from my sketchbook: thelma todd

Spends his days counting/In a garage by the motorway

Thelma Todd, Hollywood’s “Ice Cream Blond”, was most famous for the comedy short subjects she made for producer Hal Roach starring opposite Laurel and Hardy. She appeared with the Marx Brothers in their classic Monkey Business and Horse Feathers. One of Hollywood’s original “party girls,” Thelma was in a tumultuous marriage with gangster Pat DiCicco. Many nights with DiCicco ended with drunken brawls. Thelma divorced DiCicco and found comfort in the arms of director Roland West. West offered salvation with companionship, drugs and liquor. With West’s guidance, Thelma opened Thelma Todd’s Sidewalk Cafe, a seaside restaurant in Pacific Palisades. The restaurant gained popularity among Hollywood’s elite, as well as tourists, and was very successful.

In 1934, Thelma began an affair with another gangster, Charles “Lucky” Luciano. Luciano kept Thelma supplied with amphetamines, hoping to persuade her to allow him the use of a room at her restaurant for a secret gambling den. She flatly refused. “Over my dead body!,” she said. “That can be arranged.,” Luciano replied.

On December 14, 1935, Thelma met comedian Stanley Lupino and his daughter, actress Ida, at Cafe Trocadero in Hollywood. Before she left the luxurious apartment she shared with Roland West, he told her to “be in by 2 a.m. or I’ll lock you out.” Their apartment was situated at the top of a long narrow staircase above the restaurant.

On Monday morning, December 16, May Whitehead, Thelma’s maid, came as scheduled, to clean the apartment. When May climbed the stairs, she saw the garage door slightly ajar. May looked inside and found Thelma dead, slumped over the steering wheel of her Packard convertible. An investigation yielded a smeared hand-print (not Thelma’s) on the car’s door. A death certificate was issued with the cause as “accidental carbon monoxide poisoning.” It appeared  that Thelma has passed out in the closed garage with the engine running. However, there was blood on her dress from a wound. Several people close to her believed she had been the target of an extortion plot and she was murdered. Thelma’s body was cremated, so a thorough autopsy was not possible. A definitive conclusion was never determined and Thelma Todd’s death, at the age of 29, remains one of Hollywood’s greatest mysteries.

A prophetic footnote to the story… In Monkey Business,  Groucho Marx quips to Thelma: “You’re a woman who’s been getting nothing but dirty breaks. Well, we can clean and tighten your brakes, but you’ll have to stay in the garage all night.”

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DCS: walter slezak

Hi-diddle-dee-dee/An actor's life for me
Walter Slezak was working as a bank teller in his native Austria when he was talked into a role in the 1922 silent biblical epic Sodom and Gomorrah by his friend, director Michael Curtiz. Walter was one of over 14,000 performers in the film, which was the largest and most expensive production in Austrian film history.

Once arriving in the United States, Walter began a long career on the Broadway stage with appearances spanning three decades. He won a Tony in 1955 for his performance in the musical Fanny,  alongside Florence Henderson, years away from her career-defining role as favorite TV mom “Mrs. Brady,” and ten-year old Gary Wright, the future keyboardist for the band Spooky Tooth and singer of the popular song “Dream Weaver”.

In Hollywood, Walter had roles in over 100 movies, usually playing tough guys and villains. He is best remembered as the German U-Boat captain in Alfred Hitchcock‘s Lifeboat.  Occasionally, he strayed from his “heavy” roles with lighter turns in The Wonderful World of the Brothers Grimm, The Inspector General  with Danny Kaye and Barbara Bates, Bedtime for Bonzo — with future president Ronald Reagan — and a production of Treasure Island  with Orson Welles. On television, Walter acted in many anthology series and even spoofed his villainous screen persona as The Clock King in an episode of the campy 60s superhero show Batman. In the 70s, he was featured opposite his daughter Erika (who played Lord family matriarch Victoria) on the long-running ABC soap opera One Life to Live.

In his advanced age, Walter suffered declining health and subsequent depression. Just two weeks before his 81st birthday, Walter took his own life with a self-inflicted gunshot.

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IF: puzzled (part 2)

This week’s Illustration Friday word is “puzzled”. This is one of two illustration that fit the topic. HERE is the other.
Every day I work so hard, bringin' home my hard-earned pay/Try to love you, baby, but you push me away/Don't know where you're goin', only know just where you've been/Sweet little baby, I want you again
Where ever she was — whether it was on the front lawn with the other evacuees or in her home watching it all unfold on the live local news coverage — Robyn Anderson was puzzled. Just three days earlier, Robyn was dancing at her senior prom. She mingled with classmates — laughing, reminiscing — with some, prophetically, for the last time. But, as she watched, in horror and disbelief and confusion, she remembered what she had done six months earlier.

