from my sketchbook: a family

we are family
In 2008, popular South Korean actress Choi Jin-sil hanged herself. She had starred in nearly two dozen movies and television shows and was the veteran of over 100 commercials. She earned herself the nickname “The Nation’s Actress”. She was married to Cho Sung-min, a one-time pitcher for the Japanese baseball team The Yomiuri Giants. The couple split after Jin-sil claimed and exhibited the results of spousal abuse. Despite the publication of her inspirational autobiography, Jin-sil battled depression for years. Jin-sil’s suicide triggered a 70% increase in suicide in South Korea for about a month after her death.

In 2010, Choi Jin-sil’s younger brother, Choi Jin-young hanged himself. Jin-young rose to fame as the star of the Korean television series Our Paradise. He was featured in films, television dramas and commercials, just like his sister. Jin-young also found success as a singer, scoring a hit with his song “Forever,” which was popular among South Korea’s youth.

In 2013, Choi Jin-sil’s ex-husband, Cho Sung-min hanged himself. After his marriage to Choi Jin-sil ended, he was plagued by injuries, forcing an end to his baseball career. He made several bad financial investments, as well as a failed attempt at broadcasting. Sung-min left a note for his mother that read: “It looks like there is no way for me to live in Korea anymore. I am very sorry, but please think that you never had a son.”

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from my sketchbook: jeanne eagels

New York's a go-go and everything tastes nice
Eugenia Eagles quit school as a child to work as a cash girl in a Kansas City department store to help her widowed mother support six children. But, at 15, young Jeanne caught the acting bug and began touring with a traveling theater company.

At 21, she headed to New York City, where she became one of the famed Ziegfeld Girls. Jeanne appeared in numerous stage shows, including three consecutive productions opposite the revered George Arliss, the first British actor to win an Oscar. In 1915, she landed her first motion picture role for the Thanhouser Film Corporation, a pioneer in silent movies with over 1,000 films to their credit.

Jeanne was back on the stage in 1922 with a starring role in Somerset Maugham’s Rain. She toured for two years in the show and returned to Broadway for a farewell performance in 1926. After failing to show up for a play in Milwaukee, she was banned from the stage for 18 months by the Actors Equity Union. Jeanne used the time to go to Hollywood. She made two films, The Letter  and Jealousy,  both released in 1929.

Booked for a big Broadway comeback, Jeanne passed away suddenly in a New York hospital. Three independent coroner’s reports arrived at three different causes of death, but evidence pointed to excessive amounts of alcohol and heroin. Jeanne was 39 years old.

Jeanne was nominated for the 1929 Best Actress Oscar for her role of Leslie Crosbie in The Letter,  making her the first actress to receive a posthumous nomination. She lost to Mary Pickford in Coquette.  (Eleven years later, The Academy nominated Bette Davis for the same role in a remake of The Letter.  She lost as well… to Ginger Rogers in Kitty Foyle.)

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IF: edge

I see the edge. I look. I fall.
Do you even know what this is? Well? Do you?

There was a time when this was cutting edge technology. Once it appeared in offices, it was unimaginable that we ever did with out it. And if your office didn’t have one, well… you might as well have closed up shop, moved back to the cave and chiseled out your messages on a slab of rock.

And then, suddenly, this piece of standard office equipment was obsolete, running its course in just a few years. No further advancements were made in its technology. It was just sidestepped in favor of other — more efficient — methods of telecommunication.

Now it just sits. No need for a second designated phone line. It’s not even plugged in anymore. It just silently gathers dust. An object of curiosity from a time not so long ago.

Raise a final toast to this once-noble, state-of-the-art communication device. Oh, fax machine, we hardly knew ye.

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from my sketchbook: mary mallon

What did I do to make you leave me/Whatever it was I didn't mean to/You know I never would try and hurt ya.

Mary Mallon was an uneducated, hot-tempered Irish immigrant, but, boy, could she cook.

Mary came to the United States in 1884 and worked a succession of menial jobs until she discovered her talents in the kitchen. In 1900, she found employment as the personal cook for a family in Westchester County, just outside of Manhattan. She prepared all of the family’s meals, including her famously delicious peach ice cream. Within two weeks of her employment, several members of the family came down with typhoid fever and Mary left them.

She began working for another family, this time in Oyster Bay, Long Island, but within two weeks, ten of the eleven members of the household were hospitalized with typhoid fever. She secured cooking positions at three more homes, all with similar results.

