from my sketchbook: josh pincus is confessing

oh! A Santaman!
I have spent years expanding my blog with observances of the quirkiness of my surroundings, chronicling the deaths of those once celebrated and now forgotten, stories from my past and, of course, my silly drawings. In that time, I presented my opinioned views on religion, of both my own and those of which I am not a follower. Because I have often been questioned as the peer-appointed spokesman of the Jewish faith, I have tried to detail the unusual customs and rituals associated with being a member of “The Chosen People.” Well, it’s time for Josh Pincus to come clean.

I grew up in a Jewish household. To me, that meant we didn’t drag a tree into our living room every December, we didn’t dress up in our finest clothes on a late Sunday in April, and we didn’t believe that Jesus was Our Savior — whatever that meant. (Who thought, at four years old, I needed saving?) Despite the majority of my friends and classmates also being Jewish, we weren’t denied participation in Christmas card and gift exchanges at school and dyeing Easter eggs every spring. It also didn’t stop me from enjoying another practice associated with my communion wafer-receiving friends — the visit to Santa Claus.

I have vivid memories of accompanying my Mom to one of several large department stores in the pre-mall days of the 1960s. The store’s toy department was jammed with all the latest offerings to fulfill a child’s appetite whetted by Saturday morning commercials and the thick Sears Wish Book.  Just past the aisles of colorful playthings was an area gaily decorated with twinkling lights, pine garland, speckled with oversized red velvet bows and piles of fake snow. In the center sat a raised platform covered with more fake snow surrounding a great throne on which sat the seasonal fat man himself. Several holly-decked pylons connected by candy-striped rope designated a queue line. Excited children chatted and fidgeted as they waited their turn to greet St. Nick and impart their requests for gifts.

My mom directed me to join the line while she made arrangements with the “elves” operating the huge tripod-supported camera for a photographic record of my encounter with Santa. (Although I’m sure he did, I don’t recall my older brother joining us for these yearly excursions. Obviously, he got wise to this scam at an earlier age than I did.) I patiently waited for my chance to tell Santa what I wanted. I knew that we didn’t celebrate Christmas, didn’t have a Christmas tree and especially didn’t have a chimney or fireplace, but I never made the connection. All I knew was: if you wanted presents, this was the guy to ask. A smiling little girl in white tights and a plaid coat climbed down from Santa’s lap and happily skipped away. A young lady — no doubt earning a few bucks on her winter break from college, in full elf uniform — waved me in. My moment in the spotlight had arrived. My mom stood by the platform’s exit ramp and beamed. Well, I’d fix that in a few minutes.

The kind-faced Santa looked down at me perched on his red-flocked lap and asked if I had been good this year. My four-year old mind assessed the question. As if any four-year old would fess up, I answered that I not only had I been good, I’d been very  good. Then, he asked the most important question, the one I was preparing for. “What would you like for Christmas?,”  he smiled. I wrinkled my brow and bent my tiny mouth into a frown at the “Christmas” reference. But nevertheless, I raised my head proudly, cleared my little throat and replied.

“My very own roll of Scotch tape.”

Santa stared, perplexed. “What?,” he asked in a puzzled tone.

“I want my very own roll of Scotch tape.,” I repeated. (Okay, I thought, the guy’s old. Maybe he didn’t catch me on the first go-round.) Santa looked over my shoulder at my mother, seeking some sort of clue. My mother frantically looked around for a place to hide. She glanced back at Santa with a painful “that-is-not-my-kid-on-your-lap” expression on her face. Santa looked at me again and saw the  “I-am-not-shittin’-around”  expression on my face. With disbelief, he stammered as he echoed my request.

“A roll of Scotch tape?”

I confirmed.

“Nothing else?,” he asked, somewhat hopeful.

I stared back at Santa with my own disbelief. “Nope.,” I said. I looked at him squarely and thought: Why on earth would I want anything else? I’m talking Scotch-fucking-tape, my chubby friend! Do you have any idea how much fun I could have with my very own roll of Scotch tape?