Robyn was a church-going, straight-A student who made her parents proud. In ninth grade, she met an awkward and brooding boy in her class and the two became friends. They studied together and, although she didn’t share  his interest, Robyn watched as he spent hours playing computer games. Over the years, Robyn was always “one of the gang.” The two grew close and she knew of his social troubles at school. She tried her best to encourage and support him, as any friend would. Despite the lack of a mutual romantic feelings, Robyn asked him to the upcoming prom, knowing full well that he never dated. He accepted, with the provision that she do something for him. She agreed, later telling a girlfriend, “I am either really cute or just really persuasive!”

In November 1998, the boy, Dylan Klebold, asked Robyn to accompany him and his pal Eric Harris to a gun show in Denver, Colorado. Dylan and Eric, their birthdays still several months away, knew Robyn had turned 18 (the legal age to purchase firearms) two weeks before. Robyn figured that since Dylan had a job and income and didn’t spend money on dating, this is what interested him. He was certainly free to spend his money on whatever he wished. The trio arrived and entered the enormous room that housed the gun show. It was stocked with row after row, table after table of every shape and size of legal firearm imaginable. They approached one table and Dylan spotted a double barrel shotgun lying on its side, its black muzzle pointing at the curious and prospective customers. Dylan asked the price — $245 — and Robyn announced to the vendor that she was eighteen. When questioned, Robyn produced her driver’s license and after a little scrutiny, the sale was completed. Dylan reached for the gun first and the vendor asked, “Being a gentleman and carrying it for the lady?”

Dylan smiled and answered, “Yes.”

During the afternoon, they made made two more purchases — another shotgun and a rifle. Each transaction went as smoothly and uneventful as the first. As they made their way back to Littleton, Robyn was satisfied that she upheld her end of the deal. Now, she had high-school-girl visions of herself and Dylan at the prom.

When they arrived at Dylan’s house, a disturbing thought crossed Robyn’s mind, and she bluntly asked, “You aren’t going to do anything stupid, are you?”

“No,” Dylan replied.

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from my sketchbook: rod hull

Well, don't you know about the bird/Well, everybody knows that the bird is the word
British-born Rod Hull moved to Australia in the early 1960s and got a job as a lighting technician on Sydney’s Channel 9 Network. Soon, he was appearing as Constable Clot, a popular daydreaming character on daytime television aimed at children. At the request of the show’s producer, Rod began performing with an ingenious emu puppet. Rod’s hand and arm became the emu’s head and elongated neck, while a false arm extending from Rod’s jacket appeared to wrap around the giant bird’s torso. Rod perfected his interaction with the emu character so well that it looked as though the puppet was actually alive — and out of control. On numerous television and nightclub appearances, the emu would wreak all sorts of destructive havoc while poor Rod tried — helplessly and unsuccessfully — to maintain composure and keep the beast restrained. The effect was convincing — and hysterical.

Rod returned to his native England. He was a guest on many television programs, including the popular Michael Parkinson interview show, where, again, Rod attempted to corral the emu as it attacked both set and host. The audience was in stitches, as was Parkinson. Crossing the ocean, Rod was a semi-regular on The Hudson Brothers Razzle Dazzle Show,  a Saturday morning variety show for kids. He famously appeared on The Tonight Show,  where he ignored producer’s warnings and “allowed” the emu to attack Johnny Carson and guest comedian Richard Pryor, who was fresh from recent surgery.

As the 80s became the 90s, Rod’s popularity diminished and his television appearances were less frequent. A British documentary, Rod Hull: A Bird in the Hand,  revealed that Rod resented the puppet. He felt that, despite overwhelming but brief success, the emu held him back from pursuing other areas of show business.

In March 1999, Rod was watching a championship football match at his home in Southeastern England. He climbed up on the roof to adjust an antenna to improve reception, when he slipped and crashed through the roof of an adjoining greenhouse. He was pronounced dead at a hospital, having sustained severe skull and chest injuries. Rod was 63.

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DCS: wendy o. williams

Oh, goodbye cruel world, I'm off to join the circus/Gonna be a broken-hearted clown/Paint my face with a good-for-nothin' smile
In the end, Wendy O. Williams had just about enough of the world’s shit.

As a child in Webster, New York, Wendy was a student of music, studying the clarinet and even making an appearance on The Howdy Doody Show.  At 16, she ditched school and hitchhiked her way across the country, selling crocheted bikinis to pay expenses. In 1976, she arrived back in New York and found an audition ad for an experimental performance group that piqued her interest. She showed up at Captain Kink’s Theatre and instantly clicked with “The Captain” Rod Swenson. Rod, a Yale MFA graduate, encouraged Wendy and with his assistance, she formed the seminal punk/metal band The Plasmatics in 1978.