George Soper, a sanitation expert and medical investigator began researching Mary’s trail of sickness. Always a few steps behind, Soper interviewed Mary’s employers and their families until he finally tracked her down in 1907. He attempted to question her, but she was uncooperative. Actually, she was downright nasty. Mary angrily brushed off the notion of being the source of any sickness, since she never exhibited any symptoms.  Regardless of Mary’s position, Soper published his report in The Journal of the American Medical Association.  This prompted The New York Department of Health to send Dr. Sara Josephine Baker, an early advocate for public health, to talk to Mary. Citing Mary as a source of typhoid, Dr. Baker had two police officers take an obstinate Mary into custody.

Mary was forcibly subjected to testing, including urine and stool samples. Results showed that her gallbladder was teeming with typhoid salmonella. She admitted that she rarely washed her hands while cooking, claiming she never felt that it was necessary. A subsequent report published in The Journal of the American Medical Association  referred to her as “Typhoid Mary,” and she was immediately sent into quarantine at a clinic located on North Brother Island, near Riker’s Island. Mary protested, maintaining that she couldn’t possibly carry any disease since she showed no symptoms.

In 1910, Mary was released when the Department of Health decided that disease carriers should no longer be held in isolation. Mary promised to abandon her career in cooking and got a job doing laundry. But, soon, using the alias “Mary Brown,” she returned to the kitchen. For the next five years, she worked in various kitchens, leaving numerous cases of typhoid in her wake. After an outbreak of typhoid fever at New York’s Sloane Hospital for Women, George Soper discovered that a red-haired, immigrant cook had recently left the facility. Public health officials caught Mary a few months later and returned her to the facility on North Brother Island. She remained there for the rest of her life, giving interviews to curious reporters and investigators and becoming a minor celebrity.

Mary died in 1938 from complications of a stroke. An autopsy revealed live typhoid bacteria in her gallbladder. Her remains were cremated at the autopsy’s conclusion.

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DCS: doodles weaver

cabbage by a head

Winstead Sheffield Glenndenning Dixon Weaver loved to pull pranks and plan practical jokes as a student at Stanford University. His penchant for comedy led him to become a contributor to the school’s humor magazine.

Using his childhood nickname “Doodles”, he began appearing on Rudy Vallee’s radio program and eventually signed on as a member of the raucous big-band Spike Jones and His City Slickers in 1946. While performing with the zany Jones, Doodles created the character of Professor Feetlebaum, a crazy scholar who specialized in confusing soliloquies, mangled speech and Spoonerisms (transposing the first letters of corresponding words). He is most famous and best remembered for his horse race announcing bit during Jones’ inspired take on “The William Tell Overture.” Doodles toured with Jones and his band until the 1950s.

Based on a hilarious Ajax cleanser commercial he did with a pig, Doodles was given his own TV show as a summer replacement for the popular Your Show of Shows  on NBC. He was a frequent guest on variety shows and sitcoms, including The Andy Griffith Show,  Dragnet, The Donna Reed Show — even The Monkees  and Batman.  Doodles also had supporting roles in nearly 100 films, appearing several times alongside Jerry Lewis and a cameo in Hitchcock‘s ornithological chiller The Birds.  In addition, Doodles served as the host of several low-budget childrens’ shows, with the credits listing “Doodles… Doodles Weaver” and “Everybody Else… Doodles Weaver.”

He also was a contributor to the early days of Mad  magazine.

Doodles battled with alcohol addiction later in his life, as well as failing health. He underwent a triple-bypass heart operation in the late 70s. In an interview in 1981, he said “Nothing means anything when you’re in pain.”

In 1983, 71-year old Doodles died from a self-inflicted gunshot.

His niece, actress Sigourney Weaver, carries on the family’s showbiz name.

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IF: new

This week’s Illustration Friday challenge word is “new”.
Here comes the jackpot question in advance

New Year’s Eve 1986 was the most memorable New Year’s Eve for me — and nothing spectacular even happened. It was better than the New Year’s Eve when I got stupid drunk and discovered true meaning in Side Two of Pink Floyd’s Wish You Were Here. It was better than the New Year’s Eve that I dumped Linda Cohen just forty minutes after the ball dropped in Times Square. It was better than New Year’s Eve 1999, when I still maintained that it was not the turn of the century no matter what eleventy gazillion people said. No, I will never forget New Year’s Eve 1986 and even though I actually slept right through the clock striking midnight, I still remember it fondly it all these years later.

