from my sketchbook: mike edwards

now my old world is gone for dead
Mike Edwards was the flamboyant cello player in Electric Light Orchestra from 1972 until 1975, when he left by his own choosing. He was a crowd favorite, known for his unusual playing techniques, sometimes involving dragging a sliced orange or grapefruit across the strings of his cello, then having his solos culminate in the instrument exploding. When he left the band, he did so to concentrate on playing classical music in a baroque trio and offering lessons in his favored instrument.

In the early 1980s, Mike became a follower of the Indian mystic Bhagwan Shree Rajneesh. He changed his name to Swami Deva Pramada and briefly lived within a commune run by the religious organization.

Recently, Mike had successfully battled bouts of depression and a cancer diagnosis. On September 3, 2010, Mike was driving in a rural area, near his home in Devon, England, when a 1300-pound cylindrical bale of hay fell off a tractor, burst through a hedge and smashed the van he was driving. He was killed instantly.

Comments

comments

IF: proverb

This week’s Illustration Friday challenge word is “proverb”.
Eli's coming, hide your heart now
“A baby is an alimentary canal with a loud voice at one end and no responsibility at the other. ”

Several evenings ago, there was a family dinner at my in-law’s house. My wife and I attended, along with my wife’s younger brother, his wife and two daughters, ages… um… somewhere between four and eight… or something close to that. Also on the guest list were my wife’s cousin, her husband and two young sons, both in the approximate age range of my nieces. My thirty-year-old niece was there too, but since she is relatively well-behaved and doesn’t fit into the “child” category anymore, she will merit merely this mention in the story.

Dinner proceeded like most dinners, with cross-table conversation punctuated by clinking glasses, rattling flatware and my father-in-law rolling his eyes in exasperation and saying, “I can’t hear you.” As usual, the children picked, uninterested, at their meals and bolted from the table early while the adults lingered over their plates. My eldest niece (hmmm! Two mentions!) stealthily began the preliminary clearing of the table to ready it for dessert. The living room, adjacent to the dining room, came alive with the unruly loudness of four rambunctious young cousins. The noise settled slightly after a visit by one of the parents — impatiently prompted by my father-in-law. Still, the muffled sounds of children’s voices could be heard, though no actual words could be discerned.

The hushed tones from the living room, it would soon be revealed, was my niece (not the thirty-year old. Jeez! Three mentions!) recounting the legend of Bloody Mary for the benefit of her cousin. The tale of Bloody Mary, for those who never attended camp, never attended a public school or was never a kid surrounded by other kids, is a word-of-mouth ghost story. Although it has various origins and numerous colloquial nuances, the basic story remains. The evil spirit of a woman of undetermined background can be invoked by facing a mirror in a darkened room (usually the claustrophobic confines of a bathroom) and reciting her name — “Bloody Mary” — a specific number of times (anywhere from three to a hundred, depending on whose giving the instructions). My niece, at eight years of age, is a voracious reader, an avid TV and movie junkie and, just like her father at that age, a budding horror fan. Unfortunately, most children are scared shitless by things of that nature, and much to her delight, her slightly older yet very impressionable boy cousin was no exception. And judging by the sly smile spread across her lips, she knew that would be the result.

