds of tunes published by noted and respected composers. African-Americans were infuriated by Ernest’s song and he was ultimately ashamed of what he had innocently started. Because of this stigma, Ernest is overlooked as the originator of ragtime, even though it is documented that he was the first to use the emphasized syncopation that is standard in ragtime and even the first to have the word “ragtime” appear on the sheet music of his songs. When a ragtime championship contest was held as part of the 1900 World Competition in New York, most contestants chose to play Ernest’s “All Coons Look Alike to Me” to prove their skill.

In 1907, Ernest wrote, produced and starred in The Oyster Man,  becoming the first African-American to earn the Broadway “Triple Threat” title.  During the show’s run, Ernest contracted tuberculosis and passed away at the age of 44. Just prior to his death, he admitted his dismay over the song to which he was so closely associated, saying:

That song caused a lot of trouble in and out of show business. That one song opened the way for a lot of colored and white songwriters. Finding the rhythm so great, they stuck to it … and now you get hit songs without the word ‘coon.’ Ragtime was the rhythm played in backrooms and cafes. The ragtime players were the boys who played just by ear their own creations of music which would have been lost to the world if I had not put it on paper.

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IF: wings

This week, the Illustration Friday word is “wings”.
Dead on your feet, you won't get far if you keep on sticking your hand in the medicine jar.
Jimmy McCulloch looked like he was headed in the direction of super-stardom.

At fifteen, he was recruited by Who guitarist Pete Townshend to be a part of a group that would record songs he wrote but would not be released by The Who. Jimmy, along with “Speedy” Keen and Andy “Thunderclap” Newman, formed Thunderclap Newman and released the hit “Something in the Air” in 1969. The song went right to the top of the charts and made Jimmy the youngest performer on a Number One record in the United Kingdom — a distinction that still stands today.

In the early 70s, Jimmy played as a session guitarist with Harry Nilsson, The Who’s John Entwistle and Beatles pal Klaus Voorman. In ’72, he became the lead guitarist for popular British band Stone The Crows, replacing the late Les Harvey after he was electrocuted onstage.

When Stone The Crows disbanded, Jimmy hooked up with Paul McCartney, becoming the lead guitarist for his post-Beatles band Wings. Jimmy’s work can be heard on two Wings studio albums — Venus and Mars  and Wings at the Speed of Sound  — as well as the non-album single “Junior’s Farm” and the million-selling, three-disc chronicle of Wings’ live tour Wings Over America.  Not just a performer, Jimmy collaborated on several compositions, contributing music to lyrics written by former Stone The Crows drummer Colin Allen.

In 1977, Jimmy left Wings to join Steve Marriott and Kenney Jones in the reformed Small Faces. Allegedly, McCartney was relieved, as he had found Jimmy increasingly difficult to work with. The Small Faces reunion couldn’t have come at a worse time, as England’s musical tastes were changing. Punk rock was emerging and the guitar-driven rock of the early 70s was falling out of favor. Small Faces reunion albums were both critical and commercial failures. Jimmy formed a new band with former members of BeBop Deluxe, T. Rex and Nazareth, calling themselves The Dukes. The Dukes recorded one album before 26 year-old Jimmy died of a heroin overdose

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IF: myth

This week’s Illustration Friday challenge word is “myth”.
you should do something about that speech impediment

Walt Disney. Artist. Animator. Innovator. Visionary.

In 1928, Walt produced Steamboat Willie,  the first synchronized sound cartoon. The cartoon introduced the world to a little character named Mickey Mouse. Walt would go on to create the first full-length animated feature, Snow White and the Seven Dwarfs.   Feature-length cartoons were unheard of at the time. Walt was ridiculed and industry colleagues referred to the project as “Disney’s Folly”. Of course, Snow White  went on to become the most successful film of 1938, earning eight million dollars in its initial release. Over the years, The Disney Studios’ short subjects, documentaries and features earned Walt the distinction of the most Oscars awarded to any individual.

In the 1940s, Walt discussed plans for an amusement park unlike anything anyone had seen before. Walt’s dream became a reality when Disneyland opened in 1955. Despite a rocky opening day, Disneyland proved to be wildly successful, introducing a new phrase into the lexicon — “theme park”. Just eleven years after Disneyland’s opening, and during the planning stages of an even bigger venture in central Florida, Walt passed away from lung cancer at the age of 65.