I have loved Walt Disney World since I set foot on those magical grounds in central Florida for the first time in 1981. I took two great summer trips there with friends, followed by a honeymoon with my new bride a few years later. Although, my wife and I love the Disney theme parks and the surrounding attractions (read: outlet malls), the heat and humidity in the Orlando area in July can be uncomfortable. So, we decided to give a December trip a try. The notion of seeing the Magic Kingdom decorated for Christmas heightened our excitement.

The decision to drive the 990 miles to Mickey’s Mecca was made without a discussion. Despite the fact that Mrs. P was just informed that she was six weeks pregnant, driving our car was still our preferred choice for transportation. We knew that with a family expansion, our next trip to anywhere would be way off in the unforeseeable future. So, my wife wanted one last long-distance hurrah behind the wheel before the responsibility of parenthood forces us to think rationally. Besides, she loves driving and I love passengering, so it’s a match made in heaven — by way of Triple A.

We were joined on this trip by Ricci, Mrs. P’s longtime closest friend, who was Maid of Honor at our wedding and our choice for godmother to our pending offspring. While I made the arrangements for admission tickets and plotting a route for our journey (in the days before the internet and the GPS), Ricci offered to take on the task of booking hotel accommodations near Disney World. A few days before our departure, Ricci cheerfully reported that she had secured a hotel.

We loaded up the hatchback of our tiny Nissan with enough essential gear for three adults and we left the day after Christmas, which — as the calendar would have it — was the first night of Chanukah. My ever-prepared spouse packed a small menorah and enough candles to take us through Day Eight of the observance. Judah Maccabee would have been proud. Mrs. P navigated the car south on I-95 and we talked and sang and marveled at the quirky sights along the way (A Cracker Barrel every fifteen feet qualifies as — quirky — in my book). After a long day of driving (and an obligatory stop at South of the Border for God knows what reason!), we pulled into a roadside motel just north of Savannah, Georgia. We just wanted to stretch our legs, eat and sleep so we could arrive fresh and relaxed in Orlando the next afternoon. Plus, we needed to light candles for Chanukah’s opening night. We grabbed a quick dinner at the restaurant next to our motel, returned to our room, kindled the holiday flames and hit the sack. We woke early the next morning and headed out to the same restaurant for breakfast. After our morning meal, we came back to find our room had been made up by the attentive housekeeping staff — beds made, fresh towels stacked by the small sink, carpets vacuumed, waste cans emptied. However, the remnants of the previous evening’s Chanukah candles were conspicuously untouched. The matchbook lay in the exact same position in which it was left. The melted candle wax, now hardened, stood undisturbed — its frozen drips never reaching the nearly circular, solid puddle of paraffin below. Several unused candles were untouched, still balanced precariously upon one another, just as they had slid from the box eight hours earlier. We figured the chambermaids were horrified and mistook this display for some primitive ritual of black magic, wanting no parts of it. Perhaps they left the room extra clean as a peace offering.

After a full morning on the road, we took the Kissimmee exit on I-4 and began the search for our hotel. Since it was holiday time, the hotels along that stretch of US Route 192 were adorned in Christmas finery. Hundreds of lights twinkled from in and around artificial greenery and from under piles of fake snow, giving the otherwise temperate clime a faux-wintry façade. The changeable signage below each lodging establishment’s illuminated logo declared some sort of sentiment of the season. We passed numerous “Happy Holidays,” “Seasons Greetings,” and the occasional holiday-specific “Merry Christmas,” all glowing softly with a welcoming radiance, regardless of the succession of angry “NO VACANCY” signs ablaze just a few inches below. Luckily, we had reservations. The procession of corporate resorts dwindled and we finally located our hotel. It was the last one on the strip before the multi-lane highway yielded to overgrown brush and heat-buckled macadam. The backlit sign proclaimed “Happy Birthday Jesus” in eight-inch high, right-to-the-point Helvetica Bold Caps. This was to be our home for the next five days.