As the evening wound down, my wife’s cousin rounded up her family and, as all good mothers are prone to do, insisted that her children visit the bathroom before the long drive home. Her older boy, the recently spooked one, reacted as though he was just asked to ingest a healthy serving of cockroach and broccoli casserole. His eyes widened in terror and his feet remained firmly planted as his mother directed him towards the small powder room just off the dining room. “No!,” he shrieked, his face growing flush, then pale. His parents exchanged bewildered glances. The poor boy shook with real fear as he protested any persuasion to get him to enter that bathroom. My mother-in-law, my father-in-law, his mother and his father (okay, maybe not  his father so much) tried to reason with the terrified child, as his younger brother danced with indifferent joy, revelling in the fact that the journey home was being temporarily delayed. “There’s nothing to be afraid of!,” his mother said, “It’s just a bathroom.” My father-in-law suggested they take advantage of the bathroom on the second floor. That was just as bad, because obviously to the frightened boy, Bloody Mary’s portal to the world of the living was any  bathroom and he wanted no parts of any of them. He continued his ear-splitting screams until my niece sheepishly admitted that she may have  inadvertently mentioned  part of a story that may have implied  that an evil, child-grabbing ghost lived inside all mirrors. Bringing it out in the open didn’t help. That kid was not going into the bathroom. He screamed louder, pleading to be taken home “right this instance”, as he put it. Finally, my mother-in-law took the frantic boy aside and leaned over to present her proposal face to face. With his full attention, my mother-in-law produced a large and shiny silver dollar from her pocket. She explained that if he entered the bathroom and completed the task that customarily takes place in a bathroom, this silver minted beauty would be his. He briefly considered, turned on his heels and while unbuttoning his pants, slammed the bathroom door behind him. One tinkle later, he emerged to collect his reward.

Money trumps everything. Even ghosts.

Comments

comments

IF: dessert

You just made a yummy sound, so I thought you liked the dessert.

When you’re a kid, dessert is always the best part of a meal. Who doesn’t love to find a package of Yodels in their lunch at school or have dinner followed by a chilled bowl of Jello or a slice of the cake you hungrily watched Mom bake and frost that afternoon? When I was younger, there was no better dessert than ice cream at Greenwood Dairies. Maybe what made it so great was the ritual involved in a visit to the Bucks County, Pennsylvania landmark.

My mother had three brothers. They were three bad-ass youths who lived briefly in rural Oklahoma before settling in Philadelphia with their immigrant parents. (Actually, the family was asked to leave after the three brothers burned down a barn.) There was gravelly-voiced Abe, who resembled Manny from The Pep Boys, but with a pipe instead of a cigar. There was boisterous and barrel-chested Nat – burly, animated and childlike. He was a magnet at family gatherings, with nieces and nephews lining up to be the next one tossed in the air and caught in Uncle Nat’s huge protective hands. My mother’s oldest brother was Sam. Sam was a wonderfully balanced combination of gruff and sweetness, not unlike Ed Asner’s portrayal of Lou Grant on The Mary Tyler Moore Show. Even though Sam was eighteen years older than my mom, he was warm and friendly and since he and my Aunt Dorothy had no children of their own, he felt a special bond with those of this little sister. My mother loved and felt closest to her brother Sam and he was the only one of my mom’s siblings that my father could stomach.

Several times during the summer, Uncle Sam and his wife, Aunt Dorothy – a lovely and genial amalgam of Katherine Hepburn and Carol Channing – would drive from their tiny and cluttered apartment on the second floor of Sam’s rare book store to our cookie-cutter neighborhood in Northeast Philadelphia. My brother and I loved visits from Sam and Dorothy. They’d pull up into our driveway in a shiny new car, usually twice the size of my father’s current vehicle. My brother and I would run out to the front lawn and watch as Sam ambled around to the open the car door for his wife in the most gentlemanly fashion. Sam and Dorothy would sit on the sofa in our living room and have the “catching-up-with-family” conversation with my mom while my dad stood at the front door and smoked one cigarette after another. My brother and I would play at their feet on the turquoise carpet, occasionally interjecting into the conversation. But we were actually just biding our time until we heard the announcement we anticipated. The announcement that capped every visit from Sam and Dorothy. “Do the boys want to go to Greenwood Dairies for ice cream?,” Aunt Dorothy would covertly whisper to my mother. Oh, damn straight we do! What took you so long to ask? was the look that swept across my face. By the expression on my brother’s face, the sentiment was the same.

