DCS: willie best

The folks in the neighborhood knew it took more than a fool to break into lily-white Hollywood - Etta James
Willie Best arrived in Hollywood by way of Sunflower, Mississippi as chauffeur for a vacationing couple. He began performing with traveling shows in California. He became a regular character actor in Hollywood after a talent scout discovered him on stage. Along with black actors like Lincoln Perry (better known as “Stepin Fetchit”), Willie was usually cast in supporting film roles of janitor, valet, elevator operator or train porter. Willie’s characterization of the stereotypical Hollywood lazy black man earned him the stage name “Sleep ‘n’ Eat.” He was billed under this name for many of his films, if he was billed at all. He appeared in over one hundred films in the 30s and 40s. Bob Hope, with whom he co-starred in 1940s The Ghost Breakers, called Willie “the best actor I know.” Hal Roach called him one of the greatest talents he had ever met.

In the 1950s, Willie played Charlie, the elevator operator on the popular sitcom My Little Margie and the valet of the title character on another sitcom, The Trouble with Father. Gale Storm, Willie’s Margie co-star, said he was an absolute joy to work with.

Willie’s lifestyle differed vastly from his on-screen character. He was a sharp dressed socialite who kept company with fine women, and eventually fine drugs. He was busted on narcotics charges in 1951.

By the late 50s, Willie and his screen persona were vilified by civil rights groups, forcing him to withdraw from show business. Once beloved as a great clown, then reviled, then pitied, Willie died in obscurity from cancer at age 45 at the Motion Picture Home Hospital in 1962.

His grave remained unmarked for almost fifty years until fans purchased a headstone in 2009.

This post got a mention on the very cool Celluloid Slammer website. Thanks. — JPiC

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from my sketchbook: my greatest job

As I watched the 2009 baseball postseason, I thought about my long association with the Philadelphia Phillies.

hey! who's drinkin' a beer
As a kid, I was never a sports fan. My brother and father would park themselves in front of the television and rabidly watch anything that remotely resembled a sporting event. Depending on the time of year, our house was filled with the sounds of kicked footballs, batted baseballs, whacked hockey pucks or basketballs swishing through nothing but net. There was always some sort of elimination round of some playoff of some series — punctuated by the heated and opinionated arguments between my brother and my father. I was usually off somewhere drawing. As far as I was concerned, one sport was just as boring as the next. But soon, all that would change.

In October 1977, I passed my driving test and was awarded a license to operate a motor vehicle in the state of Pennsylvania. I happily offered to run errands for my mom and drive friends around. I used any excuse I could think of in order to tool around Northeast Philadelphia in the most reliable of vehicles from the Pincus Family motor pool: my mom’s 1969 Ford Galaxie.

The Galaxie was a massive assemblage of steel and rubber that was sturdy enough for battle. It boasted a dashboard that looked like it belonged in commercial airplane. In what was obviously an exercise in poor planning, the radio was wedged into a most inconvenient corner space to the far left of the steering wheel. This gave only the driver control of the soundtrack for each ride.

The 1977 baseball season ended and the first place Phillies were once again denied a trip to the World Series, this time by cross-country rivals, The Los Angeles Dodgers. It was in that time between the 1977 Fall Classic and ’78 Spring Training that my brother gave me a valuable piece of advice, and probably the only piece of advice from my brother I ever followed. He suggested that I apply for a job at Veterans Stadium, home of the Philadelphia Phillies, as a vendor. It proved to be the greatest job I ever had.

In February 1978, baseball players began reporting to training camps throughout Florida. Meanwhile in Philadelphia, I obtained the necessary employment certificates allowing me to work, in compliance with Pennsylvania law. I borrowed the Galaxie and carefully navigated southbound Interstate 95, a thoroughfare I had only traveled once before, and that was while accompanied by a driving instructor. With my hands properly on the steering wheel at 10 and 2, I kept the car steady and as far to the right on the highway as legally possible. After a grueling forty-five minute ride (that should have taken twenty), I arrived at the 50 million dollar multi-purpose concrete structure that was known to locals as “The Vet.” I parked my car in the enormous lot and followed the signs towards the employment office. An uninterested woman with no inflection in her voice asked me some questions covering my age, where I attended school and how I heard about the job. She then directed me to another office that was empty except for an industrial-looking camera and a neutral photo backdrop suspended from a metal frame. I stood before the frame and smiled when cued. After several minutes, I received my laminated ID card and just like that I was officially a vendor for Nilon Brothers, the company that operated the food service at the stadium. I didn’t actually  work for the Phillies, so, unfortunately, I was not on the same payroll as Mike Schmidt. But, in sixty days, I’d eagerly return to hawk my wares amid the cheering crowd of baseball faithful.