I obtained the key and directions to our room from the office. I pointed to my wife and she pulled the car ahead in the direction of my outstretched finger. I turned the key in the lock (remember — this was 1986 in a technologically-deficient hotel) and the door swung open to reveal a plain room with two plain beds, a plain lamp and plain dresser and, as we soon discovered, a sink without running water. A quick call to the office (on the age-yellowed desk phone) told me that some work was being performed on the pipes and the water should be on in “a little bit.” I was not familiar with the Southern chronological time-frame of “a little bit,” so we had no choice but to stick it out and wait. After settling in and a casual dinner, we decided to turn in and get an early start tomorrow at the Magic Kingdom. I noticed that instead of a deadbolt and chain, our hotel room door sported a length of rubber hose nailed to the door jamb adjacent to the knob. (I shit you not!) Proper security was achieved by looping the hose around the door knob, followed by praying to the Lord Birthday Boy. I followed the procedure with the hose, but instead of prayer, I opted to slide a chair in front of the door. I put my faith in a heavy object rather than a magical Lamb of God.

The next morning we were jarred awake by a sound. Not a phone ring or an alarm clock or even the sound of wrenches tightening pipes. This was a human sound; a human voice — or two. Through the paper-thin walls, we could hear the unmistakable tones of an argument, and a heated one, at that! It was coming from the adjoining room. While there was no denying that a bitter disagreement was unfolding on the other side of a few inches of plaster and wood, we couldn’t make out a single recognizable word. Actually, we could make out four words. Four distinct words.  Four words that were used repeatedly and they came through clear as crystal as though the speaker were at a lecture hall podium. “SHUT THE FUCK UP!” burst forth in staccato rhythm.  Then, some muffled dialogue. Then, some more muffled dialogue, until the fervent crescendo of “shut the fuck up! Shut The Fuck Up! SHUT THE FUCK UP!” pierced the suppressed fracas again, cutting like a machete through softened butter. We were glued to the unseen action, momentarily stopping our preparations for rushing out to a theme park. Suddenly, the explicit (but subdued) sound of a slamming door signified the ruckus had ended. We laughed as we resumed getting ready to start our day. Making our way across the parking lot to our car, we wondered about the “SHUT THE FUCK UP!” family, surmising that if they were here, then they are on vacation and if they are on vacation, then — Dear Lord! — how did they behave at home?

It was odd being in Walt Disney World wrapped in a heavy jacket for warmth, especially after so many previous visits in shorts and T-shirts. Disney World draws tourists from so many areas and so many various climates, the mish-mash of clothing we saw was intriguing. While in a queue line for It’s a Small World, we were flanked by a family in parkas (from Florida) and a family in Hawaiian shirts and clam diggers (from Minnesota). The weather was indeed brisk. While waiting for the next performance of The Country Bear Jamboree (re-programmed for the season as The Country Bears’ Christmas Vacation), the three of us chatted and planned out our day. In front of us was a harried mother with a baby in the crook of her arm. A small boy, about 6-years old, ran around her like a blur, screaming, flailing his arms, swinging on the ropes that delineated the queue area. The poor woman was exasperated, trying unsuccessfully to keep the child in check. In front of them were an older couple dressed in Christmas-y sweaters and knit gloves and a single woman roughly the same age. They were quietly talking, perhaps about finally being able to do all the things they hoped to, now that they had reached retirement age. As she talked, the single woman kept craning her neck over the crowds, obviously gauging the arrival of the missing member of their foursome. Soon, a smiling white-haired man, all sweatered and gloved and looking like a missing piece to this retired crew puzzle, approached. He held before him a cardboard tray with four neatly-arranged foam cups, wispy curls of steam escaping from their vented plastic lids. Balancing the tray, he slipped under the ropes, joined his party and began distributing the beverages. Suddenly, the gyrating 6-year old flung himself forward, his outstretched arms knocking the man off-balance for a second. He regained his footing without spilling a drop, but was noticeably shaken by the unexpected shove. The boy’s mother, now mortified, grabbed the youngster’s arm with enough force to yank it from its socket and, with baby parked on her hip, pulled him out of line for a overdue lesson in “How to Behave in Public,” complete with some hands-on reinforcement.  The two couples looked bewildered, as though they had entered a play in the middle of the second act. With pleading eyes, they silently sought an explanation from us, since we were close enough to bear witness. “Well,” I offered, “maybe he was mad that you didn’t bring hot cocoa for him.”