The Plasmatics, with bleached-blond mohawked Wendy at the helm, were pioneers in the shocking stage antics that made “punk” punk. During performances, they would destroy guitars with a chainsaw, demolish televisions with sledgehammers and, on occasion, detonate a Cadillac piled high with explosives. In 1981, Wendy was arrested in Milwaukee for simulating sex onstage. She was additionally charged with battery when she allegedly attacked the arresting officer. In Cleveland, she took the stage dressed only in dollops of shaving cream and was, again, promptly arrested for public nudity and obscenity. All of the charges were eventually dropped and Wendy took to wearing strategically placed strips of electrical tape to avoid further incidents. Offstage, she was fined $35 dollars for punching a photographer after he took a picture of her on her morning jog.

Despite her notorious reputation, Wendy was nominated for a Grammy in 1985 for Best Female Rock Vocal Performance. (She lost to Tina Turner.) She recorded several solo albums including a 1984 effort produced by KISS bassist Gene Simmons. As an actress, Wendy appeared in the exploitation film Reform School Girls and the X-rated feature Candy Goes to Hollywood.

In 1991, she put the music business behind her. She and Rod Swenson moved the tiny community of Storrs, Connecticut. Leaving her controversial career and fearsome behavior in her past, Wendy devoted her attention to wildlife rehabilitation while working in a local heath food store. She became a vocal proponent for animal rights and vegetarianism.

On April 6, 1998, Rod returned to their home after a trip to the supermarket. He found a note from Wendy that read:

I don’t believe that people should take their own lives without deep and thoughtful reflection over a considerable period of time. I do believe strongly, however, that the right to do so is one of the most fundamental rights that anyone in a free society should have. For me, much of the world makes no sense, but my feelings about what I am doing ring loud and clear to an inner ear and a place where there is no self, only calm.

Rod searched a wooded area behind the house — an area where Wendy liked to walk, feed the forest animals and gather her thoughts. He found her body on the ground beneath the trees — a pistol lying by her side and a gunshot wound in her head. Wendy was 48 years old.

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from my sketchbook: barbara bates

Life is a beautiful thing/as long as I hold the string/I'd be a silly so-and-so/if I should ever let go
For aspiring model Barbara Bates, the world was her oyster. As a teenager, she won a train ticket to Hollywood as a prize in a beauty contest in hometown Denver. During her whirlwind trip, she met Cecil Coan, a publicist for United Artists. 45-year old Cecil was smitten with 19-year old Barbara. Through his show business connections, Cecil got Barbara a contract with Universal Pictures. She was cast a one of several dancers behind star Yvonne DeCarlo in the 1945 film Salome Where She Danced.  A short time after filming wrapped, Cecil left his wife and four children and married Barbara. Barbara began regularly appearing in uncredited background roles in films and pin-up spreads in publications like the Armed Forces magazine Yank.

In 1947, Barbara signed with Warner Brothers. Warners presented Barbara as “the girl next door”. Her wholesome image landed her opposite Danny Kaye in the musical comedy The Inspector General.  During production, Barbara began an affair with co-star Kaye and soon had her contract with Warners terminated when she refused to take part in a promotional publicity tour for the movie.

Despite her being fired, she was quickly snatched up by 20th Century Fox. Within the year, she appeared in her most memorable role as “Phoebe” in the final scene of the Bette Davis tour-de-force All About Eve.  Although her screen time was brief, Barbara was critically praised for the powerful, yet prophetically evil, performance that brought the film’s story full circle. She followed All About Eve  with Cheaper By the Dozen, Let’s Make it Legal  and even a turn with Dean Martin & Jerry Lewis in The Caddy.

The early 50s brought Barbara unfounded feelings of insecurity, resulting in irrational mood swings and chronic depression. She began work on a TV sitcom called, ironically, It’s a Great Life,  co-starring a pre-Andy Griffith Show  Francis Bavier. Seven episodes into the series, Barbara’s character was written out of the show. Barbara’s erratic and disruptive behavior got her fired. Gaining a bad reputation in Hollywood circles, Barbara traveled to England to find work. She signed as a contract player with noted producer J. Arthur Rank’s studio. After two months, Barbara’s missed appointments and emotional instability again caused her to be dismissed.

She returned to the United States in 1960 where she and Cecil moved into a small Beverly Hills apartment. Later that year, Cecil was diagnosed with terminal cancer. Barbara was devastated and rarely left her husband’s side. She doted over him until the pressures became too much and she slit her wrists in an unsuccessful suicide attempt. Cecil passed away in January 1967. Depressed and despondent, Barbara totally abandoned her acting career. She returned to her Denver roots where she worked, at various times, as a secretary, a dental assistant, and a hospital aide. She married a childhood friend, but just four months later, Barbara purposely locked herself in her mother’s garage with her car’s engine at full power. She died of carbon monoxide poisoning at 43.

