happy holidays 2015 from JPiC

jump into bed and cover your head

My annual Christmas music compilation is available as a FREE DOWNLOAD at ge.tt or jumpshare.com for a limited time.

This year, it’s a whopping 79 minutes worth of Christmas cacophony that’s sure to ruin your holiday celebration within seconds. You get 27 eclectic Christmas selections plus a custom full-color cover with track listings – all for you and all for FREE! (That’s right! FREE!)

Just click either link (ge.tt or jumpshare.com) for “A Non-Traditional Christmas 2015
You will be taken to a new window where you’ll be able to download the zipped folder (that there’s technology jargon!). Just ask any random nerd how to unzip the folder and you’re in business. Enjoy or delete them as quickly as you can… the choice is yours.

(Please contact me if you have trouble with the download.)

and a happy you near

Did you miss previous years’ compilations? You can get them here:

2014

2013

2012

2011

2010

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IF: punch

sock it to me!

In 1934, huddled away in a converted garage in Fullerton, California, ice cream topping entrepreneurs A.W. Leo, Tom Yates and Ralph Harrison mixed and blended and experimented with a variety of fruit flavors. They finally hit upon the perfect combination of seven fruits: apple, apricot, guava, orange, papaya, passion fruit, and pineapple. They sold the product to area restaurants and soda fountains under the name “Leo’s Hawaiian Punch,” dropping Leo’s name a short time later. However, customers discovered that the thick concentrate was pretty tasty as a drink when mixed with water. A businessman named Reuben Hughes purchased the trio’s company and began to distribute quart bottles of the concentrate through his new company Pacific Hawaiian Products. By 1950, ready-to-serve cans of Hawaiian Punch hit grocery store shelves.

In 1962, ad agency Atherton-Privett created a short television commercial featuring a smarmy little character to hawk the fruity drink. Clad in a blue & white striped shirt and a wild interpretation of a straw hat with a voice provided by actor Ross Martin, “Punchy” offered an oafish tourist (appropriately named “Oaf”) the question “Hey! How ’bout a nice Hawaiian Punch?” When the unsuspecting fellow would answer in the affirmative, Punchy would haul off and knock the poor guy on his ass. Then, Punchy would turn to the camera and, in a moment of self-awareness, smile and say, “Wasn’t that a nice commercial?” During an airing of the spot on The Tonight Show, host Jack Paar was so taken, he insisted the commercial be run again, announcing “The second time is free.”

The company changed hands over the years with ownership passed from R.J. Reynolds to Proctor and Gamble to Del Monte to Nabisco to Cadbury Schweppes to its current owner Dr. Pepper. Punchy, however, has been redesigned and taken a smaller role in the product’s promotion.

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IF: whimsical

whimsicle fuckery

In 2009, April Winchell, the versatile and multi-talented actress, launched the website Regretsy.com. It was a raucous and bitingly satirical take on the popular etsy.com website, a so-called marketplace for all things handmade. But, April (under the guise of “Helen Killer”) regularly scanned the many listings on etsy in search of items that were weird, unusual, frightening and just downright strange. She would then publicly call out those items and sellers offering items that were obviously not handmade. Just four days after its initial launch, Regretsy racked up an astounding 90 million hits. Followers (and subsequent commenters) were relentless in their sarcasm, critiques and out-and-out insults of the items on display. Soon, the Regretsy website spawned its own subset of features including anything with gears glued to it being reprimanded as “Not Remotely Steampunk,” outlandish variations surrounding a single octopus brooch and numerous plays on blatant and idiotic misspellings — usually labeled by the Regretsy faithful with a resounding “derp!” One of Regretsy’s favorites was the overuse of the word “whimsicle.” It appeared in countless listings by sellers who refused to take advantage of “spellcheck” when posting their items. If I recall, April and her minions never let a single occurrence of “whimsicle” pass without a proper, berating finger-point!

ericandaprilwinchell042810After almost a year, publishing giant Random House signed April up to publish a book based on the successful Regretsy website. A book tour followed and the California-dwelling April made her way eastward for a book-signing/charity auction in New York City in April 2010. She hosted a hilarious evening at a Manhattan bookstore, where she mingled with fans and sold a variety of items that were publicly disgraced on Regretsy. Mrs. P and I were in attendance and we purchased this beautiful “Whimsicle” pillow — and yes! — it is handmade! My son proudly displays our auction win, as April herself offers up a batch of fetus cookies that were baked by a Regretsy fan.