To celebrate New Year’’s Eve, Walt Disney World had a veritable smorgasbord of festive events lined up. There would be fireworks and parades and marching bands and a giant mess to clean up the next day and, of course, thousands of people. We crammed as many rides as we could into that afternoon. Our plan was to leave the park, get a fast dinner, grab a nap and come back refreshed and ready for a long night of partying. I followed the “leaving the park” and the “fast dinner” part as per our arrangement, but when it came time for the “nap” portion, I got a little tripped up. Actually, I never woke up. Come to think of it, I don’t think I ate dinner. Mrs. P and Ricci did, or so they told  me when they came back to our hotel room after midnight to find me fully-clothed and zonked out cross-ways on the bed. The television was blaring with the harrowing story of a deadly casino fire in Puerto Rico and I still slept through the shouting reporters and the wail of sirens. Even the exploding fireworks (that I was missing) from the nearby Disney Resort weren’t enough to stir my slumber.

I missed welcoming the New Year for the first time in ages. So, why was New Year’s Eve 1986 so memorable? It was the gateway to 1987; the year life changed for Mr. and Mrs. Pincus. In eight months, we welcomed something much better than a new year.

We welcomed a son.

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DCS: walter scott

Tough luck for the cheater
In 1966, Bob Kuban and The In-Men had a Billboard Top 40 hit with “The Cheater,” a catchy pop tune that gave a word of warning to potential adulterers. The In-Men, an eight-piece band with a horn section, were a throwback for the time. Competition from guitar-driven bands of the British Invasion was tough to overcome. Bob Kuban and The In-Men never had another song rise above #70 on the charts. They remained popular in their native St. Louis, but national fame eluded them. Lead singer Walter Scott attempted a solo career, but was unsuccessful. He returned to St. Louis and formed a cover band, singing other bands hits throughout the 70s.

Early in 1983, Walter Scott and Bob Kuban sang together on a television special and made plans for an all-out reunion tour to celebrate the twentieth anniversary of The In-Men. That reunion never happened.

Walter Scott disappeared on December 27, 1983.

In April 1987, Walter’s body was found, hog-tied, floating face down in a cistern on property owned by James H. Williams. He had been shot in the back. Williams, who was Walter’s wife’s secret lover was arrested and convicted of Walter’s murder. He was also convicted of the murder of his first wife, Sharon Williams. JoAnn Scott, Walter’s wife, was named an accessory and was sentenced to five years for hindering the prosecution. Williams, who received a life sentence, died in prison in 2011.

“The Cheater,” and its ironic lyrics,  is part of the permanent “one-hit wonders” display at the Rock and Roll Hall of Fame.

Listen to it here.

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IF: glow

you would even say it glows
“We are all worms, but I do believe that I am a glow worm.”
— Winston Churchill

When Sir Winston Churchill passed away in 1965, his funeral was the largest state funeral in world history, with representatives from 112 nations.

Only China did not send an emissary.

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from my sketchbook: earl carroll

My real name is Mister Earl

Vocalist Earl Carroll and some of his Harlem friends formed The Carnations in 1953. Two members left after the group’s first recording. They were replaced and the new group renamed themselves The Cadillacs for its association with automotive elegance and to separate the group from multitude of “bird” and “flower”-named competing bands. With Earl still handling the lead vocal duties, The Cadillacs scored a hit in 1955 with “Speedo,” a catchy tune based around Earl’s nickname.

After the success of “Speedo,” the band experienced creative differences and split. J. R. Bailey and Lavern Drake formed The Four Cadillacs, while Earl recruited additional members to become Earl Carroll and The Cadillacs. Surprisingly, both groups enjoyed success.

In 1961, Earl left The Cadillacs and joined rival group The Coasters. He was the tenor vocalist for The Coasters on hits like “Love Potion #9” and “Cool Jerk. ” Earl remained with the group for nearly 30 years, until he reformed The Cadillacs in 1990.

Sometime in 1990, a newspaper reported that Earl was employed as the school custodian at elementary school PS 87 on West 78th Street adjacent to Central Park. The young student body was not familiar with Earl’s musical background, although they referred to their beloved custodian as “Speedo.” In 2003, Earl was chosen to be the subject of That’s Our Custodian, in of a series of children’s books highlighting various members of elementary school staff. Publicity following publication of the book enabled Earl to reignite his career. He became a staple in doo-wop revival shows frequently broadcast of public television. He continued to perform until his death from a stroke in November 2012. Earl was 75.

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