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Monday Artday: miscalculated/IF: puzzled (part 1)

funny... you don't look Jewish.
For years, my wife has been in pursuit of the perfect hamburger. While a lot of carnivores share this quest, it should be noted that Mrs. Pincus has kept a strictly kosher diet for over forty years. Eating kosher meat within the privacy of one’s home is a fairly easy task. At one time, a kosher butcher shop was the only outlet for certified kosher meat. As time went on and the number of families seeking kosher products increased, major supermarkets began stocking a variety of commercially-packaged meats along with other mashgiachsupervised groceries. Thus, the preparation of kosher meals at home is not difficult, however finding a decent kosher restaurant in the Philadelphia area is another story.

In New York, the city that never sleeps, you can swing a tallit over your head and hit six kosher restaurants with no effort. But Philadelphia, the fifth largest city in the country with the sixth largest population of Jews (206,000 of ’em), can’t keep a kosher restaurant in business to save its life. In the thirty years since I began to observe the laws of kashrut, I have seen kosher eateries come and go as quickly and abruptly as the Red Sea swallowed up Pharoah’s army. The problem with the majority of these places is they are either run by people with no business or restaurant experience or they are filthy and unappetizing. One day, my in-laws told us of yet another new kosher restaurant that opened in Northeast Philadelphia and my wife and I decided to give it a try. Perhaps this will be the one that makes Mrs. Pincus’ Hamburger Hall of Fame.

We drove out to the Northeast and pulled into the parking lot of one of the many cookie-cutter strip centers that line Castor Avenue. Squeezed between a credit union and a dry cleaner was a small storefront passing itself off as a restaurant. Once inside, we had our choice of tables, since we were the only customers. (That was not particularly encouraging considering it was the customary dinner hour.) We sat and were greeted and handed laminated menus by a young waitress. I perused the surprisingly numerous offerings. My wife, however, studied the “Hamburger” section of the menu, her eyes not straying to other areas — no matter how enticing. A few minutes later, the waitress returned and we placed our order. I’m sure I ordered something simple and sandwich-y. My wife ordered a hamburger with some cutesy name, but a hamburger no less. The restaurant’s decor left a lot to be desired. So with little distraction, we chit-chatted while we waited for our meals.

Soon, the waitress approached our table with two plates laden with steaming food. My wife’s burger looked delicious — decorated with green lettuce, red tomato and a variety of condiments — and judging from the way she savored every bite, it tasted delicious as well. All through dinner, Mrs. Pincus talked about how much she was enjoying her burger and when we finished and were presented with the check, she expressed her pleasure with the meal to the waitress before even being asked.

When I arrived home from work the next day and inquired about dinner plans, my wife excitedly suggested the restaurant from the previous evening. She said she had thought about the burger from the night before and really wanted another one. So, again, we trekked out to the Northeast for a repeat performance from the chef at the new kosher restaurant. We essentially mimicked our actions from the night before, right down to occupying the same table. On this evening, a different waitress took our order and we chuckled that a place with such sparse business needed more than one server. Of course, Mrs. Pincus ordered the same burger. A short time later, the waitress returned and placed a platter before my wife. It didn’t look remotely like the burger she had enjoyed so much a mere twenty-four hours earlier. It was on a different type of bun. It had different accoutrements and the burger itself was speckled with unidentified bits of red and green that weren’t present in the previous version. My wife beckoned the waitress over to our table and asked, “Is this what I ordered? I’ve gotten this before and it looked… er… different.”

The waitress replied, “I’ll ask.” and she scooped up the plate and walked toward the visible open grill behind the counter not ten feet away from us. The grill was being manned by a burly fellow with a white napkin knotted around his neck. Smoke rose from several meat patties sizzling on the grill, but for whom they were intended I couldn’t say, since again, we were the only patrons. The waitress pointed to us and began to converse with the chef in Hebrew, intending to keep their dialogue confidential.

Luckily, my wife, a graduate of many years of Hebrew studies, speaks fluent Hebrew and she smiled as she whispered the entire translated exchange to me as it unfolded.

“She says it looks different from the last time she got it.,” said the waitress in Hebrew, her finger jabbing the air in our direction.

The chef, not looking up and focusing his attention on his frying burgers, replied in Hebrew, “Just tell her that how we make them in Israel.”

A frown wrinkled our waitress’s face and she studied my wife for a moment. From afar, she examined her long, straight, dark hair cascading over her shoulders. She scrutinized her dark complexion and analyzed her dark eyes. She then turned back to the chef and, again in Hebrew, reported her conclusion in a tone of trepidation.

“I can’t.,” she said, “I think she’s Israeli.”

Needless to say, that was our last visit and the place didn’t last out the month.

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