josh pincus is crying

November 30, 2009

from my sketchbook: the bop bop

Filed under: reminiscence, from my sketchbook — joshpincusiscrying @ 10:32 pm

death on four wheels
1965 was a tumultuous time. The country was still healing from the wounds brought on by a presidential assassination. Alabama state troopers clashed with civil right activists in Selma. The first wave of US Armed Forces was being deployed to the jungles of Viet Nam. In 1965, I fought a demon of my own.

My experience growing up in a middle-class household was pretty typical. My father was the breadwinner and provided for his family. For his trouble, he expected dinner on the table when he arrived home from work. After dinner, he wanted to sit in his chair, watch his television, smoke his cigarettes and not be bothered. Being bothered was my mother’s job. My mother did her best to maintain order in the house, yet she always seemed to be one step behind the chaos. My older brother was a very well-behaved child. He could always occupy his time with a book or his little plastic army men. I, however, was the itch in the center of my brother’s back that he could not reach. I was the out-of-control wild boy. I would have been labeled “hyperactive”, if such diagnosis existed in 1965. Instead, I was just called a “royal pain in the ass”.

When I was a kid, there were two categories of toys in my house. There were the ones that belonged exclusively to either my brother or myself and were not to be handled by anyone else under any circumstances. While my brother was respectful of that unwritten rule, I never could properly grasp the concept. Everything was fair game, as far as I was concerned. I had no problem breaking a toy that was believed to be solely my brother’s possession. The other classification was something my parents designated as a “share toy”. Oh God, did I hate those words. By the expression on my brother’s face when he was informed that a new plaything was deemed “a share toy”, he hated those words, too. “Share toys” sucked. Share toys had to be stored in neutral ground in our shared bedroom. There would no doubt be loud and vicious arguments over a “share toy”, usually resulting in a punch and someone crying. That someone was usually me. I’d run and seek the corrupt judgment of my mother, who would invariably rule in my favor, since I was the younger child. More often than not, I didn’t want the toy. I just wanted the satisfaction of watching my brother get a refresher course in the rules of a “share toy”. Upon witnessing my mother berate my poor brother with a barrage of “you should know better” and “you’re the older brother”, I’d wander off to find more trouble I could get into.

In late 1957, my parents purchased a house in the far reaches of newly-developed Northeast Philadelphia. With cookie-cutter houses packed into carbon-copy neighborhoods, the Northeast was like living in the suburbs, but still within the city limits. Much to my mother’s dismay, we saw my paternal grandparents often. My grandfather, who drove a city bus for a living, complained about the distance between my parent’s house and his own. “Why the hell would you buy a house out in that farmland?” he’d angrily ask, in a phone conversation with my father, prior to a visit. He’d begrudgingly drag my grandmother (who did everything begrudgingly) into his car and drive the most indirect and convoluted route to our house. Upon arrival, he’d complain — again — about the drive and my parents’ choice of residence. My father dutifully listened to his father’s grievances. My mother remained silent, in hopes of not prolonging the visit. My mother disliked her in-laws immensely and with good reason. She correctly pegged my grandfather as an ignorant, narrow-minded bigot and my grandmother as a mean and manipulative shrew. My father had been married briefly before he was married to my mother. My grandmother would buy gifts for my dad’s ex-wife and ask my mother’s opinion of her purchases. And my grandmother was a racist to boot.

One particular visit from my paternal grandparents was quite traumatic. It was August 1965 — my fourth birthday. Birthdays meant gifts and no matter how fragile the relationship was between my mom and my grandparents — a gift was a gift. After dragging themselves up our front lawn and an overly-dramatic recounting of their journey, my grandmother, in her most flamboyant fashion, presented me with a gaily wrapped box. I eagerly accepted it and commenced on a quick and sloppy removal of the colored paper keeping me from my present. And since this was my  birthday, it was not going to be a goddamn share toy.