And so began the myth.

Ask anyone. They’ll tell you the fate of Walt Disney’s remains.  You probably know the story yourself. Walt, ever the forward thinker, made arrangements to be cryogenically frozen, only to be revived when a cure for cancer was discovered. The tale goes on to put Walt’s iced body in a specially-constructed, temperature-controlled chamber tucked below the Pirates of the Caribbean  attraction in Disneyland’s New Orleans Square. Lillian Disney, Walt’s widow, cringed whenever she heard this account of Walt’s afterlife and fought for years to dispel the legend.

There is a brass plaque in a small private garden to the left of the entrance to the Freedom Mausoleum at Forest Lawn Cemetery in Glendale, California. The first name inscribed at the top of the plaque reads “Walter Elias Disney”. This is where Walt’s cremated remains are allegedly housed. However, I like to think that Walt faked his own death, à la Elvis or Tupac, and now wanders around Disneyland incognito — taking in the crowds, riding the teacups and eating peanuts. He seemed like that type of guy.

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from my sketchbook: kevin coughlin

Accidents will happen/We only hit and run
Kevin Coughlin was one of those teen actors that was everywhere in the 60s. With his big smile and tousled shock of blond hair, he convincingly played both good kids and delinquents. Kevin showed up in various episodes of popular Westerns like The Virginian, Gunsmoke  and Bonanza.  He was equally adept in comedies, with parts in The Patty Duke Show  and The Phil Silvers Show.  Kevin was also cast in adventure series, such as The FBI  and Dragnet.

Kevin was no stranger to the big screen, appearing in the Tony Curtis/Sidney Poitier prison thriller The Defiant Ones.  He went on to star in a series of “troubled teen” films in the late 60s, including his final film The Gay Deceivers,  one of the first Hollywood productions to present homosexuality in a true and realistic manner. Mysteriously, Kevin’s on-screen career abruptly ended following that film.

In January 1976, Kevin and his wife, Marcia,  had just left a party in Los Angeles.  Marcia sat in the passenger’s seat of their car while Kevin cleared some debris from the windshield. Suddenly, a speeding car struck Kevin, sending him flying nearly 60 feet in the air. He landed in a nearby parking lot with two broken legs and a broken hip. Kevin was rushed to the hospital in an emergency vehicle. He died of bronchial pneumonia ten days later, never regaining consciousness. Kevin was 31. Despite his one-time popularity, his death was not reported in the Los Angeles Times.

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DCS: donny hathaway

compromisin', enterprisin', anything but tranquilizing

From the time he was young, Donny Hathaway expressed an interest in music. He sang in church choir with his grandmother and played in jazz bands. At Howard University, on a fine arts scholarship, Donny studied music and began a life-long friendship with classmate Roberta Flack.

He left Howard University before graduation and began writing, playing and producing for various musical acts, including The Staple Singers, Jerry Butler, Aretha Franklin and The Impressions, before becoming the house producer at Curtis Mayfield’s Curtom record label. In 1969, Donny recorded his debut album, the critically acclaimed Everything is Everything  on Atco Records. His follow-up self-titled second album was mostly covers performed in a wide variety of musical styles. His next recording, an album of duets with friend Roberta Flack, cemented a place for Donny on the pop charts. It yielded the Top Five hit “Where is the Love”.

In the 70s, Donny was busy and unstoppable. He scored the film Come Back Charleston Blue,  wrote the holiday favorite “This Christmas” and sang the theme song for the popular TV sitcom Maude. He also released a live album and recorded a second hit duet with Roberta Flack – the popular “The Closer I Get to You,” which went to number 2 on the Billboard Top 100 in 1978.

Donny also battled depression throughout the 70s, and it caused a temporary rift in his relationship with Flack. In addition, he suffered from paranoid schizophrenia and was regularly heavily medicated to keep it at a manageable level. His personality swings required several lengthy hospital stays. On January 13, 1979, Donny was ranting to two studio musicians about “white people trying to kill him” and “connecting his brain to a machine for the purpose of stealing his music and his sound.” He was delusional and out of control.

A few hours later, Donny was found dead on the sidewalk outside of the Essex House Hotel. He had carefully removed the glass window from his fifteenth floor room and jumped. Donny was 33 years old.

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