Greenwood Dairies was a twenty minute drive up Route One in Langhorne, Pennsylvania. Aside from stuffing ourselves with creamy summertime treats, my family’s only other reason to make the trek to Langhorne was to trade in one of our two current automobiles for a new used one at Reedman’s, a sprawling car dealership where everyone in Northeast Philadelphia bought their new used cars. My brother and I (mostly me) fidgeted in the back seat of Sam and Dorothy’s car until we recognized the crunch of gravel under the tires alerting us that we had pulled into Greenwood Dairies’ parking lot. Greenwood Dairies was a large, odd-shaped structure made odder by years of additions to the original building. The spacious eating area was crammed with green and cream-colored vinyl booths around the perimeter and chrome-trimmed tables with matching chairs upholstered with the same green and cream vinyl. A massive gold-flecked Formica counter snaked through the dining room equipped with stools whose metallic green cushions spun when given a good flick of the wrist. We bounded through the doors and waited with Aunt Dorothy for a table in the bustling seating area. As my brother and I occupied ourselves by spinning the aforementioned stools, Uncle Sam made a beeline for the retail store on the far side of the restaurant to buy a bag of Rold Gold pretzels. Sam couldn’t eat ice cream if it wasn’t accompanied by pretzels. They were like another utensil to compliment his spoon.

Once seated, Aunt Dorothy would shiver and express her dislike for how low they kept the thermostat. Despite wearing a sweater draped over her spindly shoulders, a single opalescent button clasped at her throat, she still hunched over trying to generate warmth. Her gray hair was pulled impossibly tight to the back of her head where it all met in a thick bun tamed by two wooden sticks and a network of bobby pins. As she bent forward to read the plastic-covered menu, her bun bobbed atop her head silently surveying the room. Reading the menu was only a formality, as we always ordered the same thing. Sam would order several scoops of various flavors of ice cream topped with whipped cream and jimmies*. Dorothy would order a fruit-flavored ice cream, usually peach or cherry vanilla. My brother would get two scoops of vanilla or, if he was feeling adventurous, vanilla fudge. I’d get the “Clowny Sundae”, an inverted ice cream cone on a plate with a cake-frosting face decorating the scoop, the pointed cone mimicking a clown hat. Dorothy would also request that the waiter bring two small gravy boats – one filled with marshmallow sauce and the other with hot fudge – each to be added to our desserts at our liking. Once our orders were placed and the waiter scurried off to the preparation area, Sam would pretend call the waiter back to change his order. “Instead,”, he’d announce, “I think I’ll get a Pig’s Dinner!”  The Greenwood Dairies “Pig’s Dinner,” if the memories of a seven-year-old serve me correctly, was a mountain of four thousand scoops of every ice cream flavor the dairy offered, blanketed in fudge and strawberries, slathered in marshmallow and butterscotch sauces, dusted in nuts, fortified with fifty-seven sliced bananas and crowned with enormous, fluffy clouds of whipped cream and a single cherry. (Perhaps I have gotten some of the quantities wrong, but you get my point.)  Every time we went to Greenwood Dairies, invariably one brave diner would order the Pig’s Dinner.  The staff would ring bells and blow whistles and make a general fuss. When the frozen concoction made its arrival to the patron’s table, it did so perched majestically upon a wood stretcher transported by two paper-hatted and aproned teens. They presented the customer with a single spoon and, amid thunderous applause, he would dig in! My brother and I marveled at Uncle Sam. Would this be the actual time he would actually order it? Of course, my Uncle Sam never ordered the Pig’s Dinner, but he feigned the threat on every subsequent visit.

When my brother and I got older and preferred the company of our friends to that of our extended family and the taste of cheese fries and beer overtook the appeal of a Clowny Sundae, the visits to Greenwood Dairies stopped. Soon, we settled for the offering of close-by ice cream chains like Friendly’s, rather travelling the extra distance to Langhorne. Sam and Dorothy continued their regular visits into my teens until my early twenties when I got married and moved out of my parent’s house. By that time Greenwood Dairies had permanently closed its doors. The quirky maze of buildings was razed and Reedman’s expanded their dealership into the newly available grounds. Although many claims have been made by friend’s brothers and neighbor’s cousins, I still don’t know anyone who ever conquered the Pig’s Dinner.