The bewildered Santa smiled a crooked smile, nodded, handed me a candy cane and sent me on my way. I joined my mom who was busily trying to hide her embarrassment from the other mothers. “Did you just ask Santa for a roll of Scotch tape?,”  she asked.

“Yep. Of my very own.”

Mission accomplished. My mom and I continued walking through the store.
must be Santa! must be Santa! must be Santa! Santa Pincus!
(left) Josh Pincus visits with Santa, circa 1965.
(right) JPiC hits the jackpot!

*********

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from my sketchbook: banjo pig 3

clutching forks and knives to eat their bacon
Here is the third in a series of pigs playing the banjo.
(Inspired by the Dueling Banjo Pigs website.)

It's a jolly holiday with JPiC!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs, an annoying BONUS track and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2010.”

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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IF: prehistoric

This week’s Illustration Friday challenge word is “prehistoric”.
Now, we travel back in time to the Primeval World.
Gronk proudly displays his prehistoric robot to the astonishment of his fellow cave-dwellers.

 It's a jolly holiday with JPiC!
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs, an annoying BONUS track and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2010.”

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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from my sketchbook: happy holidays

a third less filling than regular holidays
My annual Christmas music compilation is available as a FREE DOWNLOAD for a limited time.
26 unusual songs, an annoying BONUS track and a custom full-color cover with track listings — all for you and for FREE!
Just CLICK HERE for “A Non-Traditional Christmas 2010.”

Happy Holidays from your pal JPiC!
(Please contact me if you have trouble with the download.)

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from my sketchbook: mario monicelli

abbondanza!

Beginning with his first film, 1935’s I ragazzi della via Paal, Mario Monicelli wrote and directed over one hundred films and earned praise as one of the most beloved masters of the Commedia all’Italiana (Italian-style comedy) in a career that spanned eight decades.

He worked quite often with stars Vittorio Gassman and Marcello Mastroianni, as well as internationally-known Italian actors such as Sophia Loren and Giancarlo Giannini. He was recognized several times with Academy Award nominations in the Best Foreign Film category. He even dabbled in small acting roles, including a small part as a flower salesman in 2003’s Under the Tuscan Sun. In 1991, his illustrious career was honored by the Venice Film Festival and he received the Golden Lion award. In 2006, the ever-prolific Monicelli directed The Roses of the Desert  at the age of 91.

In the final week of November 2010, Mario Monicelli was admitted to San Giovanni hospital in Rome for treatment of prostate cancer. Several days after admission, Mario leaped to his death from his fifth-floor hospital room window. He was 95.

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from my sketchbook: ted healy

Spread out!!!
In the early 1920s, young Lee Nash developed a comedy vaudeville act and was soon joined by his childhood friend Morris Horowitz. Lee, now known by the stage name “Ted Healy”, told jokes onstage and was heckled by Morris, who was planted in the audience. Morris would then come up to the stage and engage Ted in funny banter, until the act culminated in the payoff of Ted losing his trousers — a punchline given approval by the audience’s hysterics. Morris’ brother Samuel joined the act as another heckler, followed by friend, violinist Louis Feinberg. The act, Ted Healy and His Southern Gentlemen, was very popular on the vaudeville circuit for years.

The troupe made a film, Soup to Nuts, in 1930 and the Horowitz brothers, along with Feinberg, split from Ted over a movie contract dispute. Morris shortened his name to Moe. Brother Samuel used his nickname “Shemp” as a stage name. They also changed their surname to Howard. Louis Feinberg adopted the professional name “Larry Fine” and left the violin behind in favor of pratfalls, eye pokes and hair-pulling. The three believed they were “the draw” of the act and they embarked on a career as a trio — The Three Stooges.

After officially, but amiably, parting ways with the Stooges in 1934, Ted entered a new phase of his career, choosing adventure and mystery films over comedies. He appeared in over thirty movies for 20th Century Fox, Warner Brothers and MGM. He was so popular that his was the first caricature to be placed on the wall at famed Manhattan restaurant Sardi’s.