The torn paper yielded a brightly colored box, elaborately decorated in a circus motif. Happy clowns cavorted with smiling striped tigers. Monkeys swung on cages. Balloons and confetti abounded. My mom helped with the box flap as I excitedly anticipated what lurked inside. She withdrew a wooden hippopotamus adorned with brilliant yellow paper and the same circus images from its box. Adjacent to each of the toy beast’s painted legs was a bulbous, red, plastic wheel. My mom proudly displayed the figure in her hands — just inches from my face — as my grandparents observed with a smugness cast upon their faces. My grandmother took the toy from my mother’s hands and placed it on the gold-flecked linoleum of our kitchen floor. She gave a yank on the long braided string attached just under the hippo’s exaggerated jaw. As it rolled along on its wheels, that massive jaw opened and out came the most horrendous noise. It was a noise that emanated from the pits of fiery Hell. A noise comprised of equal parts tortured anguish and pure evil. It said, “BOP BOP BOP BOP BOP BOP!” It was repulsive and vile and scared the living shit out of me. I flew into my mother’s protective arms, squirming into the sanctuary of her bosom. My grandmother’s face sank in utter disappointment. She tried to calm me by talking sweetly about how nice the hippo was. I burrowed further into my mother’s shoulder, whimpering. I wanted no parts of that wicked creature. My mother managed get my father to put out his cigarette long enough to take me from her arms. She gathered up the hippo and its packaging and disappeared into another room. Within a minute, she returned to inform everyone that everything has been taken care of. I continued to peer cautiously around corners, knowing that thing was still in my house. The day ended with dinner followed by cake and ice cream and, happily, my grandparents leaving.

My mom was appalled that my grandmother would give something so frightening to me, but it sparked an idea. My mother was wonderful, but boy, was she devious. For the next several years, she used that hippo — now known in our household as “The Bop Bop” — as a motivator. If I procrastinated with homework or lagged in picking up my Hot Wheels cars, my mom would threaten me with taunts of “I’ll get the Bop Bop”. In seconds, I’d be hard at work on my school assignment or putting those toy vehicles back in their appropriate place. I’d do anything to avoid an encounter with the malevolent Bop Bop.

One day, I must have been about six years old, I gathered my courage and faced the Bop Bop. I had discovered my mother’s hiding place for the hideous brute. While getting my coat from the hallway closet, I caught a glimpse of yellow and red on the top shelf. The Bop Bop sat in silence, its dead eyes gazing off to its right, its pert leather ears standing at attention. I froze in horror. Then, I stared at the evil bastard. I pulled out the metal stepladder that was stored at the back of the closet. I marched defiantly up the steps and snatched the Bop Bop off the shelf. I leapt off the ladder and ran for the door, clutching the Bop Bop tightly against my torso, but careful not to look down at it. I ran to the backyard and dropped the Bop Bop in the grass and, turning on my heels, darted back into the house. I panted heavily and leaned against a wall. Although I was winded, I was basking in the realization that I had rid my life of the dreaded Bop Bop.

The sky outside became overcast and the clouds poured rain on that Philadelphia afternoon. I climbed up on my parents’ bed and watched out the window as the Bop Bop got drenched in the abundant downpour. A week or so later, my mother came across the empty space at the top of the hall closet. When she questioned me on the whereabouts of the Bop Bop, I sang like a government informant. My mom went into the backyard to investigate my story and discovered a gray and splintered mound of waterlogged wood, its printed paper cover peeled off — torn and curled in the wet grass. Its mud-caked wheels fixed on rusted axles. She rounded up the mess and walked back to the house, stopping briefly to deposit her findings in the trash can in the side yard. My mom came back in the house and glared at me. She was mad. It didn’t matter. And any subsequent punishment wouldn’t matter either.

I had won.

corruptor of youth
The real Bop Bop.

IF: entangled

Filed under: IF — joshpincusiscrying @ 1:03 pm

This week’s Illustration Friday challenge is “entangled”.
I had a job in the great north woods/Working as a cook for a spell/But I never did like it all that much/And one day the ax just fell.
Margie didn’t want to get entangled in the madness of Christmas shopping.
So, this year, everyone got a homemade gift.

Hey Everyone! My annual compilation of eclectic Christmas music is now available!
That’s right! 23 songs (and a bonus track) plus a custom color cover in PDF format to print, all convenietly zipped and ready for FREE DOWNLOAD !
Just click HERE and let the holiday fun begin!

November 29, 2009

Monday Artday: feast

Filed under: Monday Artday — joshpincusiscrying @ 6:31 pm

The current Monday Artday challenge is “feast”.
When a loaf of bread looks like a banquet, I've no right buying tobacco.
A feast means something different to different people.