 

(* In the Philadelphia area, we call “jimmies” what most everyone else calls “sprinkles”, except in England where they are called “hundreds and thousands” and in the Netherlands where they are called “hagelslag” although they are primarily used as a sandwich topping.)

Comments

comments

IF: immovable

This week’s Illustration Friday challenge word is “immovable”.
hold it right there!
Robert Earl Hughes made appearances in small county fairs and festivals in his native Illinois and neighboring states. He was driven around the fairgrounds in the open flatbed of a pickup truck and curiosity seekers marveled at him. Then, the truck would stop and Robert signed souvenir photos of himself — twenty-five cent for a small one, half a buck for a large. A malfunctioning pituitary gland had caused Robert to gain weight at an uncontrollable rate. Although he boasted a 700+ pound frame, Robert loved the attention.

Robert visited New York for a proposed appearance on The Ed Sullivan Show  to portray Santa Claus. The Sullivan Show  people failed to make subsequent contact after their preliminary offer and Robert, short on funds, was stuck in New York. He was kicked out of his hotel for failure to pay his bill. He sought the help of the Salvation Army, who took pity on Robert and flew him home to Illinois. Soon after, he contracted measles from one of his nieces. The measles escalated into kidney failure and Robert fell into a coma and passed away at age 32. At the time, he was the heaviest man on record, weighing 1,041 pounds.

A specially constructed casket was created by The Embalming Burial Case Co. of Burlington, Iowa. It measured 85 inches long, 52 inches wide and 34 inches deep. It was made of heavy cypress, reinforced with steel. Twelve pallbearers maneuvered the casket along, on a wheeled dolly, past the largest funeral gathering Brown County had even seen. Over 2,000 mourners came out to pay their last respects. Robert’s casket was lowered by a large crane into, what is now, a very unassuming grave.

Comments

comments

from my sketchbook: billy tipton

I adore being dressed in something frilly/When my date comes to get me at my place./Out I go with my Joe or John or Billy,/Like a filly who is ready for the race!

Billy Tipton was a jazz pianist who performed to moderate success in the Spokane, Washington area in the late 1940s through the 60s. His small group, The Billy Tipton Trio, played regular gigs for years at many popular jazz venues in the Pacific Northwest. He recorded and released two albums of jazz standards for independent Tops Records, but shunned further offers in favor of continuing his live appearances.

Billy had serious relationships with five women. These relationships lasted for years with several of the women identifying themselves as”Mrs. Tipton,” although he only eventually married former stripper Kitty Kelly. Billy had informed Kitty, as he did his other intimate companions, that he had been involved in a horrific auto accident, leaving him with permanent ribcage damage, disfigured genitals and rendering him sterile. He was forced to wear a tight, binding cloth around his torso to ease his pain and enable him to function.

Billy and Kitty adopted three sons and Billy loved the role of “family man/father”. He was an active PTA member and often accompanied his boys on Boy Scout activities. As the children came into their teens, their wild behavior was the cause of many arguments between Kitty and Billy. Billy left the house, opting to move into a trailer home with his boys. As the years went on, the boys left Billy on his own. With his music career long in his past, Billy had no income and lived in poverty.

In the late 1980s, Billy fell seriously ill from a hemorrhaging peptic ulcer. He refused treatment and died in 1989 at the age of 74. Kitty and the children contacted Ball & Dodd Funeral Home to make Billy’s final arrangements. While Billy’s body was being prepared for burial, the funeral director informed the family of a startling discovery. Billy was a woman.

