from my sketchbook: wallace wood

Wallace Wood began his influential career in art as an apprentice under several of his own influences, Will Eisner and George Wunder, who had taken over the popular comic Terry and the Pirates from creator Milton Caniff. Wallace, a graduate of New York’s School of Visual Arts. soon moved on to famed horror comic publisher …

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from my sketchbook: barbara pepper

When she was just sixteen, blond-haired, blue-eyed bombshell Barbara Pepper was chosen to be a Ziegfeld Girl on Broadway. That was the springboard she needed to start her career in show business. Soon, she and friend, fellow Ziegfeld girl Lucille Ball, were chosen to join the Goldwyn Girls, as contract group of female dancers at …

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IF: old-fashioned

You know those time-lapse scenes in movies from your parents’’ youth? The ones that show a montage of events beginning with a spinning newspaper hurtling towards the camera, stopping to display a significant headline splashed across the front page in big, attention-getting letters? How quaint and dated they seemed. Remember the boy on the street …

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from my sketchbook: racism is alive and well

Racists are like the lowly cockroach – filthy, repulsive and filled with the endurance to have kept it going for thousands of years. You catch one skittering by in your peripheral vision every once in a while. Smoosh a cockroach and there’s always another to take it place. Always. I grew up in one of …

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Monday Artday: medical

After a long hiatus, Monday Artday, the Monday illustration blog to which I have contributed since 2007, has returned with a new challenge word. The word this week is “medical”. Mildred Ratched, the sadistic tyrant who maintained strict order as head administrative nurse at the Oregon State Mental Hospital, in Ken Kesey’s 1962 novel One …

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IF: acrobat

This week’s Illustration Friday challenge word is “acrobat”. Vaudevillians Billy Wells and The Four Fays were booked to appear on the February 9, 1964 episode of the wildly popular Ed Sullivan Show. The group, who were introduced by Sullivan as performing their “unique brand of acrobatic physical comedy”, waited backstage, anxious to make their television debut. Unfortunately …

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from my sketchbook: mike edwards

Mike Edwards was the flamboyant cello player in Electric Light Orchestra from 1972 until 1975, when he left by his own choosing. He was a crowd favorite, known for his unusual playing techniques, sometimes involving dragging a sliced orange or grapefruit across the strings of his cello, then having his solos culminate in the instrument …

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