April closed up shop on Regretsy in early 2013, to concentrate on her vocation of choice — voice acting. April, the daughter of actor-ventriloquist Paul Winchell (a prolific voice actor in his own right), has been doing voices for films and television since the 1970s. She is best known for her work in Who Framed Roger Rabbit? and TV’s Goof Troop, as well as nearly every appearance of Clarabelle Cow since taking over the role from the legendary Elvia Allman. More recently, April provided the voice of “Sylvia,” the trusty, yet reckless, horse on the delightful Disney Channel series Wander Over Yonder.

April has all but disappeared from all outlets of social media. Obviously, her voice work is keeping her very busy (and rightly so)! Speaking on behalf of her fans and the entire internet: “We miss you, April. Without you, our lives are far less whimsicle.”

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IF: adventure

adventureTIME!

My family went on an adventure to Walt Disney World last week. On the day we chose to visit EPCOT, we queued up for Universe of Energy, a fun and educational presentation featuring Ellen DeGeneres, Alex Trebek, Jamie Lee Curtis, Bill Nye the Science Guy and a cast of assorted dinosaurs. Guests are treated to an integrated combination of film and Audio-Animatronic figures delivering a message of… oh, I don’t know… something about energy. To be honest, I have a tendency to doze off somewhere in the middle of the 45-minute presentation.

When we arrived at the entrance of the massive building that houses the show, a show was already in progress. The attraction can accommodate 1500 guests at one time, with three shows running simultaneously, so it is very likely that all those waiting outside will get in to see the next show, even at the park’s busiest times. So, we took a seat on a low wall that lined a manicured arrangement of colorful flowers and shrubbery, all beautifully landscaped in the perfect Disney tradition. We were soon joined by other guests who scattered themselves about the large waiting area outside the tinted entrance doors. A mother walked up with a small boy of about five years-old. He was a typical kid, so we really didn’t take notice until…

If you have visited any Disney theme park, you know that — within minutes — you become accustomed to waiting in line. Disney, like most similar entertainment parks, has a very elaborate but easy-to-follow system of waiting in line. Most rides are equipped with a network of rails and chains and poles and ropes to create a path that leads guests to the boarding area in an efficient and orderly fashion. After a while, queuing up and waiting in line becomes second nature. Wanna go on a ride? Get in line. Soon, you don’t even think about it, you just do it.

Well, this little boy had quickly grasped the concept of waiting in line and he was not going to stray from what he was taught by the good folks at Disney. The entrance to Universe of Energy was mildly occluded by a thin rope stretched between two shiny metal poles. The little boy surveyed the area — the rope, the closed doors, the other guests scattered casually about — and frowned. He turned to his mother.

“Where does the line start?,” he asked.

His mother smiled and explained that the building is so big that all of these people will get in when the doors open.

He frowned again and furrowed his tiny eyebrows. “But where is the line? Where does it start?,” he demanded. His tone grew agitated, his words clipped. His mother, again, offered her explanation in a calm manner. “Honey, there is nothing to worry about. We will all get in. All of these people will get in.”

The kid wasn’t buying it. He grit his teeth and seethed, “But, where does the line start?” His voice lowered almost to a growl. His small neck tensed and his hands curled into fists.

His mother tried once more to pacify the boy, but he wanted no parts for her pathetic reasoning. “Dear, we will all —”

He cut her off. “JUST TELL ME WHERE THE LINE STARTS!,” he implored, “WHERE IS THE LINE? WHERE DOES IT START?”

His exasperated mother attempted to repeat her unconvincing claims of admission to the attraction, but the boy would not hear it. He was furious. He flung himself to the ground and kicked his feet. “WHERE IS THE LINE? WHERE IS THE LINE? TELL ME WHERE THE LINE STARTS!” His face was flushed and he looked like he was on the verge of frustrated tears.

The doors finally opened and the gathering crowd filed in. Once inside the building, everyone entered a large, cavernous room lined on one side with five huge movie screens placed high on the wall. Some guests took seats at the rear of the room on a long, futuristic-looking bench. Others stood on the dark red carpet, while others just planted themselves cross-legged right on the floor.

Now, the little boy saw that his mother had told the truth and there was, indeed, no line. He scanned this large room, turned to his mother and asked, “Now where does the line start in HERE?

For another adventure from this trip, click here.

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