Billy was born Dorothy Lucille Tipton in Oklahoma in 1914 and had lived his life as a man for 54 years. Each of his female companions were given and convinced by the same “accident” story. Billy insisted to making love in the dark and preferred to do the touching rather than being touched. In the darkness, he was able to conceal a prosthetic penis he wore attached to an athletic supporter. A shocked Kitty tried to cover-up the truth, but son William went public and made many talk show appearances and happily gave interviews to both tabloids and more reputable papers.

Comments

comments

from my sketchbook: jack cassidy

I have seen where the wolf has slept by the silver stream/I can tell by the mark he left, you were in his dream

Jack Cassidy achieved early fame as musical performer on Broadway for over twenty years. He won the Best Featured Actor Tony Award in 1963 for his role in She Loves Me, a musical reworking of the play Parfumerie  (which, itself, made been remade several times as Shop Around the Corner  and, most recently, You’ve Got Mail). He also appeared in dozens of guest roles in episodic television – displaying his skills in both comedy and drama – and a handful of theatrical films. He earned two Emmy nominations. He was featured in a memorable role on the Mary Tyler Moore show as Hal Baxter, the equally pompous brother of news anchor Ted Baxter (played by the late Ted Knight).

He experienced a small resurgence in popularity in the early 1970s, however not necessarily for his own talents. Jack’s son, David, was the hottest thing on television, playing heartthrob Keith Partridge on the hit series The Partridge Family. Jack’s jealousy of David’s success increased at the same rate of his son’s popularity. It didn’t help matters that Jack’s wife (and David’s step-mother), Oscar-winning actress Shirley Jones, was also featured on the show and was enjoying comparable glory. From Jack’s perspective, they were being rewarded with the great success that had eluded him and that he rightfully deserved. He was extremely critical of David’s and Shirley’s performances. He belittled the show itself, pointing out that he was a true actor and what they were doing could not compare.

In 1974, The Partridge Family’s run came to an end and, at the same time, Jack’s alcohol consumption increased. David observed his father’s behavior had become erratic and unpredictable. Jack’s neighbors noticed similar action, when one afternoon Jack was spotted watering his front lawn in the nude. Another incident, a short time later, had Jack proclaiming himself to be Christ. He was admitted to a psychiatric facility. His marriage to Shirley was essentially over.

In 1976, newly-single Jack moved into an apartment in West Hollywood. In the early morning of December 12, 1976,  Jack passed out, possibly from excessive drinking, while holding a lit cigarette. The couch caught fire and it quickly spread through the apartment. Jack’s body was found on the floor, as though he had been crawling toward the sliding glass doors to safety. He was so badly burned that he was identified by dental records and a pinkie ring that he was never without. Jack was 49.

Comments

comments

IF: atmosphere

This week’s Illustration Friday word is “atmosphere”.
We better keep an eye on this one. She's tricky.
“Oh, oh, oh! Let’s go fly a kite. Up to the highest height! Let’s go fly a kite and send it soaring.
Up through the atmosphere, Up where the air is clear, Oh, let’s go fly a kite!”  — Mary Poppins (1964)

Beginning around 1938, a small Hollywood cartoon producer named Walt Disney did his best to persuade author Pamela Travers to let him turn her series of childrens’ stories into a film. Time after time, Travers rebuffed Disney’s offers. Travers did not believe a film version of her books would do justice to her creation, especially an animated film. Disney’s plans for a live-action movie put off Travers even more, as she perceived him as merely a cartoon maker. Disney was persistent, though, and remained in regular contact with Miss Travers. Finally, after twenty-three years of begging and convincing and cajoling, Travers caved and granted Disney filming rights for her Mary Poppins stories. The agreement contained some caveats, including script approval. Disney was okay with that, but still maintained the final word over the entire project.