November 21, 2009

Monday Artday: gratitude

Filed under: celebrity, death, Monday Artday — joshpincusiscrying @ 4:52 pm

The current Monday Artday challenge is “gratitude”.
you can't know where you're going until you know where you've been.

Curt Flood spent most of his career as a center fielder for the St. Louis Cardinals. He led the National League in putouts four times. He won Gold Glove Awards. He also batted over .300 six times, and led the NL in hits in 1964. He retired with the third most games in center field in NL history, behind Willie Mays and Richie Ashburn.

On October 7, 1969, the Cardinals traded Flood, catcher Tim McCarver, outfielder Byron Browne, and pitcher Joe Hoerner to the Philadelphia Phillies for first baseman Dick Allen, second baseman Cookie Rojas, and pitcher Jerry Johnson. However, Flood refused to report to the Phillies, citing the team’s poor record, the fact that they played in dilapidated Connie Mack Stadium and, what Flood felt, racist fans.

With the backing of the Players Association and with former U.S. Supreme Court Justice Arthur Goldberg arguing on his behalf, Flood sought action against Baseball Commissioner Bowie Kuhn in a case that lasted from January 1970 to June 1972 at district, circuit, and Supreme Court levels. Although the Supreme Court ultimately ruled against Flood, upholding baseball’s exemption from antitrust statutes, the case set the stage for the advent of free agency.

The emotional costs to Flood as a result of his unprecedented challenge of the reserve clause were enormous. Flood’s major league career effectively ended with his legal action, and he traveled to Europe, spending much of his time there painting and writing, attempting to deal with the pain and frustration of being away from the game he loved. In 1970, prior to the Supreme Court decision, Flood published his autobiography, The Way It Is, a book which outlined his moral and legal objections to baseball’s reserve system.

At the memorial service for Curt Flood, who died of throat cancer in 1997 at the age of 59, dozens of former ballplayers gathered to pay tribute to a man whose sacrifice made him not merely a hero, but a martyr. Former major leaguer Tito Fuentes wondered why the current generation of baseball’s multi-millionaires did not attend the service to pay their respect. “He was a great man,” Fuentes remarked as he passed by Flood’s casket. “I’m sorry that so many of the young players who made millions, who benefited from his fight, are not here. They should be here.”

You call that gratitude?

This song by The Baseball Project sums it up perfectly. (Lyrics HERE.)

IF: music

Filed under: IF — joshpincusiscrying @ 3:52 pm

This week’s challenge on Illustration Friday is “music”.
a little less conversation, a little more action
“I don’t know anything about music. In my line you don’t have to.”
— Elvis Presley

November 20, 2009

IMT: label

Filed under: IMT — joshpincusiscrying @ 9:14 pm

The inspirational word this week on Inspire Me Thursday is “label”.
eat! eat! you're skin and bones!
Someday, maybe I’ll go into business with my mother-in-law.

November 18, 2009

from my sketchbook: hope summers

Filed under: celebrity, death, from my sketchbook — joshpincusiscrying @ 11:50 pm

We're your friends, Rosemary. There's nothing to be scared about. Honest and truly there isn't!
Hope Summers made her Hollywood debut at the age of fifty, beginning a career of playing essentially the same character. Hope was the older, genteel neighbor in countless Westerns, sitcoms and medical shows in the early days of television. She was featured as one of the townspeople in The Rifleman with Chuck Connors and she provided the voice of Mrs. Butterworth, the talking syrup bottle. But, Hope was best remembered as Aunt Bee’s slightly competitive, slightly gossipy best friend Clara Edwards in thirty-two episodes of The Andy Griffith Show.

In 1968, Hope’s familiar character took on a whole new dimension when she portrayed Mrs. Gilmore, one of the Satan worshippers attempting to corrupt poor Mia Farrow in Rosemary’s Baby. After her turn as one of the devil’s minion, try watching her in The Andy Griffith Show. You’ll never look at sweet old Clara in the same way.

Hope was still an active and in-demand actress at the time of her death in 1979 at age 83.