My brother and a number of his friends had worked as vendors for five years prior. I was welcomed to the fold as long as I could provide transportation to the ballpark as part of a carpool. I committed and was welcomed once again, this time more sincerely. Arrangements were made and I was to drive a car full of my brother’s buddies to The Vet every fifth home game or when needed.

It was unseasonably cold the first week of April in Philadelphia, but that didn’t keep the 1978 baseball season from starting. I got a call from one of my fellow vendors informing me when to be ready for pickup for Opening Night. A car packed with my brother’s friends pulled up in front of my house. A horn honked as my signal to join them in seconds or be left behind. I scurried down the front lawn, and climbed into the back seat, squeezing between two hulking college seniors. They were anxious to start the new vending season, as they had all turned 21 and were now legally permitted to sell beer. That’s where the real money was.

The policy of vending for Nilon Brothers was this: Vendors essentially worked for themselves, meaning there was no salary. A vendor would arrive at the stadium several hours before a game and queue up for admittance. Once the vendor entrance opened, one would proceed to what we called “the laundry.” It was a counter where a man sat and distributed smocks in exchange for your ID badge and ten bucks. The smock was a red, white and blue-striped pajama top that identified you as an authorized Nilon employee. I suppose Nilon felt that carrying a tray of foodstuff and screaming one’s head off was not enough to allow for proper recognition. At the end of the night, once your smock was returned (no matter how soiled or sweat soaked), you would receive your ID and full deposit. After putting on the clown-like smock and tying on your own supplied change apron, vendors would head to one of four vendor-only commissaries placed strategically throughout the stadium. I, and my carpool colleagues, worked out of commissary 535 in the right field upper deck. The commissary was set up like a cafeteria. There were sections for each product – soda, peanuts, beer – from which a vendor choose his item for the night. I sold Cokes, which were dispensed in waxed cups and arranged in wire trays of twenty. A tray of Cokes was purchased by the vendor – that’s right, purchased – for $14.25. Different products cost different amounts and, therefore, offered different profit margins. With a catchy “call” and swift feet, a tray of twenty Cokes at eighty cents apiece brought the vendor $16.00 – and a profit of a buck seventy-five. An average summer game would net about thirty-five dollars, a huge sum to a seventeen-year old. On a really good day, fifty bucks could easily be made, if a fair amount of hustling was involved. Rain delayed games were great because there was a captive audience, no game and nothing to do but buy food. Vendors loved rain delays. Oh yeah, vendors had to provide their own change. Aside from a workplace, Nilon Brothers provided shit.

My first night of vending was exciting and I was ready to vend. However, after toting a heavy metal tray laden with twenty, ice and soda-filled cups up and down steep, cement steps into the dizzying heights of the 700 level, I was dragging my ass. The tray weighed a ton and, due to the chill in the air, Cokes weren’t exactly a hot commodity. As baseball season went on and the weather got warmer, vending blossomed into a great experience. I hustled through the crowds, deftly tendering two dimes for every dollar I received for a Coke. I perfected my attention-getting call of “Heeeeeeyyyy! Coooooooo-ke He-YAH!” as I worked the bleacher throngs. The camaraderie among most vendors was great. I acknowledged the other vendors I passed with a wink, as though we were part of a secret club. There was McKenna, a geeky string bean with thick glasses and his unmistakable call of “Give your tongue a sleigh ride!” when he sold ice cream. There was old Charlie Frank, a legend among the elite clutch of hot dog vendors, with his rapid-fire call of “DoggieDoggieDoggieDoggieDoggieDoggie.” There was my brother’s pal Scott, another hot dog vendor, who served up two dogs on one bun, affectionately called a “Scott-dog.” Since hot dog sales were tallied by the roll inventory, this treat was not uncommon, but only available to vendors.