With the rights secured, Disney began to set production rolling. He hired the songwriting team of Richard and Robert Sherman to write songs and score the film. The Shermans also helped with the story development and changed the setting from the 1930s to London’s Edwardian era. The Sherman Brothers initially wrote thirty-eight songs, many of them cut during development and others integrated into stronger compositions. Disney cast Broadway actress Julie Andrews, fresh off of being passed over by Jack Warner for Warner Brothers’ film version of  My Fair Lady, for the role that Andrews originated on stage. Dick Van Dyke was cast alongside Andrews’ big-screen debut, as Bert. Bert was a conglomerate of several characters from the Travers’ stories. The multi-talented Van Dyke, while endearing in the part, was reviled for his amateurish, almost distracting, Cockney accent. Veteran British character actors David Tomlinson and Glynis Johns were given the roles of Mr. and Mrs Banks. Young Karen Dotrice and Matthew Garber played Mary Poppins’ charges, Jane and Michael. Van Dyke and Tomlinson also provided the voices for some of the animated characters throughout the film.

After many objections (especially to the animated sequences) and eventual compromises with Travers, Mary Poppins opened to rave reviews in late August 1964. (Travers hated the final project and vowed never to entertain any future offers from Disney.) It went on to become the most popular film of 1965 earning over 28 million dollars. It was nominated for 13 Academy Award and won five, including Best song, Best Score and Best Actress for Julie Andrews, who, incidentally beat Audrey Hepburn who nabbed the role of Eliza Doolittle in My Fair Lady. Mary Poppins launched the careers of Andrews, Van Dyke and the Sherman Brothers into the realms of super-stardom. Tomlinson and Johns were in demand and more popular than ever. Johns still acts and appeared in 1995’s While You Were Sleeping. Tomlison retired in 1979 and passed away in 2000.  Karen Dotrice and Matthew Garber co-starred again for Disney in 1967’s The Gnome-Mobile. Karen appeared in several British television productions until she felt being a full-time mother was a better fit for her. Matthew briefly lived with his parents in India, where he contracted hepatitis and passed away at age 21.

Mary Poppins was the first movie I ever saw in a theater. It was on its initial release in 1964 at the Orleans on Bustleton Avenue in northeast Philadelphia. I still love watching it forty-six years later.

Comments

comments

from my sketchbook: rockets redglare

Hey Angel, get out of that bathroom now.
In 1949, Agnes Morra, a 15-year-old heroin addict, gave birth to a boy named Michael. Michael was given formula laced with an opiate derivative because he had become addicted to heroin in utero. Michael’s father, a career gangster, was deported to Italy. Agnes soon developed a relationship with a drug-addicted former boxer, who regularly beat her and young Michael. The boxer eventually murdered Michael’s mother.

For self-prescribed therapy, Michael began to perform as a stand-up comic under the stage name “Rockets Redglare”. He became a fixture in the small clubs of Manhattan’s East Village. He also spent a lot of time in drug rehab, hoping to kick his addiction.

Rockets worked as a club bouncer, as a roadie for a band called the Hassles (featuring a young Billy Joel), and acted as a bodyguard and drug supplier for Sex Pistols’ bassist Sid Vicious and artist-musician Jean Michel Basquiat. Rockets made a drug delivery to Sid Vicious at the Chelsea Hotel the night Vicious’ girlfriend Nancy Spungen was murdered. In the book, Pretty Vacant: A History of Punk, it is speculated that Rockets was her killer.

Rockets made his acting debut in director Jim Jarmusch’s 1984 film Stranger Than Paradise. That role led to more  small, quirky roles as seedy characters in films like Desperately Seeking Susan, After Hours and Down By Law. He played the hotel clerk who welcomed a frightened Tom Hanks to his questionable accommodations in Big. He taunted Eric Bogosian’s character as a deranged and angry caller in Talk Radio.

In 2001, while battling various addictions, Rockets Redglare died from a combination of kidney failure, liver failure, cirrhosis and hepatitis C. He admitted, “Anything I ever liked…I always did to excess”. Rockets was 52.

Comments

comments