November 15, 2009

IMT: tree

Filed under: IMT — joshpincusiscrying @ 6:08 pm

The inspirational word this week on the Inspire Me Thursday website is “tree”.
can't see the forest...

After years in the jungle, Tarzan never imagined he’d spend his golden years in a tree.

IF: unbalanced

Filed under: death, IF — joshpincusiscrying @ 12:02 am

The Illustration Friday challenge word this week is “unbalanced”.
They don’t come much more unbalanced than Armin Meiwes. WARNING! His story is not for the faint of heart.
the other white meat

Armin Meiwes was an active member on the fetish fantasy website, The Cannibal Cafe. In December 2001, he posted a message seeking a dinner guest. After screening several candidates, he began more serious correspondence with fellow German Bernd Jürgen Brandes. Through a month of email conversation, Meiwes discovered, to his delight, that Brandes’ fantasy was to be killed and eaten. Meiwes was only too happy to oblige.

In March 2002, Brandes came to Meiwes’ home in Rotenburg. Meiwes gave Brandes large amounts of alcohol and painkillers. He then led Brandes to his bathtub to lie down. Once Brandes was properly anesthetized (but conscious), Meiwes cut off his guest’s male organ and fried it in a pan with onions and garlic. Meiwes served the cooked appendage to the two of them, as Brandes slowly bled to death. After they consumed as much as they could, Meiwes administered more alcohol and alcohol-based cold medication and left Brandes to die in the tub. Meiwes went into another room and read a Star Trek adventure book for three hours. Then, he returned to the tub, cut Brandes’ throat, and hung the body from a meat-hook. He began the task of butchering Brandes’ body for further consumption. He stripped, separated and bagged sixty-five pounds of Brandes’ flesh, which he stored in a chest freezer. He attempted to hide the bags under some frozen pizzas. Over the next ten months, Meiwes ate some of the flesh every day.

Meiwes was arrested in December 2002, after a college student contacted the police upon seeing advertisements for victims and details about the killing on the internet. Investigators searching Meiwes’ home found a videotape of the killing and approximately fifteen pounds of human flesh in the freezer.

On January 30, 2004, Meiwes was convicted of manslaughter and sentenced to eight and a half years in prison. Meiwes had admitted what he has done, although he debated the charge of murder, insisting that Brandes was a willing participant and was well aware of his fate.

Not satisfied with the manslaughter charge and the lenient sentence, a Frankfurt court retried Meiwes in 2006. He was found guilty and sentenced to life in prison.

November 12, 2009

from my sketchbook: erin fleming

Filed under: celebrity, death, from my sketchbook — joshpincusiscrying @ 11:48 pm

Women should be obscene and not heard.
Thirty-year-old Erin Fleming was hired as secretary to eighty-year-old Groucho Marx in 1970. The two began a relationship. She persuaded Groucho to perform a one-man show that proved to be wildly popular. A performance at Carnegie Hall was recorded and released as An Evening with Groucho. That, too, was a huge success.

Groucho’s son, Arthur, accused Erin, a failed actress, of exploiting an increasingly senile Groucho in pursuit of her own stardom. In Groucho’s later years, his heirs filed several lawsuits against her. One allegation leveled against Fleming was that she was determined to sell Groucho’s favorite Cadillac against his wishes. When Groucho protested, Fleming allegedly threatened, “I will slap you from here to Pittsburgh.”

Groucho’s health began to decline quickly in 1977 and he was in and out of the hospital for most of the summer. On August 19, 1977, Erin Fleming made this statement to the Associated Press: “Groucho’s just having a nice little dream now. He’s just going to have a nap and rest his eyes for the next several centuries.” Erin left the hospital, leaving Arthur, Arthur’s wife and son in Groucho’s room when he died. The court battles over Groucho’s estate dragged into the early 1980s, but judgments were eventually reached in favor of Arthur Marx, ordering Erin to repay $472,000.

Erin’s mental health deteriorated in the 1990s. She used to go into Saks Fifth Avenue, try on clothes and put them on lay away, and never go back to finish the sale. She would twirl around Saks and sing to herself. She was arrested in Los Angeles on a weapons charge, and spent much of the decade in and out of various psychiatric facilities. Reports from later in her life identified Erin as homeless. She committed suicide in 2003 by shooting herself.

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