Nilon Brothers didn’t care much for competition. Enterprising, yet unauthorized, street vendors that set up on bordering Pattison Avenue infringed on Nilon’s high-priced fare. Besides that, they were vending illegally on private property. Each night, policeman would systematically confiscate shopping carts filled with Philly soft pretzels from some rogue salesman. The offender would be chased from the premises and his offerings carted into the bowels of some stadium storage area. Those storage areas were adjacent to the vendor laundry. One night at the seventh-inning vendor departure time, as a group of us were returning our smocks, a voice from behind inquired, “Are these pretzels for anyone?” We turned around to see Jim Lonborg, the lanky Phillies pitcher, who had just gotten pulled from the evening’s game. Upon receiving several shrugs from the cluster of vendors, Lonborg grabbed a strip of eight baked-together pretzels, jammed them into the webbing of his glove and headed off to hit the showers.

The drives home from the game were an adventure as well. If I was a passenger, I was usually relegated to the back seat where I had to survive the smell of at least five of my brother’s friends, all sweaty and tired, but charged with adrenaline. If I was the evening’s driver, I had to maneuver around the ancient train tracks that littered Delaware Avenue, while deflecting the passenger trying to reach through my steering wheel in an attempt to change the radio station. When I’d get home my parents would ask who won. “Who won?,” I’d reply, “I don’t even know who was playing. I was too busy making money.”

On October 1, 1978, along with the Phillies season, my career as a vendor came to an end. The weather had turned cold and I needed to secure a job that lasted more than a few months.

In 1996, I began my tenure as a Phillies season ticket holder. With the package we purchased, my family began attending every Sunday home game the Phillies played. Today, as my wife and I sit in the stands of Citizens Bank Park, the new home of the Phillies, there are several vendors ambling through the crowd that I recognize thirty-one years later. Their calls are raspier and their gaits lethargic, but they are unmistakably the same guys. It seems sad to me that men of advanced age are still working the ballpark mobs. I suppose they don’t want to give up the greatest job they ever had.

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DCS: alberta nelson

Alberta, oh Alberta, don't you hear me calling you
Alberta Nelson played “Puss,” one of the Rat Pack Gang members behind dim-witted leader Eric Von Zipper, as played by Harvey Lembeck, in seven “beach” movies produced by American International Pictures in the middle 1960s. Alberta, the tall, leather-clad blond, had only a few lines of dialogue, but she was the only actress to appear in all seven movies. Frankie Avalon and Annette Funicello didn’t even appear in all of them. Alberta played “Puss” in five of the films, “Muscle Girl Lisa” in the second “beach” film, Muscle Beach Party, and “Reject #12” in the classic Bond spoof, Dr. Goldfoot and the Bikini Machine starring Vincent Price at his campiest.

Alberta also had a four-episode run on The Andy Griffith Show. In the role of Mayberry Diner waitress Flora Malherbe, she first made a play for Sheriff Andy and then, in subsequent episodes, she became grease-monkey Goober Pyle’s girlfriend. In one memorable episode, she took over Goober’s job at the filling station when Goober went on vacation, only to gain huge popularity and increase business in his absence. In another episode, she helped fixit man Emmett secretly pick out a fur coat (how politically incorrect!) for his wife as an anniversary gift. Emmett’s wife saw their clandestine meeting and assumed Emmett was committing adultery with the pretty waitress. Kind of racy for 1968.

Alberta made her final screen appearance in the 1970’s low-budget exploitation film The Wild Scene, a sad career end to her wholesome screen image.

In 2006, Alberta passed away from cancer at age 68.

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Monday Artday: chicken

This week’s challenge on Monday Artday is “chicken”.
finger-lickin' good
In 1930, Harland Sanders owned a gas station in Corbin, Kentucky. He would cook chicken dinners, using his own secret recipe, for travellers stopping to refuel. He served his customers in his living quarters in the service station. Through word of mouth, his local popularity grew, and Sanders moved his operation to a motel with a restaurant that seated 142 people. He still did all the cooking. Over the next several years, he developed a pressure fryer that allowed the chicken to be cooked much faster than by pan frying.

In 1935, Sanders was given the honorary title “Kentucky Colonel” by Governor Ruby Laffoon. Sanders chose to call himself “Colonel” and to dress in the familiar white suit and black string tie as a way of self-promotion.

After the construction of Interstate 75 reduced his restaurant’s customer traffic, Sanders took to franchising Kentucky Fried Chicken restaurants. At age 65, Sanders took $105 from his first Social Security check to fund visits to potential franchisees.