On December 19, 1937, Ted visited Moe and Helen Howard to tell them that his wife Betty was expecting a baby and was going to deliver shortly. Ted had always loved children. He doted over Moe’s kids and gave generously to underprivledged youngsters at holiday time. He was ecstatic at the thought of becoming a father himself.

On December 21, 1937, Ted was drinking in a bar on Sunset Strip in Hollywood when he got into an argument with a young college student half his age and twice his size. Two of the student’s friends joined in when the name-calling escalated to shoving and spilled out into the parking lot. The three young men beat the crap out of Ted. A friend picked Ted off the sidewalk and took him to his apartment where he later died as a result of his injuries.

However, there is another account of Ted’s death that differs greatly from that story. Allegedly, MGM boss Louis B. Mayer sent hefty actor Wallace Beery and Albert Broccoli (later producer of the James Bond film series) to beat up Ted. The “college boys” story was fabricated and given to the press as Beery laid low in Europe for several months. This scenario is unsubstantiated and dismissed as  a total lie by members of Mr. Mayer’s family. Despite the mystery surrounding the conflicting stories, the fact was that Ted Healy died at age 41.

Never one to save money, Ted died penniless and his funeral was paid for by fellow vaudevillians the Foy Family. One week after Ted’s funeral, his son was baptized.

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IF: savor

This week, the challenge word on the Illustration Friday website is “savor”.
from refinery to your table
Their value is intrinsic,
surpass any mint stick
Or marshmallow mouthful you munch

Though licorice is chewy
And gum drops are gooey
And chocolate is charming to crunch

That savory fife
That sweet of your life
Is clearly the best of the bunch

Toot Sweets!
Toot Sweets!
A bon-bon to blow on at last has been found
Toot Sweets!
Toot Sweets!
The treat that’s so tweetable,
lusciously eatable,
with that unbeatable sound!

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DCS: gloria grahame

And oh, she looks so good, oh, she looks so fine, And I got this crazy feeling that I'm gonna make her mine.

No one played the tramp like Gloria Grahame. After her 1944 film debut as trampy Sally Murfin in Blonde Fever, Gloria shot to stardom as trampy Violet in the Frank Capra holiday favorite It’s A Wonderful Life. She went on portray sluts, bad girls and tramps in a career that spanned five decades. With her pouty lips and heavy-lidded eyes, she came on to the likes of Glenn Ford, Dick Powell, Humphrey Bogart, Charlton Heston and many more of Hollywood’s leading men. Even in her turn as Ado Annie in the lively musical Oklahoma!,  her promiscuity was in question, as revealed in her delivery of “I’m Just a Girl Who Can’t Say No”. But Gloria’s private life made one wonder whether she was acting.

Gloria was married to character actor Stanley Clements for nearly three years. Her divorce from Clements came through on the same day she married director Nicholas Ray. When Ray was directing Gloria in In a Lonely Place  in 1950, the marriage was already suffering. But, it was over when Ray caught Gloria in bed with his 13-year-old son Anthony. Ray and Gloria separated and officially divorced two years later.

The 1950s were most productive for Gloria. She starred in eighteen films and won the  Academy Award for Best Supporting Actress for The Bad and The Beautiful.  She married again in 1954 and gave birth to her second child. Near the end of the decade, just prior to starring in Oklahoma!,  Gloria opted for plastic surgery to correct her long-time concern over the appearance of her upper lip. As a result, her upper lip was paralyzed from nerve damage and her speech was impaired. By the 1960s, her star began to fade along with her demand in films. She began appearing on the stage and in guest star roles on television. In a move that did not sit well with her Hollywood contemporaries or the press, Gloria married her stepson Anthony in 1960. That union produced two children.

In 1980, Gloria was diagnosed with stomach cancer. She refused treatment, insisting that she was not sick. In 1981 she traveled to England to perform in a play. While in England, she had fluid from her stomach drained, which resulted in a perforated bowel. After the procedure, she collapsed during rehearsals for the play. Some of her children came and brought her back to New York. Once back in the states, her health deteriorated quickly. Gloria died in October 1981 at the age of 57.

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