In the middle 1960s, Sanders offered an adventurous young man named Dave Thomas the opportunity to turn around a failing Kentucky Fried Chicken restaurant. He helped save the restaurant by simplifying the menu. At the time, there was more than one hundred items on the menu. Working with Sanders, Thomas stripped the menu down to just the basic fried chicken and side dish salads. Thomas went on to found Wendy’s Old-Fashioned Hamburgers in 1969.

Sanders sold the Kentucky Fried Chicken corporation in 1964 for $2 million. The deal did not include the Canadian restaurants, so Sanders moved to Ontario and continued to collect franchise fees. Sanders and his likeness continued to represent Kentucky Fried Chicken. As its spokesperson, he collected appearance fees for his visits to franchises in the United States and Canada. In 1973, he sued the KFC parent company over alleged misuse of his image in promoting products he had not helped develop. In 1975, the company unsuccessfully counter-sued Sanders for libel after he publicly referred to their gravy as “sludge”.

Sanders died in Louisville, Kentucky, of pneumonia on December 16, 1980 He had been diagnosed with acute leukemia. His funeral service was attended by more than 1,000 people. He was interred at Louisville’s Cave Hill Cemetery, where he was dredged in eleven herbs and spices and served with biscuits and your choice of cole slaw or mashed potatoes.

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from my sketchbook: harry nilsson

In 1968, John Lennon and Paul McCartney held a press conference to announce the formation of Apple Corps, their new multimedia conglomerate. John was asked to name his favorite American artist. He replied, “Nilsson”. Paul was asked to name his favorite American group. He replied, “Nilsson”.
Well, in 1941, the happy father had a son
In the early 60s, Harry Nilsson pursued his song writing and singing career by day and maintained bank computers at night. He sold some songs and recorded some demos until a complement from Little Richard (“You sing good for a white boy!”) led to several records released under pseudonyms. None of Harry’s releases gained much critical attention, although his songs were being recorded by Glen Campbell, Fred Astaire, The Shangri-Las, The Yardbirds, and others. Despite his growing success, Harry remained on the night shift at the bank.

In 1966, Harry signed with RCA Records and released his first album for them, Pandemonium Shadow Show, in 1967. Music industry insiders, especially Beatles press agent Derek Taylor, were impressed both with the songwriting and with Harry’s multi-octave vocals. Taylor excitedly distributed copies of Harry’s album to his colleagues. After listening to Pandemonium Shadow Show  for thirty-six hours straight, John Lennon called Harry to give praise. Shortly after, Paul McCartney called to express his own pleasure. In an interview years later, Harry said he was disappointed that he didn’t receive similar calls from George or Ringo. With a major-label release, and continued songwriting success, Harry finally felt secure enough to quit his job with the bank.

Harry earned his first Grammy for his recording of Fred Neil‘s “Everybody’s Talkin'” from the soundtrack of the film Midnight Cowboy. Harry actually preferred that his song “I Guess the Lord Must Be in New York City” had been used as the movie’s theme. Offers began to come to Harry faster than ever. He was asked to write the theme to the sitcom The Courtship of Eddie’s Father. He reworked an earlier composition, “Girlfriend”, into the well-known “Best Friend” for the show. His songs were recorded by Three Dog Night and The Monkees, which led to a life-long friendship with drummer Micky Dolenz.

Harry’s next project was an animated film called The Point!  which included the hit “Me and My Arrow”. He followed that with Nilsson Schmilsson, an album that included the hits “Coconut”, “Jump into the Fire” and a cover of Badfinger‘s “Without You”, for which he won his second Grammy.

In the heat of the disco era, Harry released a collection of Tin Pan Alley standards that failed commercially. He moved to California and rekindled his friendship with John Lennon. John wished to produce Harry’s next album and the two began to hang out together, drinking heavily, using drugs and causing mayhem where ever they went. They were ejected from the Troubadour nightclub for heckling the Smothers Brothers. Harry and Lennon finally began their collaboration. During the sessions, Harry ruptured a vocal chord. Fearing Lennon would end the session if he found out, Harry hid a bucket under his piano which he would spit blood into out of Lennon’s sight.

Following several more commercially failed albums, Harry left RCA Records and moved to London to an apartment that he happily offered to friends in need of a place the unwind. Harry’s interests took him to the U.S. for extended periods. During one of those times, he offered his place to Mama Cass Elliot, who was playing at nearby venue. After her gig, she returned to Harry’s apartment and died of heart failure. Four years later, Harry’s friend, Who drummer Keith Moon overdosed and died in the apartment.

Harry dabbled in theater and film production, wrote film soundtracks (notably Robert Altman’s 1980 film Popeye ), and campaigned profusely for The Coalition to Stop Gun Violence, after the murder of his friend John Lennon. In 1990, he discovered that his long-time financial adviser had embezzled almost everything he had earned as a recording artist. Harry and his family were left with $300 and a mountain of debt.

On January 15, 1994, after finishing the recording of backing tracks for what he had hoped to be a comeback album, Harry died of heart failure. He was 52.

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IF: fast

This week’s challenge word on Illustration Friday is “fast”.
Faster, Pussycat! Kill! Kill!

It all happened so fast.

In September 1949, Howard Unruh walked methodically through his Camden, New Jersey neighborhood, and murdered thirteen people in just under twenty minutes. Unruh is considered the first single-episode mass murderer in U.S. history.

Unruh was a decorated hero in World War II. He was an expert marksman and kept meticulous records of every enemy soldier he killed, right down to detailed descriptions of the corpses. After his honorable discharge from the military, the 28 year-old Unruh shared a small apartment with his mother, where his bedroom housed his huge collection of medals and firearms. He had difficulty finding employment and spent the majority of his time attending church services and engaging in target practice in his basement firing range.

Although he kept to himself, he became convinced that his neighbors were ridiculing him and plotting behind his back. Unruh became paranoid about his neighbors and kept a journal detailing every single thing that he thought was said about him. Next to some of the names he wrote the word “retaliate.”

On September 5, 1949, Unruh sat through a double feature three times and left the theater in the early hours of September 6, convinced that actress Barbara Stanwyck was one of his neighbors who was plotting against him. When he arrived home at 3 a.m., his gate that he had recently constructed was missing. Angered, he went inside his apartment and went to sleep.

He woke at 8 a.m., dressed in a suit and had breakfast with his mother before she left for work. At 9:20 a.m, he left his apartment with a loaded German Luger, and set out for the first stop on his list. He entered the shoe repair shop on his block, shot the cobbler twice and exited towards the barber shop. He silently entered the barber shop where six-year old Orris Smith sat on a white hobby-horse as owner Clark Hoover cut his hair. Unruh said, “I’ve got something for you, Clarkie.” and he fired two shots, killing Hoover and little Orris instantly. Unruh left the barbershop, sparing the lives of three other customers.

Unable to enter a locked tavern, Unruh headed toward Cohen’s Pharmacy. He shot and killed an insurance agent on his way to the pharmacy. He then entered the pharmacy and chased the pharmacist and his wife up the stairs to their apartment over the store. He shot and killed Maurice Cohen, the pharmacist, his wife and elderly mother before leaving. Cohen’s twelve year-old son had hidden in a closet and went unnoticed by Unruh.

Back on the street, Uhruh shot a motorist who had slowed down to view the body of the insurance agent on the street. A neighbor, hearing the shots on the street, grabbed his own gun and fired at Unruh, grazing him as he entered the tailor shop. Once inside, Unruh shot the tailor’s newlywed wife and then left. Making his way back to his apartment, he shot two-year old Tommy Hamilton right through his front window as he watched Unruh walk by.

Sixty police officers surrounded Unruh’s apartment. After a brief standoff, tear gas forced Unruh out and into police custody. Once handcuffed, an officer asked Unruh, “Are you a psycho?” Unruh answered, “I’m no psycho. I have a good mind.”

Howard Unruh was determined to be mentally unfit to stand trial. He was diagnosed with paranoid schizophrenia and found to be hopelessly insane, making him immune to criminal prosecution. He was sent to the New Jersey Hospital for the Insane (now Trenton Psychiatric Hospital), to be installed into a bed in a private cell under maximum security. Unruh’s last public words were, “I’d have killed a thousand if I had bullets enough.”

Howard Unruh was transferred to a nursing home in 1993, where he died last Monday at the age of 88. He outlived the judge, the medical examiner, the psychiatrist, and nearly all the investigators from his case. He also outlived his youngest victim by eighty-six years.

Howard Unruh’s last public words, made during an interview with a psychologist, were, “I’d have killed a thousand if I had enough bullets.”

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